Zygote

Once again, we have the arctic, cold and claustrophobic, and two people who are miners, the last left of a huge work crew, trying to survive while an amorphous creature tries to kill them. The one guy, the boss, is blind, and the other is a woman who doesn't fit the usual protocols on this encampment. It's one bloody scene of dismemberment and slaughter after another. Never cared for this, but I am granting it a good rating on technical grounds and intensity. I wish I knew a little more about what they were up to.

If you choose between seeing this and Life (2017)... choose this instead.

Let me explain why.

George Miller, master storyteller and director of the Mad Max films, has said that audiences have learned how to "speed read" films, citing the number of cuts between the earlier Mad Max movies and the latest, Fury Road: Wikipedia claims that Fury Road contains 2,700 cuts while The Road Warrior had only 1,200.

I bring this up because Zygote offers us the very same setup as films like Alien, Aliens, John Carpenter's The Thing, Event Horizon, and even Life, of this year: Zygote is set in a derelict and remote station featuring workers being stalked by a horrible creature. Zygote is superior to Life only because it is much more condensed. I'm judging Zygote by Life because they came out the same year and Life has failed to evolve.

No, I'm not giving preference to Zygote over Life just because Zygote is shorter-- Zygote is condensed. As the Mad Max movies have evolved to suit the abilities of "speed reading" audiences, Zygote offers us everything Alien, Life, and The Thing offers without dragging out the entire show.

The "trapped in space with a horrible monster" genre has been done to death. Zygote wisely gives us all of the feelings of isolation, fear, claustrophobia, and wonder that the genre offers us in just over 20 minutes. "Life" was overlong rehash of a film we've seen more than a dozen times now. Perhaps Zygote-- or rather, its format-- is the evolution of the genre.

A criticism: the opening exposition is weak, just the male lead talking and explaining the setup. And he speaks in such a gravelly-growly "please take me seriously, I'm a hardened veteran, no really" kind of way I wished there was an option for subtitles.

In any case, props to the FX department of Zygote-- they did a wonder creating their monster. Now THERE is a scary creature I'd rate in the same category of creepy-cool as Alien's xenomorph. Not Life's "Calvin..." that thing looked like a lizard with a four feelers.

The plot here is somewhat of a sci-fi/horror staple: an isolated location (base) and monsters at (or inside) the door. Many shows and films have done it, but in particular Zygote brings The Thing and Alien to mind. The delivery is simple too; after some dialogue in a contained room to set the scene, two survivors must try to make it across the base to the point they can escape. At first the dialogue was a little uninteresting, but as the film goes on I realized that this opening scene did add a lot to the film. Okay it is direct exposition, but the short running time doesn't give you the freedom to let it play out another way, unless you use a narrator in the same way as Rakka did, or a similar device such as the opening footage of Firebase.

This opening scene does ask a lot though, because in addition to the exposition, the male actor is not particularly strong – feeling a bit forced and trying too hard to do what he is doing. Once the beast comes though, the film takes on a great pace and sense of horror. The beast itself is a horrific and chilling piece of body horror; the CGI feels real in the way it moves (and moves not just as one creature, but as a horrid composition of people). Through the escape, there are scenes reminding us of what we already heard – and there is a real horror here which the film does well to link to even if it doesn't have the time itself. Fanning is good in the lead, convincing in her fear and limits.

As with the other shorts in this Volume 1 of release, it doesn't feel like a whole (because it is not) but at the same time there is more than enough here to make it effective.

Running at just over 20 minutes, then "Zygote" was initially a movie that I would have passed on, as I am not keen on short films. But I read the synopsis for it and found it to be sounding like it might actually be worth the time and effort.

And let me be the first to say wow! "Zygote" turned out to be a rather entertaining and thrilling short film. I must admit that writers Thomas Sweterlitsch, Terri Tatchell and writer/director Neill Blomkamp had put together something quite good.

Sure, this was blatantly an imitation of "The Thing", but that hardly mattered, because "Zygote" in your face from the very beginning. There wasn't any tallying about.

And with a cast that included just two people, Jose Pablo Cantillo and Dakota Fanning, then there was a certain amount of pressure riding on the two performers. It should be said that they did perform quite well and carried the movie phenomenally. It was a rather nice surprise to see Dakota Fanning in a movie such as this.

The creature was rather interesting and it definitely came off as being realistic given the impressive CGI used. So thumbs up for the CGI and special effects department on their accomplishment here.

It would be great to see "Zygote" as a full length feature film, although I can't really see what it would bring to the genre that hasn't already been done and seen in movies such as "The Thing". But still, with the entertainment level that they managed to pull off with just 20 minutes, then it would be fun to watch a full length movie with this stuff.

"Zygote" is definitely well worth the time and effort if you enjoyed "The Thing". I am rating "Zygote" 7 out of 10 stars.

ZYGOTE is another Neill Blomkamp short film. This time, we join survivors Barklay and Quinn (Dakota Fanning and Jose Pablo Cantillo), after something has gone horribly wrong in a subterranean facility.

It seems that a creature is after them. A monster so hideous and so mind-bending that my jaw dropped and stayed there! This is Blomkamp's unspeakable tribute to movies like John Carpenter's THE THING, James Cameron's ALIENS, etc., and does it ever deliver the flesh-crawling goods! Impeccable CGI makes this one unforgettable...