Gloria Bell

Story is stretched too thin and familiar. Plight of characters not particularly engaging or interesting. Main lead brings an extra layer to the film. Pacing issues.

Five years after the Chilean original, Sebastián Lelio decided to remake his own movie and direct an American version starring Julianne Moore as the main character. I have to admit to having liked this more than the version with Paulina García - both performances are equally formidable, but perhaps it's my personal admiration for the legendary Julianne Moore which caused me to feel more attached to Gloria's character in this film.

This is a film for a very special audience, and many viewers outside of that audience will probably find it difficult to relate to the everyday life troubles of a middle-aged woman struggling with sexuality, motherhood, health issues and work life (just look at the audience rating on Rotten Tomatoes or the negative comments on IMDb). I mainly watched this because of Julianne Moore and since I have really liked Sebastián Lelio's work so far, and I didn't regret it for a single second. Moore is perfect and gives one of the best performances of her career, which says a lot since she was so fantastic already in films such as "Still Alice", "Far from Heaven", "The Hours", "Magnolia" or "Boogie Nights".

"Gloria Bell" feels like it's about celebration of life. It's full of positivity; it is uplifting even in its sadder moments thanks to its poignant use of music, and a refreshing breath of vibrancy drifts through every single scene. An intimate and all around glorious character study from one of the best rising directors of the last decade, with one hell of a courageous and captivating final act.

Gloria is a fifty-something long-term divorcée, with two grown-up children and with a subdued professional life. She's even a young granny since a short time. In short, all lights are red. It's only missing menopause... And then arrives Arnold, a charming guy who turns out to be stuck within a castrating environment. This film is desperately pessimistic, despite the manifold disco hits, and reminds the universal difficulty of 'rebuilding' its life, following a divorce with child(ren). The duo Julianne Moore + John Turturro is stunning, knowing that Julianne Moore is gorgeous, as usual.

Gloria Bell (Julianne Moore) is a middle-aged divorcée in Los Angeles. She spends her days at her job, with her friends and her family, and dealing with a hairless cat and a disturbed neighbor. She spends her nights dancing at a nightclub with other older club goers. One night, she meets Arnold (John Turturro).

This is a remake of a Chilean film. The style is a matter of fact, slice of life story of a simple older woman. It has some docu-style flair. When she has the one night stand with Arnold, it's fine for her to know nothing about him. As she gets into a relationship, the movie needs to do some exposition with his life. I may have missed it but she needs to have a deep discussion about his relationships. This movie has a lot unspoken but his personal life cannot be one of them. He can lie about it but she can't not ask him about it. Turturro is obviously disturbed somehow and she's avoiding it. There are little things that rang wrong. I don't like her son questioning her where she found Arnold. It's an inquisition when he should be supportive. He could rail against him but he can't accuse her. It's a written line to point a finger at her when her son would unlikely do that in reality. Otherwise, it's a great portrait of an older woman. The tension is lessened by looking away from the drama.

If you are under 25 you may not "get" this movie but once you have experienced more of life this movie will certainly have more meaning. And in the future when you talk about this, and you will, do be kind!