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IMDbPro

Benediction

  • 2021
  • Not Rated
  • 2h 17min
VALUTAZIONE IMDb
6,6/10
4184
LA TUA VALUTAZIONE
Jack Lowden in Benediction (2021)
Explores the turbulent life of WWI poet Siegfried Sassoon. The writer and soldier was a complex man who survived the horrors of fighting in the First World War and was decorated for his bravery but who became a vocal critic of the government's continuation of the war when he returned from service. His poetry was inspired by his experiences on the Western Front, and he became one of the leading war poets of the era. Adored by members of the aristocracy as well as stars of London's literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality. At the same time, broken by the horror of war, he made his life's journey a quest for salvation, trying to find it within the conformity of marriage and religion.
Riproduci trailer2:10
3 video
71 foto
DocudramaEpica di guerraBiografiaDrammaGuerraStoria

La ricerca della salvezza personale del leggendario poeta di guerra del 20° secolo Siegfried Sassoon attraverso le sue esperienze con la famiglia, la guerra e i suoi scritti.La ricerca della salvezza personale del leggendario poeta di guerra del 20° secolo Siegfried Sassoon attraverso le sue esperienze con la famiglia, la guerra e i suoi scritti.La ricerca della salvezza personale del leggendario poeta di guerra del 20° secolo Siegfried Sassoon attraverso le sue esperienze con la famiglia, la guerra e i suoi scritti.

  • Regia
    • Terence Davies
  • Sceneggiatura
    • Terence Davies
  • Star
    • Jack Lowden
    • Thom Ashley
    • Orlando Jopling
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    4184
    LA TUA VALUTAZIONE
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Star
      • Jack Lowden
      • Thom Ashley
      • Orlando Jopling
    • 56Recensioni degli utenti
    • 86Recensioni della critica
    • 81Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 19 candidature totali

    Video3

    Official Trailer
    Trailer 2:10
    Official Trailer
    International Trailer
    Trailer 2:10
    International Trailer
    International Trailer
    Trailer 2:10
    International Trailer
    Benediction
    Trailer 2:10
    Benediction

    Foto70

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    Interpreti principali56

    Modifica
    Jack Lowden
    Jack Lowden
    • Siegfried Sassoon
    Thom Ashley
    Thom Ashley
    • Hamo Sassoon
    Orlando Jopling
    • Conductor
    Christopher Naylor
    • Tailor
    Geraldine James
    Geraldine James
    • Mother
    Simon Russell Beale
    Simon Russell Beale
    • Robbie Ross
    Peter Capaldi
    Peter Capaldi
    • Siegfried Sassoon (Older)
    Richard Goulding
    Richard Goulding
    • George Sassoon
    Jude Akuwudike
    • Priest
    Daniel Tuite
    Daniel Tuite
    • Major McCartney-Filgate
    Mark Oosterveen
    Mark Oosterveen
    • First Army Doctor
    Steven Pacey
    Steven Pacey
    • Second Army Doctor
    Julian Sands
    Julian Sands
    • Chief Medical Officer
    Joyce Henderson
    • Matron
    Ben Daniels
    Ben Daniels
    • Dr. Rivers
    Matthew Tennyson
    Matthew Tennyson
    • Wilfred Owen
    Torquil Munro
    • Pianist
    Chrissy Roberts
    • Female Singer
    • Regia
      • Terence Davies
    • Sceneggiatura
      • Terence Davies
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti56

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    Recensioni in evidenza

    5leobardolouisrodriguez

    Moderately interesting collage

    My initial reaction was, "unfocused and messy," but someone else called it a collage, and I think that is a more accurate description of the film.

    It's not a biography, it's not really about war, or love, or living a closeted life during a specific period in UK history; it's not about aging; it's not about poetry, or trauma. The title suggests it might be about guidance, blessing, or redemption, but in regard to what, I can't really say.

    It's also about all of those things, depending on the minute. The movie changes focus quite a few times, and I found that incredibly frustrating. After two and a half hours, I did not leave with any firmed-up impression of Sassoon, or the basic intention of the film.

    Having said that, the lead actor and the rest are all perfectly enjoyable to watch, the dialogue is organic, and aside from spliced-in war footage, it is pleasing to the eye. It's a good choice for watching on demand or otherwise at home. But it's not a movie that lingers.
    6onefineday36

    Gently bitter and nostalgic... and dated

    Here's a lot of old fashioned Britishness we love. Repressed emotions hidden behind immaculate manner and only expressed through biting witty comments and classy bitching. But having partially lived in and experienced modern UK (or let's just say London, that is a world of its own) for over a decade now, it's the world that's almost gone... unless for such rare moments brought back by the dying breed as Terence Davies.

    In that sense, the whole film is definitely sentimental, nostalgic... and gently bitter (as oppose to bitter sweet). Even the scenes of horror from WW1 are somewhat veiled with distinctively old fashioned verses of Siegfried Sassoon. For some reason most scenes with special effects (the scene where Siegfried dropping his medal being most noteworthy) feel so dated too, as in 90's film or a student project of SiFi.

    My biggest issue in enjoying the film was that I gradually lost empathy with Siegfried. He starts off as gentle, smart young man, restrained but with lucid enough self-awareness and noble idealism of a youth. Then he dips in relationships with pretty but frivolous guys, predictably gets hurt by them, and then opts for a more conventional life of marriage and child in the selfish hope that the wife and son may give him the light he craves for. And then he ends up a bitter, distant, irritable and irritating old man, who vents out to his poor wife and suffering son, practically the only people left around, for their failure to become the light he wanted them to be.

