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Unsane

  • 2018
  • T
  • 1h 38min
VALUTAZIONE IMDb
6,4/10
52.015
LA TUA VALUTAZIONE
Claire Foy in Unsane (2018)
A young woman is involuntarily committed to a mental institution, where she is confronted by her greatest fear--but is it real or a product of her delusion?
Riproduci trailer0: 31
14 video
99+ foto
Psychological DramaPsychological HorrorPsychological ThrillerDramaHorrorMysteryThriller

Una giovane donna è involontariamente internata in un istituto di sanità mentale, dove si confronta con la sua paura più grande. Ma è tutto vero o è solo un prodotto della sua delusione?Una giovane donna è involontariamente internata in un istituto di sanità mentale, dove si confronta con la sua paura più grande. Ma è tutto vero o è solo un prodotto della sua delusione?Una giovane donna è involontariamente internata in un istituto di sanità mentale, dove si confronta con la sua paura più grande. Ma è tutto vero o è solo un prodotto della sua delusione?

  • Regia
    • Steven Soderbergh
  • Sceneggiatura
    • Jonathan Bernstein
    • James Greer
  • Star
    • Claire Foy
    • Joshua Leonard
    • Jay Pharoah
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    52.015
    LA TUA VALUTAZIONE
    • Regia
      • Steven Soderbergh
    • Sceneggiatura
      • Jonathan Bernstein
      • James Greer
    • Star
      • Claire Foy
      • Joshua Leonard
      • Jay Pharoah
    • 423Recensioni degli utenti
    • 269Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 5 candidature totali

    Video14

    Trailer
    Trailer 0:31
    Trailer
    Official Trailer
    Trailer 2:24
    Official Trailer
    Official Trailer
    Trailer 2:24
    Official Trailer
    Refusing to Cooperate
    Clip 0:42
    Refusing to Cooperate
    What's In the Basement?
    Clip 0:54
    What's In the Basement?
    Violet
    Clip 0:44
    Violet
    One Phone Call
    Clip 1:46
    One Phone Call

    Foto150

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 145
    Visualizza poster

    Interpreti principali35

    Modifica
    Claire Foy
    Claire Foy
    • Sawyer Valentini
    Joshua Leonard
    Joshua Leonard
    • David Strine
    Jay Pharoah
    Jay Pharoah
    • Nate Hoffman
    Juno Temple
    Juno Temple
    • Violet
    Sarah Stiles
    Sarah Stiles
    • Jill
    Marc Kudisch
    Marc Kudisch
    • Bank Manager
    Amy Irving
    Amy Irving
    • Angela Valentini
    Colin Woodell
    Colin Woodell
    • Mark
    Myra Lucretia Taylor
    Myra Lucretia Taylor
    • Counselor
    Lynda Mauze
    • Dolores
    Zach Cherry
    Zach Cherry
    • Dennis
    Polly McKie
    Polly McKie
    • Nurse Boles
    Raúl Castillo
    Raúl Castillo
    • Jacob
    • (as Raul Castillo)
    Mike Mihm
    • Steve
    Robert Kelly
    Robert Kelly
    • Steve's Partner
    Natalie Gold
    Natalie Gold
    • Female Patient
    Sol Marina Crespo
    Sol Marina Crespo
    • Female Patient
    • (as Sol M. Crespo)
    Will Brill
    Will Brill
    • Male Patient
    • Regia
      • Steven Soderbergh
    • Sceneggiatura
      • Jonathan Bernstein
      • James Greer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti423

    6,452K
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    Recensioni in evidenza

    6hitchcockthelegend

    Divisive Dilemas.

    Have to be honest, I had no idea this was filmed on an iPhone 7 or that it was directed by Steven Soderbergh. I was stuck for something to watch on cable the other night and I liked the sound of the plot premise. So unburdened by expectation of a searing horror classic I settled in to see what unfolds.

    Plot has Claire Foy as Sawyer Valentini who inadvertently commits herself to a mental health institution. Once inside things being to unravel and the threat of her one time stalker now being even close to her opens up the book of terror - but is it real?

    Firstly you have to say that the mental health authorities must have had kittens when they saw this, much of what is on screen is utterly ridiculous and paints the system in a damning light. Secondly you really have to jump on board with the improbability of it all, this really is made for dramatic entertainment purpose and not as a viable horror of the real world.

    As a thriller it worked for me, the constant question of what is real or not keeps things on the slow burn. Either way, real or not, it's thought provoking enough to warrant staying till pics end. The psychological angle is pungent enough to say there's some thought in the writing, though this is undone by utter nonsense as things spiral into the impossible for the final quarter of film.

    Foy is good value up front and the fulcrum of it all, while elsewhere good work comes from Nate Hoffman and it's nice to see Juno Temple in a spicy role. Ultimately this is no blood letting horror picture, and certainly it's no One Flew Over The Cuckoo's Nest, Girl Interrupted etc etc.

