The Nightmare Gallery

This is a film about a college anthropology professor who is on the search for her missing student. She begins following clues received in the mail, which puts her career and marriage in jeopardy. The core problem is we never see the relationship between her and the student, so viewers don't feel connected to the plot. Because of this all we know is the main character is rude, disregards her responsibilities, the feelings of those close to her, and comes off and unlikable and weird. Then as we start to get glimpses of Sanjay the missing student, he is just as unlikable and creepy as she is. To sum it up, the music is generic, the actors chew the hell out of the scenery (so many wide eyed head tilts), the characters are unlikable and un-relatable, and the plot is silly and nonsensical for the sake of sounding profound.

"The Nightmare Gallery" 🌠🌠🌠 This film is a C+ or B- movie across the board. The acting, Music, Cinematography and special FX have the feel of a cheesy made for TV minuscule budget movie. I personally loathe these kind of films so regardless of the storyline or direction these films take it's basically a waste of time when their's a massive amount of good movies to watch and so little time to watch them. I suggest a hard pass on this one.

"The Nightmare Gallery" came without as much as a fanfare, and it will leave without as much as a whisper. I hadn't heard anything about this movie prior to finding it one year after it was initially released. I was lured in by the movie's cover/poster, because it seemed rather interesting.

And I was even more intrigued when I noticed that the Rand family lived on Innsmouth Ave., so I thought maybe I was going to be in for some Lovecraftian inspired horror. Instead, I suffered through one hour and six minutes of sheer self-inflicted torture by watching this movie, as I should have given up after thirty minutes. But I thought the movie would pick up and become interesting. I just never did. And I didn't even finish the movie, having about thirty minutes left or so, and having no intention of returning to finish it.

Why? Well, because the storyline was tedious and utter rubbish, to be bluntly honest. It made no sense and it seemed more like the work of several directors whom had no collaboration and were told to direct individual segments with the same character, then piece it together afterwards. The script was just boring and all over the place. So not a great accomplishment by writers Jhan Harp and Rob Stith.

Director Gene Blalock didn't really have much to work with, and it was definitely reflected on the screen.

The characters in the movie were fairly adequate, they were not overly interesting, but served the story well enough. And while not being in the lead role, then it was actually Mieko Hillman (playing Dawn Rand) whom carried the movie with her performance.

I have no idea what this was supposed to be, but an hour and six minutes of nothing happening was not my sense of entertainment. And with no interest in the remaining thirty minutes "The Nightmare Gallery" was exactly what the name is; a nightmare gallery.

There is nothing I could or would recommend in this movie, so it is not worth the effort.

A low budget doesn't have to mean a bad film but this was a bit of a slog. That said, I found the overall production values perfectly fine, to be honest; the problem lay predominantly in the writing / script.

I had my interest piqued as a Buffy The Vampire Slayer vampire by the presence of Amber Benson, unfortunately all this film helped do was highlight her shortcomings as an actress. The acting throughout the film was generally a bit on the amateurish side, the only exception probably being Meiko Hillman who played the wife of Benson's character.

I could be wrong but the film seemed like it was largely populated by queer characters / actors, which is nice to see for a change but it doesn't mitigate the poor end product.

Also, I don't mean to be a cynic but I do wonder how many of these 8, 9, and 10 reviews are from the people who backed the film on Kickstarter (having spotted this detail in the film credits while waiting for the post-credits scene, which was mentioned at the start), as I can't for the life of me see how anyone could rate this film THAT highly.

This picture is all about dialog and there is lots of it. The weakest part about this is the writing. It seems the authors suffer from the word salad affliction that a lot of new scriptwriters do, but the director and talent surprisingly make it work. Great creativity and framing. Purposeful and focused camera work. A valiant attempt at an indie production. Carry on, lads.