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Jim Hanson (Liam Neeson) has a shrinking property on the American Mexican border. The bank is foreclosing on what's left of his property including the hill where he spread his late wife's ashes. Her medical treatments had drained their life savings. He often finds illegals crossing his property. One day, he comes across Rosa and her son Miguel. They're on the run from the Mexican cartel. Jim gets into a gun battle and kills one of the cartel gunmen. Rosa is killed. Eventually, Jim is on the run with Miguel. Jim's stepdaughter Sarah Pennington (Katheryn Winnick) is a border agent.

This needs a few script changes including several situations during the final confrontation. There are some bad old fashion holdouts with the ending. Jim would never lay down his gun. As soon as that happens, both him and the kid would be killed. The biggest change I would make is to get rid of the money. It muddies Jim's motivation in helping Miguel. It would also heighten the danger by taking away a resource. In addition, Jim should have used the money to buy a car. The bad guys know the car and he knows the bad guys know it after the corrupt cop. It's also shot up to heck and on its last legs. Another change is Miguel's declaration that he wants to go home. Here's the deal. The kid is written as a real smart character. He wouldn't be dumb enough to want to go home where he can expect certain death. Overall, I like this lone marine who wants to do the right thing and Liam Neeson playing it. The script for this simplistic story has a few flaws that needs cleaning up.

This is only the second film by director Robert Lorenzo. Who's he? Exactly. He is best known as an assistant director and producer of mostly Clint Eastwood films and some great ones like Mystic River and Million Dollar Baby. His first solo film is Trouble with the Curve where the main role is played, surprisingly, by Clint Eastwood himself. I really liked that movie. The difference between this and this film is the script, this time he wrote it himself and it is not good at all. It is often predictable, one-way, and uneven. Overall though, I can't judge the film with Liam Neeson where he plays himself badly. He will turn 69 this year, and he is still making films like this. I call this a typical Liam Neeson movie, if you've watched one in the last ten years, you've watched it all. A gloomy man with a difficult and vulnerable past who does not look for troubles but they find him, and he possesses special skills that he is forced to use. The good thing about movies like this is that you know you're going to get what you expected, and all of those movies are good or very good, they won't disappoint you. Same thing with this movie. If you're going to look for holes in the script or criticize the characters, then this is not the movie for you. If you're looking for a movie that will entertain you or take a break from your commitments for a hundred minutes, and you're a fan of Mr. Neeson like me then I can definitely recommend this movie to you.

There's nothing new or amazing in this film but it is an okay thriller that keeps moving along, aided by Neeson's character's like-ability.

So if you want something to keep your interest and pass an hour or so in lockdown, if you don't expect too much you might like it.

Perhaps some people expect a fast action movie from Liam Neeson, but The Marksman is a slower and touchy story with enough tension and violence to satisfy many viewers. A star rating of 7 is justified.

Good storyline... Liam Neeson was good. I just expected more than the movie delivered... the SUV rollover scene was ordinary at best.... Good undertone of a message about choosing our own way in life.