Unsane

There's a part of me that absolutely adores it when a filmmaker goes the experimental route and tries something that's never really been done before.

And while this isn't the first time this sort of filming technique has been used for a film, I had to say, I was rather intrigued when I was sitting down for "Unsane", the new film by Steve Soderbergh ('Ocean's Eleven', 'Contagion', 'Magic Mike').

To explain: 'Unsane' was entirely filmed on an iPhone 7 camera in only ten days, which is incredible in that it was made entirely in secrecy by a big name director such as Soderbergh. The budget also barely pokes over $1 million total. By all accounts, this is as INDIE as a big name director can get.

So you probably will start asking yourself: "How does it look?"

To me...I think the film would have been LESS interesting if it was filmed in the typical method of high quality digital cameras. I know I always use the term "nightmarish" to describe claustrophobic cinematography in films, but this film looks like a NIGHTMARE. Fluorescent lighting and angles look warped and distorted, as if our characters are living in a German expressionist film, close ups look terrifying as we see every emotional detail of these characters in sketchy quality that only a phone camera could really capture in full. The whole film looks like a fever dream, and unlike 'Tangerine' (The first feature film to be filmed on an iPhone), this film truly has a "reason" to be filmed in this style.

To me, the experiment Steve Soderbergh tested here WORKED. The cinematography is its own style, and when a film can define itself with that sort of technique, it has certainly succeeded.

Going hand-in-hand with this great cinematography is the surprising performance by Claire Foy, who is admittingly quite good in her role of a person you have to decide if you think is crazy or not crazy. She does have a few slip-ups where you can hear her British accent come out...but other than that, she is a convincing central character and I bought every emotion coming out of her.

So it probably sounds like I really enjoyed this film thus far, correct?

The problem is, I enjoyed the first TWO-THIRDS of this film. After that, I think this film absolutely falls apart and loses everything I thought it had going for it.

A certain sequence in the film that looks absolutely SPECTACULAR is really the last time I connected with the film before a certain plot detail and twist begins to make itself apparent. As it began to unfold, I thought "There's no way they'd go with something THIS stock and basic..."

Unfortunately, they do, and by the time the film is running-down its last 15-20 minutes, my intrigue had been sapped and I was left simply to watch a film that was going through the motions. A crime that films can commit is being "Bad", for sure, but a worse crime a film can commit is being "Boring". The third act of this film is guilty of exactly that. It's stock and went exactly as I predicted it would, which truly hurts.

And let us discuss THE ENDING, which I think may be one of the worst of the last few years, right alongside 'The Devil Inside', 'Skyline' or 'The Florida Project'. The ending is such a sloppy and slapdash piece of cinema that I really wonder WHY they even bothered to shoot it. It's boring, cliche, has yet to really make much sense to me since I saw it (I saw this film on Tuesday, by the way...), it looks TERRIBLE in comparison with the rest of the film, and leaves us on a freeze-frame shot that looked completely unplanned and clearly done as a way to say "Yep! That's the end!". While I could've seen something more developed working in a similar vein, this just felt awful and like a last-ditch effort to end the film in an 'unresolved' manner, which this film never had the course for after its third act. Simply awful.

In the end, I left this film feeling extremely disappointed, really. I was enjoying the film quite a bit up until a certain point, where everything just seemed to fall into the pits of the cliched and been-there-done-that. Perhaps it was partly my fault for expecting more out of a film that promised a unique look and story about sanity, but in the end, I can blame the film as well for squandering such an incredible opportunity to make an interesting psychological thriller/horror film with such a weak third act. It PAINS ME that this film couldn't be good all the way through.

...THAT SAID...I really cannot say enough about the cinematography in this film. Steve Soderbergh's work in this (Yes, he directed AND filmed this!) looks absolutely stellar, even for an iPhone camera, and makes it worth seeing just for curiosity's sake alone. I feel it works far better than it did for 'Tangerine', and clicks with me on a level that it puts you in the perspective of our protagonist, who is struggling with her sanity in a place that is a proverbial nightmare. The film looks like a bad dream, and in the end, that appealed to me on that level of loving to see experimenting in film.

It's just a shame that the intriguing experimentation meant a sacrifice for an intriguing story and third act. This could have been a far better film than it was. In the end, it lands somewhere in the middle for me...though I REALLY wish it didn't...

