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Spielberg

  • Film per la TV
  • 2017
  • TV-MA
  • 2h 27min
VALUTAZIONE IMDb
7,7/10
8759
LA TUA VALUTAZIONE
Steven Spielberg in Spielberg (2017)
BiografiaUn documentario

Aggiungi una trama nella tua linguaA documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.A documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.A documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.

  • Regia
    • Susan Lacy
  • Star
    • Steven Spielberg
    • Martin Scorsese
    • Richard Dreyfuss
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    8759
    LA TUA VALUTAZIONE
    • Regia
      • Susan Lacy
    • Star
      • Steven Spielberg
      • Martin Scorsese
      • Richard Dreyfuss
    • 31Recensioni degli utenti
    • 29Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Primetime Emmy
      • 3 candidature totali

    Foto34

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    Interpreti principali99+

    Modifica
    Steven Spielberg
    Steven Spielberg
    • Self
    Martin Scorsese
    Martin Scorsese
    • Self - Director
    Richard Dreyfuss
    Richard Dreyfuss
    • Self - Segment "Close Encounters of the Third Kind"
    Bill Butler
    Bill Butler
    • Self - Cinematographer, Jaws
    John Williams
    John Williams
    • Self - Composer
    David Edelstein
    David Edelstein
    • Self - Film Critic
    Michael Phillips
    Michael Phillips
    • Self - Producer
    Nancy Spielberg
    Nancy Spielberg
    • Self - Sister
    Anne Spielberg
    Anne Spielberg
    • Self - Sister
    Janet Maslin
    Janet Maslin
    • Self - Film Critic
    Sue Spielberg
    • Self - Sister
    Leah Adler
    Leah Adler
    • Self - Mother of Steven
    Arnold Spielberg
    Arnold Spielberg
    • Self - Father of Steven
    J.J. Abrams
    J.J. Abrams
    • Self - Director
    Sid Sheinberg
    Sid Sheinberg
    • Self - Former President, MCA Inc.
    • (filmato d'archivio)
    • …
    James Brolin
    James Brolin
    • Self - Segment "Marcus Welby, M.D."
    David Geffen
    David Geffen
    • Self - Co-Founder, Dreamworks SKG
    Roger Ernest
    • Self - College Friend
    • Regia
      • Susan Lacy
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    7,78.7K
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    Recensioni in evidenza

    9Quinoa1984

    the "George Gerswhin" of American cinema (as per Coppola's compassion) in this very good profile and truly in-depth look at an oeuvre

    With Spielberg, we have another profile of yet another hugely influential American filmmaker on the heels of De Palma and By Sidney Lumet. And... when it's this filmmaker and this story and this group of films, I don't think for at least some of them (yes, even Jaws and lessor known ones like Empire of the Sun) enough can be spoken about them. It takes often a miracle for a movie to come out good let alone great, and Steven Spielberg has at least nine or ten masterpieces to his name.

    I'm glad this one on Spielberg via Susan Lacy (a veteran go-to for American Masters docs) goes the full route on the career and the man in as much depth as possible. Though it lacks much about Hook, Lost World and Always (the latter's not here at all, the former is mentioned for five seconds as an example of 'sometimes he has failed'), I think I need what is presented here as the man's own words on his work, and his colleagues, AND especially the critical community, from Hoberman to AO Scott. You actually get a sense of not only Spielberg's growth or... No, wait, growth is the wrong word since he was already doing what he did so well in 74 and 74 & 75 and even Duel (that shot of the truck going off the bridge is a gorgeous monster movie moment in all cinema), more like a maturity and an expanding sense of what a movie can be. He has his complexities - who else can have Jurassic Park and Munich in his resume - but the critics point that out along with the objective fact that he is to film the major force in Hollywood in the past 45 years.

    But it would be one thing if it is all "its the greatest guy ever" etc. This shows that Spielberg hasn't always known what to do on every film; seeing him making Schindlers List and Saving Private Ryan, his two Oscar wins, one gets the sense he had to figure out what to do day to day, and yet that also came out of many years of *doing* it, of understanding and getting even deeper than he already was. This doc does a great job is giving to the audience, whether they've known this about Spielberg before or not, that making ET and Schindler's List were no more or less exceptional efforts on what humanity is all about in all of its highs and lows, its just that an audience will take Nazis more seriously than aliens.

    Or... Who knows? But through every anecdote and story from Spielberg, his sisters and parents, his fellow (now elder) "movie brats" who were as Lucas describes their version of Paris in the 1920s (and I think hes right), there's a full portrait of everything with this man. And that's what is the same and yet done unique unto itself as the De Palma and Lumet films. It's not *too* glossed over about what hes been in life (as someone admits about him, "hes a nerd. A lovable nerd, but still a nerd") and yet it cant help but be inspiring and I hope will be an inspiration for future filmmakers who didn't live through seeing Jurassic Park or Ryan or Minority Report or even Lincoln (one of those films that is still somehow underrated despite being a commercial and critical hit) in a first run. It didn't all come out of nowhere ultimately; the message that one comes away with is that passion and inspiration is crucial, but hard work and not showing fear in the process (though one may have it) is key.
    7robobalboa

    "Speilberg" Documentary.

