VALUTAZIONE IMDb
3,8/10
1383
LA TUA VALUTAZIONE
La suite delle Nuove avventure di Aladin.La suite delle Nuove avventure di Aladin.La suite delle Nuove avventure di Aladin.
- Regia
- Sceneggiatura
- Star
Tal Benyezri
- Tal
- (as Tal)
Florian Ordoñez
- Un rapeur du marché noir
- (as Bigflo et Oli)
Olivio Ordoñez
- Un rapeur du marché noir
- (as Bigflo et Oli)
Recensioni in evidenza
Don't waste your time with this 'comedy'. "Puns" aren't funny at all. Move along
Easiest one star rating.
You can hardly blame very low budget movies to be a total disaster, but what's the excuse here?
Dialogue was getting worse by the minute. That's the only accomplishment.
You can hardly blame very low budget movies to be a total disaster, but what's the excuse here?
Dialogue was getting worse by the minute. That's the only accomplishment.
Probably one of the worst comedy movie ever. The actors, the scenario everything is a massive pile of stupidity.
This sequel to Arthur Benzaken's film (The New Adventures of Aladdin, 2015) is a dud. It lacks visual scope. Here, the staging is designed for the tablet or the iPhone, not for the cinema. The shots are closer together, and the characters are less well thought out in the frame. This film is more reminiscent of sequences from TV shows or short films for Internet video clips.
The screenplay (still credited to Daive Cohen) manipulates fewer characters than the first in the series, and seems constructed solely as a pretext for Jamel Debbouze's performances. Jamel Bebbouze is far too present, and his character unbalances the film: Aladin has become a secondary character, even an extra. Jamel Debbouze puts on a show, which is all very well, but it doesn't serve the film. Moreover, each sequence taken individually is sympathetic, even effective on a comic level, but taken together they don't give the whole a coherent approach, a feeling of togetherness. For example, the space/time travel gag, in which they come across Christopher Columbus, is a good idea, but of no interest to the film as a whole. There are a lot of good individual ideas, but there's no overall artistic direction.
The screenplay (still credited to Daive Cohen) manipulates fewer characters than the first in the series, and seems constructed solely as a pretext for Jamel Debbouze's performances. Jamel Bebbouze is far too present, and his character unbalances the film: Aladin has become a secondary character, even an extra. Jamel Debbouze puts on a show, which is all very well, but it doesn't serve the film. Moreover, each sequence taken individually is sympathetic, even effective on a comic level, but taken together they don't give the whole a coherent approach, a feeling of togetherness. For example, the space/time travel gag, in which they come across Christopher Columbus, is a good idea, but of no interest to the film as a whole. There are a lot of good individual ideas, but there's no overall artistic direction.
Lo sapevi?
- QuizThe film was shot in Morocco in Ouarzazate, Marrakech and Casablanca, a few scenes took place in France in Chantilly in the Oise and in the Studios Épinay.
- ConnessioniFeatured in Touche pas à mon poste!: Episodio datato 2 ottobre 2018 (2018)
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Dettagli
Botteghino
- Budget
- 17.000.000 € (previsto)
- Lordo in tutto il mondo
- 19.024.452 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Proporzioni
- 2.39 : 1
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