Destroyer

I seriously do not get half of the reviews about this movie about it not having a plot and being slow or about the editing being confusing. "Destroyer" has a very straight forward plot that is not even using cheap twists but rather telling a straight story in a hypnotic trance way and cutting up the timeline to reveal information at the time the director considered it necessary. I loved Karyn Kusamas "The Invitation" and "Destroyer" is a well made movie, no matter how you look at it. Nicole Kidman carries the movie along with the perfect choice of music that sucks you in and watch the plot unfold. This is not an action movie and if you fell for that its not the directors fault. Its a slow drama about a cop that made wrong decisions and tries to right her wrongs when her past with a bank heist gone wrong gets back to her 17 years later.

I know people today have attention spans like moths but seriously... if you can't accept a slow drama for what it is, that says more about you than about the movie. And come on, its 2019... if you are confused by a non-linear timeline and can't wait till the movie clears up the confusion.... thats on you too.

Don't expect this to be a violent revenge movie... its not. Well, at least its not the focus of "Destroyer", although the movie does not hold back when things go down. The drama elements are well played and the ending was quite touching to me. At its core this movie is about the desperate longing for escape from a cold, grey world and its quite obvious from the choice of locations and flats that always give off a bleak, worn down feeling. Music and cinematography make this work perfectly and the editing helped spice up a rather straight forward plot. If you liked Kusamas previous movies... go for it. The key ingredients of haunting atmosphere and slow unveiling of information to the viewer are there although this is a completely different movie than "The invitation". So don't fall for all the moths swarming IMDB. I can't put my finger on all those silly 1star ratings but honestly, it reeks of gender insecurity.

Nicole Kidman does in fact deliver an accomplished performance in Destroyer. Yes, the movie tends to move somewhat slowly and would be misrepresented as an action/adventure feature. But Kidman triumphantly carries the film with a masterful portrayal of a character that is strikingly different than expected, and in the process dramatically expands and enhances her reputation as an actress.

Greetings again from the darkness. The rogue/burned-out cop obsessed with an old case or particular criminal nemesis is something we have seen many times before. Ordinarily there would be no reason to seek out yet another movie on the subject; however, this time the reason is obvious ... Nicole Kidman.

Ms. Kidman, an Oscar winner for THE HOURS (2002), is an excellent actress and has had a wonderful career, but this is something altogether different for her. She plays LAPD Detective Erin Bell, a worn-down, emotionally shattered shell of the idealistic cop who, 17 years earlier, was part of an undercover operation that went tragically and violently wrong. Director Karyn Kusama (JENNIFER'S BODY, 2009) bounces back and forth on the timelines - sometimes we are viewing Erin's undercover work with her partner Chris (Sebastian Stan), and others we get the haggard Erin of present day. The contrast is stark.

The ghost of case past has returned, and we witness what has haunted her these many years. Past decisions and actions have rotted her spirit, while alcohol has since destroyed her body. She is a wreck - physically and emotionally, and her reputation within the force is shot. It wouldn't be totally accurate to describe her as self-destructive since she has already destructed. The only thing keeping her going is booze and a desire for revenge.

Flashbacks take us through her early work with the crime gang led by Silas (Toby Kebbell), a master of psychological manipulation (think Charles Manson). We also see Erin's too-close connection to partner Chris, and a terrific bank heist scene explains how things went down. Now it's 17 years later, and Silas has resurfaced. Erin wonders why. We also see Erin's feeble attempts to be a mother to her 16 year old daughter (do the math) Shelby, played by Jade Pettyjohn. The two have only a sliver of a relationship as Shelby lives with Erin's ex Ethan (the eternally underutilized Scoot McNairy).

Other support work is provided by Tatiana Maslany as one of Silas' gang, and Bradley Whitford as a scummy defense attorney. Erin has a sequence with the latter that emphasizes just how alone she is. When asked where her partner is, we realize she has no partner with her and no back-up on the way ... she is a lonely, desperate, rogue cop with a murky plan and a head clouded by booze.

Writing partners Phil Hay and Matt Manfredi (known for CLASH OF THE TITANS and RIDE ALONG) deliver very few surprises with the script, leaving the burden on Ms. Kidman to keep us interested. And despite her character's train wreck of a life, the performance is quite something to behold ... her look, her gait, and even her whispered voice - all point to a woman hanging on by a thread and lacking basic daily energy to show any signs of hope. Director Kusama adds texture by showing many non-touristy areas of Los Angeles, and filming the two timelines in such a way that the structure works - although the Erin in shambles is far more intriguing than the younger one. On a separate note, there should be a special Oscar for the make-up team that managed to make the usually glamorous Ms. Kidman look realistically shattered.

Slow, boring and overly pretentious. Bland plot that is thinly spread over 2 painful hours. Kidman plodding around like she's soiled her pants isn't great acting - BMX Bandits is a better example of her fare. If you are expecting a pacy action thriller, avoid this. I would've walked out after 30 mins had it not sent me to sleep.

Nicole Kidman is the epicenter of this bleak crime thriller in which a veteran LAPD officer confronts her long-ago past in which she was part of an undercover operation aimed at a vicious gang of bank robbers. Here, she gives one of her best performances ever.

Kidman's disheveled look in this film is meant to reflect years of anguish and burn-out, in short the psychological toll of her job. An absolutely desolute view of Los Angeles is seen through her exhausted, but still enraged eyes. Another plot layer deals with her challenging relationship with her teenage daughter who has gone astray. Those around Kidman's character rarely see things her way, but that's because she has a past of her own to resolve.

Recommended as slow-burn material that gradually earns one's respect, even though I think a better editor would have made this a tighter film.