Un dirigente di banca riceve una minaccia di bomba mentre accompagna i suoi figli a scuola. La loro macchina esploderà se si fermano e scendono.Un dirigente di banca riceve una minaccia di bomba mentre accompagna i suoi figli a scuola. La loro macchina esploderà se si fermano e scendono.Un dirigente di banca riceve una minaccia di bomba mentre accompagna i suoi figli a scuola. La loro macchina esploderà se si fermano e scendono.
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Nedy John Cross
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Recensioni in evidenza
Of course there was no doubt about me having to sit down and watch this 2023 action crime thriller as it had Liam Neeson on the cast list. Sure, I had never even heard about the movie prior to watching it, not that it really mattered, as it was a Liam Neeson movie.
The storyline in "Retribution", as written by Alberto Marini and Christopher Salmanpour, sort of was very similar to the 1994 movie "Speed", except that it was lacking the high speed and adrenaline. It was watchable, for sure, but it was not a top notch movie for Liam Neeson. The storyline was a bit too much of a copy and paste of "Speed", except it was in a SUV and had a slightly different plot.
The acting performances in the movie were good, and while Liam Neeson didn't have a particular set of skills in "Retribution", then he still carried the movie well enough to make it a watchable movie. There are a couple of other familiar faces on the cast list, with the likes of Embeth Davidtz, Matthew Modine, and Jack Champion.
I found "Retribution" to be somewhat lacking in thrills and excitement, and the movie's plot and storyline was a tad too linear and predictable for my liking. Plus, the fact that if you've already seen "Speed", then you have essentially also already seen director Nimród Antal's "Retribution".
Watchable for what it was, "Retribution" didn't impress me, nor did it revolutionize the action crime thriller genre. In fact, it didn't bring anything new at all to the genre. And on that account, my rating of director Nimród Antal's "Retribution" lands on a bland five out of ten stars.
The storyline in "Retribution", as written by Alberto Marini and Christopher Salmanpour, sort of was very similar to the 1994 movie "Speed", except that it was lacking the high speed and adrenaline. It was watchable, for sure, but it was not a top notch movie for Liam Neeson. The storyline was a bit too much of a copy and paste of "Speed", except it was in a SUV and had a slightly different plot.
The acting performances in the movie were good, and while Liam Neeson didn't have a particular set of skills in "Retribution", then he still carried the movie well enough to make it a watchable movie. There are a couple of other familiar faces on the cast list, with the likes of Embeth Davidtz, Matthew Modine, and Jack Champion.
I found "Retribution" to be somewhat lacking in thrills and excitement, and the movie's plot and storyline was a tad too linear and predictable for my liking. Plus, the fact that if you've already seen "Speed", then you have essentially also already seen director Nimród Antal's "Retribution".
Watchable for what it was, "Retribution" didn't impress me, nor did it revolutionize the action crime thriller genre. In fact, it didn't bring anything new at all to the genre. And on that account, my rating of director Nimród Antal's "Retribution" lands on a bland five out of ten stars.
Retribution is barely for those of us who fell in love with Neeson when he did the ultimate man meal Taken. Ever snice That trilogy I've been running to the theatres to watch Neeson flicks and this is the Frist time I actually said to myself why (which i now found surprising).
Not to say this was a bad movie, but it really seemed unnecessary. Wild thing, it feels like a similar plot to a better Neeson movie the Commuter. The movies may seem polarizingly deferent but if you seen The Commuter you'll notice the same plot devices creating the same loop holes in both, but the Commuter is worth seeing while i could have skipped Retribution altogether.
Not to say this was a bad movie, but it really seemed unnecessary. Wild thing, it feels like a similar plot to a better Neeson movie the Commuter. The movies may seem polarizingly deferent but if you seen The Commuter you'll notice the same plot devices creating the same loop holes in both, but the Commuter is worth seeing while i could have skipped Retribution altogether.
I went into this not knowing anything about it; I didn't know it was a remake nor what the plot is. Turns out, it's a contained thriller that's quite well-paced, managing to wring enough tension and suspense out of its simple premise with strong editing.
Neeson and some of the other cast members really do give it their all, and they bring life to the film that makes up for the bland direction and cinematography.
While most of the time the movie is compulsively watchable, what really holds it back is the script. It's bad.
It's a strange kind of bad that really does feel like this screenplay was generated by ChatGPT. Nearly all of the dialogue is stilted and generic, and the story moves kind of haphazardly, as though a machine were calculating what was the next appropriate action movie plot point to throw in next.
I guess it's better than many of the other beige action flicks Neeson has churned out over the years, but it's still far from good.
Neeson and some of the other cast members really do give it their all, and they bring life to the film that makes up for the bland direction and cinematography.
While most of the time the movie is compulsively watchable, what really holds it back is the script. It's bad.
It's a strange kind of bad that really does feel like this screenplay was generated by ChatGPT. Nearly all of the dialogue is stilted and generic, and the story moves kind of haphazardly, as though a machine were calculating what was the next appropriate action movie plot point to throw in next.
I guess it's better than many of the other beige action flicks Neeson has churned out over the years, but it's still far from good.
Shallow is the best word I can come up with. This is the worse character script writing I've seen for any Liam film but it is still a passable film (barely). Lots of stereotyping about the kids, wife, cops and much of the supporting cast. A few holes in the storyline, too. However, if you're a Liam fan, you'll get through it. The editing was actually pretty good but there are lots of gaps that have you wondering "what's taking so long?". I think this could have been 2-3 stars better with some decent writing and less predictability with many of the characters. It was just very shallow and Liam deserves a lot better.
I don't know where to start.... The dialogues are bad, wooden, and cheesy. The acting is far from enjoyable. The characters are dull and absolutely undeveloped. There is no motivation for the bad guy I can find. The Police and "Europol" are far from realistic, and speaking of Europol: this is not a European FBI, as shown in the movies. And of course the way they show Berlin hurts to see. They drive down one street, the next turn he is 20km away in another part of the town.
I'm just happy I saw this in a sneak preview with cheap tickets, because if it was a regular screening with full price tickets I would have demanded a refund.
I'm just happy I saw this in a sneak preview with cheap tickets, because if it was a regular screening with full price tickets I would have demanded a refund.
Lo sapevi?
- QuizThe third remake of Spain's Desconocido - Resa dei conti (2015) after Germany's Don't. Get. Out! In trappola (2018) and South Korea's Hard Hit (2021) but the first to use the original's English title.
- BlooperIn the final scene where the Vehicle roles on it's side, this would cause the pressure sensor in the seat to not detect the driver as his weight now only applies perpendicular to the seat sensor. thus the bomb should have triggered the moment the vehicle rolls over as the bomb is triggered by the pressure sensor.
- Citazioni
Matt Turner: Turbulence is inevitable. When everyone runs from the fire, you run to it.
- ConnessioniReferenced in Film Junk Podcast: Episode 911: Retribution (2023)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Contrarreloj
- Luoghi delle riprese
- Mitte, Berlino, Germania(Potsdamer Platz)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.937.696 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.518.830 USD
- 27 ago 2023
- Lordo in tutto il mondo
- 18.685.751 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 2.39 : 1
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