Liz e l'uccellino azzurro

If you want a film that gives you tons of action, an incredibly complex story, or a dark tale, this isn't the movie for you. However, if you're in the mood for a stunning character piece that tells a simple but superb story than this is a movie for you. It tells it's story partially through the stunning body language displayed by the characters as while you might not hear what the characters are thinking all of the time, you can certainly gauge it from how they have their arms and legs positioned, expressions that briefly flash across their face, or how they are postured. Liz and The Blue Bird requires you to pay attention and it rewards you for doing so. It also uses music (It is a music anime) to give the most emotional moment of the movie that is soon followed by it's most enthralling part. The voice acting also carries the move to the next level as each actress gives an outstanding performance that gives further depth to their characters. You also don't really need to watch the series to get the characters as they were only side companions to the main story. But here, they take center stage and honestly surpass their predecessor in every regard. So yeah...go watch this movie.

"Liz and the Bluebird," is a new film directed by Naoko Yamada for Kyoto Animation. If you were a fan of Sound Euphonium, you'll smile at all the Easter eggs delicately placed throughout the story. The movie is set in the same high school and in the same universe as Sound Euphonium, and features the same orchestra director/music teacher. But this time, Yamada tells a different story of these music students, weaving the real life relationship between two best friends and a special duet they are supposed to perform based on a folk tale entitled "Liz and the Bluebird."

Mizore and Nozomi are best friends. Mizore is very shy and withdrawn, always feeling lonely and lost, while Nozomi is an effervescent social butterfly. Nozomi seems to have it all: charm, wit, talent, personality. Even her ponytail swishes with an air of confidence as she walks. Mizore earnestly feels that she cannot exist without Nozomi around her. But these girls are now in their senior year in high school. It's time to think about graduation, college, and those hard decisions about everything that comes after. Although neither girl feels ready, it's time for them to grow up. All of this is plays out beautifully through the musical piece, "Liz and the Bluebird," a story about a young, lonely woman who befriends a magical girl in blue. Yamada uses an actual high school orchestra for the soundtrack, which makes the story so much more poignant as our main characters struggle through the piece and with their relationship to each other.

"Liz and the Bluebird" is a lovely little coming of age story. Yamada's genius lies in her ability to focus in and magnify that magical moment when a young person finally reaches that crest of self-actualization, when they see themselves as they truly are and how they impact those around them, as well as how much others impact them. Yamada seems to understand the true nature of friendship more than any other movie director. She also has a clear understanding of the role parents and teachers can play in a young person's life. While in A Silent Voice, it was the parents who had a strong impact, in Liz and the Bluebird, it's the teachers, Ms. Niyama, in particular, who gently guides the two girls in their journey of musical analysis and self-reflection.

If you just want a sweet movie that's a breath of fresh air, this is the one.

Liz and the blue bird is so impressionistic, with a sense of adjourning, but fully indicate everything that is needed to be understand - intimately - without a need to say anything.

An extremely special film that displays Naoko Yamada's perfection of her craft. In concept and in setting, it is a remarkably small film. The film takes place almost entirely within a few rooms of a school (outside of the fantasy B plot) and is about a singular thing: the strained friendship between two people. Despite how seemingly bare-bones that is, it's a dense and carefully crafted film that never disappoints.

The soundtrack is phenomenal. Kensuke Ushio is a true gem in the medium and I hope he continues to collaborate with Yamada. The gentleness of the songs fits perfectly with the tone of the film and the addition of diagetic sounds of a school into the songs themselves is brilliant.

Credit of course must also be given to veteran and long-time collaborator to Yamada, Yoshida Reiko, who wrote the film. The two are an unmatched pair.

Summary

Mizore Yoroizuka and Nozomi Kasaki are a pair of best friends in their final year of high school. They're both obsessed with the school's brass band club. With Mizore on the oboe and Nozomi on the flute, they spend their days in happiness, until the club begins to practice songs inspired by the fairy tale Liz und ein Blauer Vogel - "Liz and the Blue Bird". Immersed in this story, Mizore and Nozomi begin to realize that there may be no such thing as being together forever.

I find the plot of the film very good and In do like how this film is related back to the book Liz and the blue bird. It is especially beautiful how most of this movie is about music and friendship.

Animation and art style wise it is very good which include background and character models mainly the cute and beautiful girls.

This movie is good overall which any age can enjoy although there is a bit of mild language in the movie but not much.