    The iPhone experiment is a gimmick that works here due to the confines of the location for story, but as a genre piece of worth it is unlikely to have legs. However, even though I enjoyed this as a one time only viewing experience, I perfectly understand why it has become divisive. So for those who haven't seen it yet then it is advised you understand this is no terrifying thrill a minute piece. It's tricky to recommend with any sort of confidence, and thus I feel the internet ratings of about 6.5/10 is just about right. 6.5/10
    6littlemankazoo

    Snatching Mediocrity from the jaws of Intrigue

    There's a part of me that absolutely adores it when a filmmaker goes the experimental route and tries something that's never really been done before.

    And while this isn't the first time this sort of filming technique has been used for a film, I had to say, I was rather intrigued when I was sitting down for "Unsane", the new film by Steve Soderbergh ('Ocean's Eleven', 'Contagion', 'Magic Mike').

    To explain: 'Unsane' was entirely filmed on an iPhone 7 camera in only ten days, which is incredible in that it was made entirely in secrecy by a big name director such as Soderbergh. The budget also barely pokes over $1 million total. By all accounts, this is as INDIE as a big name director can get.

    So you probably will start asking yourself: "How does it look?"

    To me...I think the film would have been LESS interesting if it was filmed in the typical method of high quality digital cameras. I know I always use the term "nightmarish" to describe claustrophobic cinematography in films, but this film looks like a NIGHTMARE. Fluorescent lighting and angles look warped and distorted, as if our characters are living in a German expressionist film, close ups look terrifying as we see every emotional detail of these characters in sketchy quality that only a phone camera could really capture in full. The whole film looks like a fever dream, and unlike 'Tangerine' (The first feature film to be filmed on an iPhone), this film truly has a "reason" to be filmed in this style.

    To me, the experiment Steve Soderbergh tested here WORKED. The cinematography is its own style, and when a film can define itself with that sort of technique, it has certainly succeeded.

    Going hand-in-hand with this great cinematography is the surprising performance by Claire Foy, who is admittingly quite good in her role of a person you have to decide if you think is crazy or not crazy. She does have a few slip-ups where you can hear her British accent come out...but other than that, she is a convincing central character and I bought every emotion coming out of her.

    So it probably sounds like I really enjoyed this film thus far, correct?

    The problem is, I enjoyed the first TWO-THIRDS of this film. After that, I think this film absolutely falls apart and loses everything I thought it had going for it.

    A certain sequence in the film that looks absolutely SPECTACULAR is really the last time I connected with the film before a certain plot detail and twist begins to make itself apparent. As it began to unfold, I thought "There's no way they'd go with something THIS stock and basic..."

    Unfortunately, they do, and by the time the film is running-down its last 15-20 minutes, my intrigue had been sapped and I was left simply to watch a film that was going through the motions. A crime that films can commit is being "Bad", for sure, but a worse crime a film can commit is being "Boring". The third act of this film is guilty of exactly that. It's stock and went exactly as I predicted it would, which truly hurts.

    And let us discuss THE ENDING, which I think may be one of the worst of the last few years, right alongside 'The Devil Inside', 'Skyline' or 'The Florida Project'. The ending is such a sloppy and slapdash piece of cinema that I really wonder WHY they even bothered to shoot it. It's boring, cliche, has yet to really make much sense to me since I saw it (I saw this film on Tuesday, by the way...), it looks TERRIBLE in comparison with the rest of the film, and leaves us on a freeze-frame shot that looked completely unplanned and clearly done as a way to say "Yep! That's the end!". While I could've seen something more developed working in a similar vein, this just felt awful and like a last-ditch effort to end the film in an 'unresolved' manner, which this film never had the course for after its third act. Simply awful.

    In the end, I left this film feeling extremely disappointed, really. I was enjoying the film quite a bit up until a certain point, where everything just seemed to fall into the pits of the cliched and been-there-done-that. Perhaps it was partly my fault for expecting more out of a film that promised a unique look and story about sanity, but in the end, I can blame the film as well for squandering such an incredible opportunity to make an interesting psychological thriller/horror film with such a weak third act. It PAINS ME that this film couldn't be good all the way through.

    ...THAT SAID...I really cannot say enough about the cinematography in this film. Steve Soderbergh's work in this (Yes, he directed AND filmed this!) looks absolutely stellar, even for an iPhone camera, and makes it worth seeing just for curiosity's sake alone. I feel it works far better than it did for 'Tangerine', and clicks with me on a level that it puts you in the perspective of our protagonist, who is struggling with her sanity in a place that is a proverbial nightmare. The film looks like a bad dream, and in the end, that appealed to me on that level of loving to see experimenting in film.