    What's confusing about this documentary is not what they decided to show, but what they decided to leave out. Maybe its too early for a full retrospective as the subject is still alive and working and creating, but then what exactly is the point of this documentary, other than it comes out on the 40th anniversary year of "Close Encounters"? After Spielberg shuffles off this mortal coil the interviews gained in the process of making this film will serve admirably in the making of what will probably have to be a series of documentary films that follow Steven Spielberg's life and career, but as it stands this seems like a Blu-Ray special feature. There are many years and films that are completely skipped or glossed over, there is barely a mention of all the success he's had as a producer, and there's no real build up or glory to his triumphs or his failures. It's surface-level and polite. it doesn't pose tough questions or try to answer anything either. I get that this is a puff piece, that in no way would anyone sign off on a documentary that paints them in a bad light, but this doesn't even make Spielberg *complicated*, even his relationship with his father is immediately forgiven and then brushed aside. What would be more interesting, and perhaps more revealing, would be Behind the Scenes documentaries that we already have that feature Spielberg, strung together with new interviews, and footage that presents context, and present his life this way. As it stands what this Doc offers is a quick overview and celebrity cameos that isn't all together uninteresting if only hindered by it's inability to commit to deep dives of the subject's career.
    9AlsExGal

    Somewhat rah rah, but overall, very good!

    This documentary does a good job of analyzing Steven Spielberg's film career. It is in rough chronological order, but not exact chronological order. For example the film starts out with "Jaws" (1975) and comes back to Steven's film directorial debut with "Duel" (1971) later.

    It goes into details about his home life only when it is relevant to his work as filmmaker, and it is apparently relevant a great deal. The audience knows this because it is Steven Spielberg himself who contributes the most to the commentary. Apparently Steven has a great gift - he has retained a vivid memory of what it was like to be a child all of these years later. That explains why he made some of the films he did, and how he worked with children and could show the viewpoint of children so well. Spielberg talks about how he has had the same team of professionals working with him on films for years, some since the 70s, and he pays tribute particularly to composer John Williams.

    It does go into some of his failures, though only briefly. Apparently he considers "1941" (1979) a failure, and I guess I can see how coming off one hit after another in the mid to late 70s he might feel that way.

    Many of the actors and actresses that have starred in his film are almost giddy with praise, and I guess we should expect that, but that is countered with Spielberg's criticism of his own work, which is very insightful.

    The best stories: the pandemonium and the overruns in time and money on the set of "Jaws", and how Steven Spielberg, the perennial C student, could not get into USC film school no matter what he tried, so in 1968 he simply trespassed on the Universal lot, found a vacant office and took up residency, and began to go on different sets learning how professional directors practiced their craft. He was even thrown off the set of a Hitchcock film once! However, it was six months before anyone even challenged his presence at Universal, and even then he ended up with a seven year contract directing for Universal TV. Things and security have certainly changed in 50 years!

    I'd highly recommend this work to anybody who wants the story of Spielberg's career from the mouth of the subject himself. 147 minutes seems like a long documentary, but for me the time just flew by.
    Michael_Elliott

    Spielberg on Spielberg

    Spielberg (2017)

    *** 1/2 (out of 4)

    This documentary clocks in at just under two and a half hours and has Steven Spielberg talking about his time in Hollywood as well as some personal stories about his family and how this shaped the movies that he would make. Not only do we get interviews with Spielberg himself but we also hear from his parents, his sisters as well as co-workers and friends including Martin Scorsese, George Lucas, Francis Ford Coppola, Richard Dreyfuss, John Williams, Janet Maslin, Sid Sheinberg and various others.

    For the most part I thought this was a very good documentary that was put together very well. The film does a very good job at going over Spielberg's career as well as the personal stories that helped shape them. This includes stories about his parents divorce, the fifteen-years he and his father struggled to have a relationship as well as him becoming a father. All of these stories are told in such a good way that it helps when we then get to the movies because it brings some good insight.

    The film discussion is certainly the highlight of the series as the director gets to reflect on his career, the films he's proud of and a few moments where he wasn't as happy. Of course, a lot of the lesser films are pretty much overlooked 1941 gets a quick twenty-second comment whereas HOOK, THE LOST WORLD and ALWAYS aren't even mentioned. We do get some terrific stories about JAWS, DUEL and what it was like for a twenty-year-old to try and direct someone like Joan Crawford.

    Fans of the director are certainly going to enjoy this documentary and especially since he shares some good stories about their production as well as things that were going on behind-the-scenes.
    8larrys3

    An Ode to the Master Filmmaker

    This HBO documentary, directed by Susan Lacy, at nearly two and a half hours long , is really an ode to one of the master filmmakers of all time Steven Spielberg.

    For movie buffs, like myself, the film can be mind boggling as the incredible list of Spielberg movies over the decades is documented. He will give his personal view of what went into each movie, and there are many behind-the-scenes details offered by his fellow artists and collaborators.

    As other reviewers have noted, the praise heaped upon him in the doc can get to be overdone as the film progresses. Also, I would have liked to have heard what Spielberg thought of the many actors who, over the years, helped make his films so special, but there's virtually none of that here.

    Overall though, to get to relive some of these great movies and to get lots of insight into what makes this genius of the cinema tick, was certainly worth the price of admission for me.

    Trama

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    Lo sapevi?

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    • Quiz
      Around 30 hours of interviews with Steven Spielberg were shot.
    • Blooper
      A clip of "Wayne's World 2" (1993) that parodies "Jurassic Park" is incorrectly labeled as "Wayne's World" (1992). The first "Wayne's World" film could not have included a parody of "Jurassic Park," since "Jurassic Park" had not yet been filmed when "Wayne's World" was released in 1992. The end credits, however, correctly identify the clip as being from the sequel.
    • Citazioni

      Herself - Film Critic: He speaks cinema as if it's his native language.

    • Connessioni
      Features Today (1952)
    • Colonne sonore
      Original Score Excerpt from the Motion Picture 'The BFG'
      Music Composed and Conducted by John Williams

      Courtesy of Amblin Partners

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    Dettagli

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    • Data di uscita
      • 7 ottobre 2017 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Spilberg
    • Aziende produttrici
      • HBO Documentary Films
      • Pentimento Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 27min(147 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 16:9 HD

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