C'era una volta... a Hollywood

It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns..... all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.

The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.

Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.

Once Upon a Time... in Hollywood is maybe proof that Quentin Tarantino ranks alongside Stanley Kubrick. Both started to make overlong movies and were lionised by critics, many who were afraid to be critical of them.

This might be Tarantino's most self indulgent film so far despite being a glorious period piece.

Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.

Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.

Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.

Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.

Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.

There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.

Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.

Another great Tarantino film, though I do agree there are times where it feels a little indulgent and meandering. The climax of the film is fantastic though, and it does make it feel like it was all worth it for the most part. There isn't really a defined narrative, which may put some people off but Tarantino's sublime dialogue and the great performances make all of the scenes at least entertaining. It's no Pulp Fiction, but it definitely is one of the most original films I've seen in a while.

Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again. Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie! 8/10

Before watching this film, it is CRITICAL that you have somewhat of a knowledge about Charles Manson (and Sharron Tate). If I did not have my sister next to me pointing out the small references to this serial killer's story, I would not have understood at least 80% of the movie. Understanding the significant details adds a specific intensity in every other scene, like you know something that the characters don't, and always keeps your eyes glued to the screen.

Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.

It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.

The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...