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LA TUA VALUTAZIONE
L'ultimo anno della vita della cantante Nico, mentre è in tour e alle prese con la dipendenza e i demoni personali.L'ultimo anno della vita della cantante Nico, mentre è in tour e alle prese con la dipendenza e i demoni personali.L'ultimo anno della vita della cantante Nico, mentre è in tour e alle prese con la dipendenza e i demoni personali.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 21 candidature totali
Recensioni in evidenza
Andy Warhol said that everyone has their fifteen minutes of fame. And he gave Nico, a beautiful young model, her fifteen minutes by pairing her with the Velvet Underground, a rock band in his orbit who were starting their careers. If I recall correctly, the Velvets were unconvinced by their guest singer, but the one album they made together became a cult success. But what do you do when your moment of fame passes? Nico died in relative obscurity before the age of 50, grappling with heroin addiction. As a concept, 'Nico, 1988' might be imagined to be simply unbearably sad. But in fact, there's a lot to enjoy in Susanna Nicchiarelli's film. Her Nico is an addict, sure, with all that that entails, but also a not unaccomplished jazz-rock singer, and a real person trying to extract meaning from her life. It's not easy for her, but neither is this a story of a life not worth living; and her death a sudden and mostly unexpected tragedy the same as anyone else's. Trine Dyrholm is very good in the lead role bringing the character to three-dimensional life. It's an unsentimental movie, but in no senses a cold one.
He had more potential, especially dramatic and family, he had a child with Alan Dellon, who was never recognized by him, despite his parents having raised and adopted him, at age 16 Nico's son shared drugs and syringes with her, he was born during the war, the German soldier father, will die in the war, she had stated that maybe all Germans have Nazism in their veins, when asked about, there was a lot about her to be said, they focused on a short time, unfortunately, uninteresting...
"Nico Icon" (1995) ,a documentary, was a movie which could not thoroughly satisfy Nico's fans cause the essential,that is to say,the musical side ,was minimal .Both her short stint with the Velvet Underground and her solo career were botched.This work was centered ,in fact,on the son the artist would have had with French star Alain Delon ,a fact which remains uncertain even today and even though the actor's family did take on the child .
There's a very brief hint at a"French actor" in the 2017 movie. "Nico ,1988" is a different matter ,because it deals with the last months of the artist : a poor epitaph ,a sad and tatty end of a singer who was once associated with one of rock's most influential albums ("the V.U. and Nico°,though gossips keep on repeating her creative role was minor,which is not entirely false)
Based on true accounts from people who were around , "Nico 1988" is a gloomy but credible crepuscular biopic ;it seems that, in the eighties, Nico made an attempt at a more palatable (I would not write"commercial" ) ,more "rock " music ;in the seventies ,she would perform with her harmonium -she notably performed in a cathedral , an ideal background for this ghostly ,spectral music ; the treatment of "all tomorrow's parties ",a song she recorded with the V.U. ,makes her music more accessible and more exciting than the haunting but a bit droning sound (her approach of the German National Anthem was impressive though and John Cale 's production of her cover of the Doors' 'the end' helped );and on her tunes,notably "janitor of lunacy" ,the updating is effective and welcome ;this one effortlessly supersedes the studio version.
She would retain a certain cult in Europa and it shows ,,and her before mentioned son ,Ari , appears and is proud of her mother (the 1995 doc showed a young man who would despise his adoptive mother ,which was off-putting); her choice to perform behind the Iron Curtain was as adequate as the cathedral of the seventies .
Tryne Dyrholm 's performance is perfect;she convincingly portrays a jaded faded singer, ravaged by drugs ; her death is given a very proper treatment.
