Come True

Best dream sequences I've ever seen in video. Some bits along the way hint at the ending, but very discretely.

Slow moving, but definitely worth the time.

This is one of those movies that will only resonate with a certain type of audience. Even then, I believe that, in order for its magic to truly work, it must be watched under the right conditions. You'll need a place that is dark and quiet, with little potential for interruptions -- like phones ringing, or that sort of thing.

Despite what anyone says, I easily don't consider this to be a horror movie. So if you're a huge horror fan, and are looking to be scared, or you're looking for lots of gore, then this isn't what you're looking for. Also, if you're an impatient viewer, who needs lots of crazy things happening, in order to constantly keep you entertained and on the edge of your seat, then you should pass on this one. This movie is for the type of person who can appreciate a slower-paced, simple story. It's not boring. However, you have to be the type of person who doesn't need a lot of stimulation, or a complex plot, in order to be intrigued. It basically has the pace of a tempered drama -- although, it's not a drama.

I watched this movie, early in the morning, while it was still dark, and while the world was quiet and still. I truly believe that, if I hadn't watched it in that setting, I wouldn't have appreciate it, as well. This is because it's an atmosphere-driven movie.

One of the things that quickly stuck out, for me, is some of the music, and the overall tone of the film. By the end, I knew that I would likely purchase the soundtrack, and since, have. This is one of those movies where the music plays a critical role.

The casting, for this movie, is done well. I've never seen the lead actress before. However, had someone else been cast in this role, you'd certainly have a different movie. I was impressed by her performance, since she made her character feel authentic, even though there isn't a ton of dialogue. She also has a certain look that easily fits the part.

I truly believe that most people won't like this movie. However, if you're the type of person who can appreciate atmosphere, and doesn't need a lot of loud, fast-paced stimulation, then you may enjoy this movie.

So the entire film is about this girl who almost ran away from home who enlists in a sleep study. They monitor her brainwaves on trippy CRT monitors from the 90s and transform them into images to see what she is dreaming about. More or less everything makes sense until the very end, when the spell is broken and you realize that it is all a pretentious movie with "a message" that you care nothing about at all. I don't want to spoil it, because many people seem to have enjoyed the dream mysticism and symbolism of which the film is full of. Myself, I was intrigued by the obvious plot and was severely disappointed by the ending.

All in all the acting is decent, the pacing is slow, but consistent and the dream sequences, even if they look like something made in a few days on a 3D designer, are pretty cool. What I disliked profoundly is the bait and switch at the end.

If you want to enjoy it, take it as a personal project of the writers to express something personal, like Phantasm was, and give it a try. Just know in advance that nothing truly scary or active will happen and that the film is slowly, very slowly, getting to its point by avoiding it most of the film.

Greetings again from the darkness. Anyone who has experienced recurring nightmares understands how they impact not just the time you are asleep, but all waking hours as well. Anthony Scott Burns is the writer-director-cinematographer and is working from a story by Daniel Weissenberger. The film is blend of science fiction and horror, and Burns excels in creating an atmosphere of dread upfront.

Burns kicks things off by immersing us in the dark, troubling dream of high school student Sarah (Julia Sarah Stone, "The Killing"). She wakes up not in her bed at home, but instead wrapped in a sleeping blanket on a local playground. Sarah prefers to sleep in a park or at a friend's house, rather than at her own home for reasons we can infer. Desperate for sleep and rest, she answers an advertisement for a sleep study at the university.

Based on the cars, movie posters, and tech equipment, the film is set in the late 1980s or early 1990s. Even the synth music is of the era, courtesy of Electric Youth and Burns' own Pilotpriest. The music mirrors the film in that it's superb in the beginning, and less effective in the second half. The blue-gray color palette and icy cold weather perfectly complement the unorthodox sleep study, and those who are running it. Jeremy/Riff (Landon Liboiron, TRUTH OR DARE, 2018) is the creepiest while looking like a bearded Harry Potter, though it takes a while to unravel his story. Also present is Dr. Meyer (Christopher Heatherington), who does little more than quietly observe. Allowing this character to play a bigger role could have benefited the story.

The mystique of dreams is what's at play here, and the blinking monitors and concerned look of the scientists all serve their purpose. Unfortunately, it's the dreams that let us down. The shadow man associated with sleep paralysis is on display here, but his glowing eyes amongst the abundance of gray lacked the eerie imagery need to capture my imagination. In fact, I found the dream sequences to drag, even after the first one got my hopes up.

It's highly likely that Burns is a fan of filmmaker David Cronenberg, and we do appreciate the homage to Stanley Kubrick and Rodney Ascher. However, to be truly effective, a sci-fi/horror film, especially one dabbling in pseudo-psychology, must have more than the right look. Lead actress Julia Sarah Stone brings a unique appearance to the role, and she's the reason I stuck with it until the end. My gut feeling is this could have been a world class short film, and it seems probable that I missed a deeper message here. But neither of those was enough to overcome my feeling of boredom during the film's second half. COME TRUE will open in select theaters, digital platforms, and cable VOD on March 12, 2021 courtesy of IFC Midnight

This movie has several things going for it, but ultimately disappoints. The central idea is a good one, and the lead actor gives a strong performance. She's likely to become more well known soon. The cinematography is strong, and the score is good, as is the direction, which owes quite a bit to Kubrick. Where the movie fails is in the writing, and to a lesser extent in the performances of the supporting cast. The dialogue is sometimes trite, and the plot is thin with holes. The end is both predictable and yet somehow even more disappointing than one expects. I don't mean to be harsh; the movie is worth a look. Just be prepared to be let down a bit by it all, in the end.