    It's just a shame that the intriguing experimentation meant a sacrifice for an intriguing story and third act. This could have been a far better film than it was. In the end, it lands somewhere in the middle for me...though I REALLY wish it didn't...
    6themovieparadise

    Innovative Cinematography, But the Story/Characters/Dialogue is Lacking

    Up until I saw it in theaters, I knew Unsane exclusively as the movie that was shot on an iPhone. I knew it was directed by Steven Soderbergh, who's given us such films as Ocean's Eleven and Logan Lucky. However, I knew nothing about the plot or really what kind of genre of film this was. All I knew was that it had been filmed on an iPhone. While that's certainly interesting, and I was definitely curious to see how it would look on the big screen, I couldn't help but think of it exclusively as a gimmick. I sounded like Unsane was saying, "Hey guys, we're the movie that was filmed on an iPhone! Be sure to check us out because that's cool!". That's not a good thing for a movie to do, so that did make me a little hesitant going into the film. However, surprisingly enough, the fact that this movie was filmed on an iPhone actually enhances it, to the point where the same effect could not have been captured on a regular camera. While it does lack a bit in story, and there are some wooden performances and some cheesy dialogue, the camera work done by Soderbergh himself is incredible, especially all the innovative ways he uses the iPhone to shoot a completely unique-looking movie...
    6Jared_Andrews

    Plenty of Promise, but is ultimately a bit Unsatisfying

    With most of Steven Soderberg's movies, he tells stories in a way that makes viewers unsure of what exactly is going on. Unsane is like that. The title indicates that the main character might be insane but also might not be insane.

    Well, it turns out the this movie has an excellent title because that's pretty accurate summation of the movie. A bit longer summation goes like this: the main character might be insane but also might not be insane but some people think she is insane but she makes some erratic choices so she cannot convince everyone that she's not insane but maybe she does that because she actually is insane.

    Sawyer Valentini (a strikingly unhinged Claire Foy) seems normal enough at first glance. She works a steady financial analyst job at a bank. She has a loving relationship with her mother. She goes on Tinder dates. But she's troubled by someone from her past, a man who has been stalking her for the past two years. She has difficulty dealing with the stress, so she turns to medication and therapy to cope.

    In her conversation with a therapist, she casually mentions that she's had suicidal thoughts in the past. The therapist exploits this casual mention and tricks Sawyer into signing a waiver voluntarily committing herself to 24 hours of observation at the clinic.

    Once inside, things become increasingly frustrating for Sawyer and even more so for viewers. She lashes out violently multiple times and ignores the advice of one helpful patient recovering from an opioid addiction, Nate, (Jay Pharoah showing off impressive dramatic acting chops), which subsequently gives the staff reason to extend her stay an additional week. Her inability to control her temper makes viewers wonder if she really does belong there.

    That's as much as I can reveal without introducing spoilers. I can say that movie is a bit of a slow burn early on. Then the action picks up in a big way.

    The story veers in a different direction, which causes some problems because we miss backstory that would have tied the story together in a neater, more affecting way. As it stands, the movie has a lot going on, but no part feels fully developed. Foy's lead performance and Soderberg's filmmaking keeps the film watchable throughout, but ultimately, it all feels a little unsatisfying.
    6pere-25366

    Highly experimental and inventive but iffy in its execution

    Steven Soderbergh's 2018 psychological-horror film Unsane (2018), shot entirely with the iPhone in just 10 days, is an interesting take on the genre. Centering around a woman who is involuntarily committed to a mental hospital, we constantly are in a state of questioning whether or not she is really as crazy as we are led to believe. The choice to film it on merely iPhone lends an incredibly unique look and feel to the story, often seeing people from POV shots and bizarre angles. Coupled with the ambient music, the film is incredibly atmospheric and invites you to see things from the perspective of Claire Foy's character. Unsettling, well-acted and uniquely directed but so-so in the execution of the story. Nonetheless, a cool experiment from Soderbergh.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      The film was shot in just 10 days.
    • Blooper
      There are long strings hanging from lights in patient areas, which wouldn't be present in a real psychiatric facility.
    • Citazioni

      [first lines]

      David Strine: [narrating] I love it when you wear blue. I mean, I love you in anything. But you wore blue that first time I saw you, so anytime I see you in blue, it reminds me of how I felt at that moment. How I never really knew what being alive was until I saw you. You unlocked something inside me that day, something I didn't even realize was there. And right then, I knew that nothing in my life was ever going to be the same. In that moment, I was transformed permanently. You did that.

    • Connessioni
      Featured in Chris Stuckmann Movie Reviews: Unsane (2018)
    • Colonne sonore
      Burn
      Written by Lola G.

      Performed by DTCV

      Courtesy of Vivarock Music (ASCAP)

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    • How long is Unsane?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 5 luglio 2018 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Ảo Giác
    • Luoghi delle riprese
      • Summit Park Hospital, Pomona, New York, Stati Uniti(Highland Creek Behavioral Center)
    • Aziende produttrici
      • Fingerprint Releasing
      • Extension 765
      • New Regency Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 1.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 7.732.899 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.762.145 USD
      • 25 mar 2018
    • Lordo in tutto il mondo
      • 14.293.601 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 38 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.56 : 1

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