There's a very brief hint at a"French actor" in the 2017 movie. "Nico ,1988" is a different matter ,because it deals with the last months of the artist : a poor epitaph ,a sad and tatty end of a singer who was once associated with one of rock's most influential albums ("the V.U. and Nico°,though gossips keep on repeating her creative role was minor,which is not entirely false)
Based on true accounts from people who were around , "Nico 1988" is a gloomy but credible crepuscular biopic ;it seems that, in the eighties, Nico made an attempt at a more palatable (I would not write"commercial" ) ,more "rock " music ;in the seventies ,she would perform with her harmonium -she notably performed in a cathedral , an ideal background for this ghostly ,spectral music ; the treatment of "all tomorrow's parties ",a song she recorded with the V.U. ,makes her music more accessible and more exciting than the haunting but a bit droning sound (her approach of the German National Anthem was impressive though and John Cale 's production of her cover of the Doors' 'the end' helped );and on her tunes,notably "janitor of lunacy" ,the updating is effective and welcome ;this one effortlessly supersedes the studio version.
She would retain a certain cult in Europa and it shows ,,and her before mentioned son ,Ari , appears and is proud of her mother (the 1995 doc showed a young man who would despise his adoptive mother ,which was off-putting); her choice to perform behind the Iron Curtain was as adequate as the cathedral of the seventies .
Tryne Dyrholm 's performance is perfect;she convincingly portrays a jaded faded singer, ravaged by drugs ; her death is given a very proper treatment.
A haunting emotional bio pic that showcases the woman behind the haunting voice that has resonated with so many disaffected youths since the 1960's. The Velvet Underground and Nico has been my favorite album since early adolescence, so I was excited to dive into this one.
This film portrays the last two years in the life of Nico, the broken drug addled chanteuse, who at this point is basically treading water after a life scarred with sadness, regret and disappointment.
The film documents Nico's final tour across Europe with a new band.
I'm a big fan of Nico's music, and thought this was extremely well done, and I'm extremely critical of bio pics. It's a dark, somber and melancholy film that is at times extremely haunting and hypnotic. Trine Dyrholm is fantastic in the role of Nico; her nihilistic and often razor tongued balancing act across an intense emotional terrain inject a tangibility into the film. Bravo!
This film portrays the last two years in the life of Nico, the broken drug addled chanteuse, who at this point is basically treading water after a life scarred with sadness, regret and disappointment.
The film documents Nico's final tour across Europe with a new band.
I'm a big fan of Nico's music, and thought this was extremely well done, and I'm extremely critical of bio pics. It's a dark, somber and melancholy film that is at times extremely haunting and hypnotic. Trine Dyrholm is fantastic in the role of Nico; her nihilistic and often razor tongued balancing act across an intense emotional terrain inject a tangibility into the film. Bravo!
A strong biographical drama portraying the last years of singer Nico, former Velvet Underground. It develops well her uneasy character, her personal relations, her artistic view. The movie is good in all technical traits. However, what is impossible not to highlight is the outstanting performance by Tirine Dyrholm. He is simply amazing in the leading role, showing all the anger, sadness, impatience, impulsiveness, sometimes vatious of these feelings at once! As I read in two otber review, if the world were better (or if Acadeny Awards were serious), she would have certainly won the Oscar as the best actress.
Lo sapevi?
- QuizThe flashbacks to the 1960s show Nico in footage shot by Jonas Mekas.
- BlooperThe amplifier that Alex plays is a Fender Frontman 212R which didn't exist in the 1980s. It's is a budget model originally introduced in the mid-1990s. The logo on the back of the amp can clearly be seen in during the Prague concert when Nico walks off the stage.
- Citazioni
Christa Päffgen a.k.a Nico: Am I ugly?
Richard: Yes. Really.
Christa Päffgen a.k.a Nico: Good. I wasn't happy when I was beautiful.
- Colonne sonoreThese Days
Performed by Trine Dyrholm
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Niko, 1988
- Luoghi delle riprese
- Reichsparteitag-Gelände, Norimberga, Baviera, Germania(Niko, her son, her managers, and her band are walking around and sitting on the outside stairs of the former grandstand of the main tribune at the Zeppelinfeld.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 73.304 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.309 USD
- 5 ago 2018
- Lordo in tutto il mondo
- 83.558 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Nico, 1988 (2017) officially released in Canada in English?
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