Coda

Henry Cole (Patrick Stewart) is a world famous concert pianist who is facing the biggest challenge in his life - stage fright. Enter Helen Morrison (Katie Holmes) a journalist who once upon a time wanted to be a concert pianist as well. She becomes Henry's only connection to the music, the sense of it Henry started to lose... But with a significant age gap between them and the shadow of Henry's previous loss, can they ever be together?

Slightly melancholic and beautifully shot, CODA is a nuanced love story that takes its time to unravel. With a classical piano soundtrack the movie switches between the Swiss alps and the streets of New York, and is inhabited by a few well fleshed out characters.

There's wonderful chemistry between Patrick Stewart and Katie Holmes and the film wouldn't have survived without it. The script has a few interesting episodes, even moments of greatness, but the deliberate slowness and tragic content of the film will turn some viewers away.

As much about love as it is about loss, CODA delivers on its promise of a gentle love story, leaving a bittersweet aftertaste and a craving for more.

...If it's beautiful. It is. Put away the Fast and Furious and watch some acting if you dare.

I quite frankly am appalled of the low rating of this film. I understand why someone might not enjoy it fully if not in the right mood, but this is a beautiful film, well thought through and excellently acted. Patrick Stewart shows why outside his roles as Picard or the poop emoji he is an excellent actor, but also the masterful melange (I swear not a Gurney Halleck pun) of piano music, intellectual romance, high art, fancy hotel life and beautiful Swiss scenery gives the film the feeling of an art work.

I could tell about the story: that it's about an old famous pianist, that is is about love, that it is about persevering in the face of terrible and senseless loss, but to me all of that was part of the piece, just another element that completes the art of the movie. I think the scene where Stewart's character explains the good part of getting old: your mind and your heart make peace with each other, describes the idea of the film best.

Bottom line: I really wish someone who knows how to play chess would consult in American movie chess scenes, but other than that, the film approached perfection for me. It doesn't lead anywhere, it is a feeling piece, something you need to experience and enjoy. I really hope you do.

Rare to see such deep movie with beautiful piano music and story and scenery. I do feel it's just an art movie with not boring storyline of a pianist and journalist. Also, if you get some age, you will feel something.

Coda centers itself on the coda of fictional pianist, Sir Henry Cole. A true Meastro, who has dedicated his life to the art of the classical piano, he is now at the end of his path, and finds himself lost and looking for clarity.

Patrick Stewart brings a stillness and meditative grumpiness to the role and is supported by Katie Holmes as a writer for the New Yorker who finds herself drawn to Cole's enigmatic loss.Giancarlo Espacito (Breaking Bad) is excellent as Cole's agent, as is Christophe Gaugler as the night porter.

This is an actor's film, if you like nuance, thought, pause and Beethoven then this is rewarding. The direction by Claude Lalonde is good, particularly the pacing and framing. But this is Patrick Stewart's film, he takes Louis Gadbout's script, and delivers a beautiful performance.

This is a film about the piano and it's demands, but not in an overdramtic way, it rather questions artistry and what it means to reach the coda. This viewer enjoyed it very much and found the change of tempo a refreshing change.