Up until I saw it in theaters, I knew Unsane exclusively as the movie that was shot on an iPhone. I knew it was directed by Steven Soderbergh, who's given us such films as Ocean's Eleven and Logan Lucky. However, I knew nothing about the plot or really what kind of genre of film this was. All I knew was that it had been filmed on an iPhone. While that's certainly interesting, and I was definitely curious to see how it would look on the big screen, I couldn't help but think of it exclusively as a gimmick. I sounded like Unsane was saying, "Hey guys, we're the movie that was filmed on an iPhone! Be sure to check us out because that's cool!". That's not a good thing for a movie to do, so that did make me a little hesitant going into the film. However, surprisingly enough, the fact that this movie was filmed on an iPhone actually enhances it, to the point where the same effect could not have been captured on a regular camera. While it does lack a bit in story, and there are some wooden performances and some cheesy dialogue, the camera work done by Soderbergh himself is incredible, especially all the innovative ways he uses the iPhone to shoot a completely unique-looking movie...

Movie is good...at some times it engross you totally , and sometimes irritating..but surely there are wow moments and scenes and especially from the lead actress<She has justified her role and ofcourse this movie will give u chills and if you are physcotic movie fans...

While its grammatically-challenged title is just as likely to test your sanity as anything in the film itself (perhaps by design, I'll add), Steven Soderbergh's second return from retirement seeks to 'change the game' and prove that you don't need a proper camera or fancy lighting to make a film, just an iPhone, a decent script, a competent cast and crew and, most importantly, the will, time, money and passion to do it all. Luckily, 'Unsane (2018)' has all that in spades. It could easily pass for something shot on one of those fancy cameras and actually has a tangible and, appropriately, an almost 'followed-around-with-a-camera' stalker vibe to it. It's a wonderfully frustrating, rewardingly claustrophobic and tensely insular experience that sticks you right in the slightly off-kilter head of its protagonist and does a great job of making you feel exactly the way she does at every moment. The pace is almost perfect, as we're dealt a number of blows every time we begin to get comfortable in each new situation, and the slow descent from slightly strange to straight-up sinister is a palpable and uncomfortable one. The fact that the sanity of the hero is called into question is a great move, though it isn't pushed quite as far as it perhaps could have been, and it keeps you unsure about everything you see. The nods back to classic seventies horror, including a soundtrack reminiscent of 'Halloween (1978)', were appreciated as well. I was constantly on the edge of my seat throughout this gripping, agitating, intriguing and generally very entertaining thriller. 8/10

Have to be honest, I had no idea this was filmed on an iPhone 7 or that it was directed by Steven Soderbergh. I was stuck for something to watch on cable the other night and I liked the sound of the plot premise. So unburdened by expectation of a searing horror classic I settled in to see what unfolds.

Plot has Claire Foy as Sawyer Valentini who inadvertently commits herself to a mental health institution. Once inside things being to unravel and the threat of her one time stalker now being even close to her opens up the book of terror - but is it real?

Firstly you have to say that the mental health authorities must have had kittens when they saw this, much of what is on screen is utterly ridiculous and paints the system in a damning light. Secondly you really have to jump on board with the improbability of it all, this really is made for dramatic entertainment purpose and not as a viable horror of the real world.

As a thriller it worked for me, the constant question of what is real or not keeps things on the slow burn. Either way, real or not, it's thought provoking enough to warrant staying till pics end. The psychological angle is pungent enough to say there's some thought in the writing, though this is undone by utter nonsense as things spiral into the impossible for the final quarter of film.

Foy is good value up front and the fulcrum of it all, while elsewhere good work comes from Nate Hoffman and it's nice to see Juno Temple in a spicy role. Ultimately this is no blood letting horror picture, and certainly it's no One Flew Over The Cuckoo's Nest, Girl Interrupted etc etc.

The iPhone experiment is a gimmick that works here due to the confines of the location for story, but as a genre piece of worth it is unlikely to have legs. However, even though I enjoyed this as a one time only viewing experience, I perfectly understand why it has become divisive. So for those who haven't seen it yet then it is advised you understand this is no terrifying thrill a minute piece. It's tricky to recommend with any sort of confidence, and thus I feel the internet ratings of about 6.5/10 is just about right. 6.5/10