    Now, it's not entirely his fault alone. The horror of the war that scarred him for life and the intolerant society that kept him from acting upon his true love have a lot to answer for. Even his shallow, egoistic post-war lovers are largely because such bold 'crazy' ones were the only people who could live somewhat openly as gay in the repressive British society.

    Nevertheless Siegfried had so many privileges - his uppercrust background, artistic talent, social recognition, and few but supportive friends. Despite of it all, he makes choices against his own truth and heart, and ends up a bitter resentful old man. His last ditch attempt to God wouldn't give him the solace he craves for.

    I guess that is actually the message of the film - how giving up one's true heart and truth, whether by one's own will or circumstances, can leave one just a shell of oneself. And what's the worth of a poet when he can't speak his truth?

    Overall it left me somewhat unsatisfied after 2 hours of run despite of its many enjoyable and charming virtues. I suspect Terence Davies himself has never quite overcome the pessimistic view he manifested in his early trilogy.
    6JuguAbraham

    One can appreciate Sassoon's poetry and the loaded trivia that TE Lawrence was his friend

    "Many live for the moment, you live for the eternity" British poet Siegfried Sassoon's son to his father in his final days--as the poet continues to bemoan the dead soldiers of of WWI who died for a cause that had changed from what it was when they enlisted. Thanks to Terrence Davies' film I have come to appreciate Sassoon's poetry. As a film, I prefer the comparable film "Under Milkwood" on the life and poetry of Dylan Thomas. A trivial highlight of the film: T E Lawrence (a.k.a. Lawrence of Arabia) attending the very private wedding of Sassoon! Though mentioned briefly as an admirer of the poet Sassoon, Noel Coward never gets shown in the film. Some aspects of the screenplay are very impressive, while some are not (switching back and forth in time, needlessly, those relating to one of Sassoon's many gay paramours).
    8davidgee

    Anthem for Doomed Youth

    Brownie points to Netflix for sponsoring this movie, which must have only limited appeal even to older gay viewers. Jack Lowden stars as World War One poet Siegfried Sassoon (Jack Lowden), whose emotional and sexual life director Terence Davies explores in this gloomy biopic. After publishing a letter condemning the military chiefs for the appalling death toll the conflict has brought, Sassoon is lucky not to be shot as a traitor; they send him to a mental institution where he meets and falls in love with fellow poet Wilfred Owen who's suffering from shell-shock (as PTSD was called in those dark days). Owen is sent back to die in Picardy in the last week of the war. The screenplay skates past Sassoon's brief return to active service.

    After the war Siegfried has a brief affair with Ivor Novello (Jeremy Irvine), shown here as the uber-bitch in London's far-from-discreet gay set. Siegfried has a longer but equally unhappy affair with upper-crust socialite Stephen Tennant (Calam Lynch), the model for Sebastian Flyte in Evelyn Waugh's BRIDESHEAD REVISITED. Unhappy with homosexual life and converting to Catholicism, Sassoon marries. Flash-forward to his later life shows Sassoon (now played by Peter Capaldi) at odds with his wife and their son.

    Throughout the movie Davies inserts horrific glimpses of battle casualties which never cease to haunt Sassoon. His poems are voice-overed from time to time, although two poems of Owen's make it clear that Sassoon was somewhat Second Division in comparison.

    This is a beautifully shot movie, and all the cast perfectly evoke the look and feel of the 1920s and 30s, but the scriptwriter's prevailing tone is depressing. Male lovers and a wife all fail to bring happiness to Siegfried Sassoon. A life unfulfilled; a glum movie.
    10GrigoryGirl

    Ignore the naysayers...this is a beautiful, deeply poetic, ethereal masterpiece...

    Ignore the naysayers. This is a beautiful, deeply sad, elegant, and poetic film from one of the greatest filmmakers working today, Terence Davies. Many here are dismissing this film as "catty", "stereotypical", etc. It's not in the least. It's a film based on the life of Siegfried Sassoon, a real UK poet who served in WW1 with Wilfred Owen, the brilliant soldier who wrote the poetry that was the basis for Benjamin Britten's magnificent War Requiem and who was a friend/lover of Sassoon. Sasson was a poet himself, an artist, and like all artists, felt alienated throughout his life from the world he lived in. We see that art world from behind the curtain, and anyone who has ever worked, or been privvy to, the behind the scenes of the artistic world will attest this is how it is. This is the huge source of Sassoon's "alienation", not just that he's a homosexual, which many reviewers are insisting. There's a wonderful line that sums him up perfectly, and that is "most people live in the moment. You want to live in eternity". That's a beautiful, poetic summation not only of Sassoon's life, but of art in general. Davies's films often draw on art for their inspiration, and this one is no exception.

    All of the performances are 1st rate, the cinematography is exquisite, the production design is breath taking, and the dialogue is some of the best I've heard in a film in a very, very long time. Thanks to Mr. Terence Davies for making such an extraordinary movie.

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Seven of Siegfried Sassoon's poems were narrated in the film: Concert Interpretation, Died of Wounds, When I'm among a Blaze of Lights, To my Mother, To my Brother, Attack, and Invocation.
    • Blooper
      Sassoon did not discard his M.C. medal as shown in this film. He tossed away the medal's corresponding ribbon. The medal itself was inherited by Sassoon's son George.
    • Citazioni

      Dr. Rivers: Why not?

      Siegfried Sassoon: Too afraid, too inhibited. Shamed by an inner corruption. Or perhaps it's simply because of... What's the phrase? "The love that dare not speak its name."

      Dr. Rivers: You are not alone in that respect.

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    Dettagli

    Modifica
    • Data di uscita
      • 23 dicembre 2021 (Australia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Siti ufficiali
      • Official Benedictionfilm
      • Official site (United Kingdom)
    • Lingue
      • Inglese
      • Francese
      • Tedesco
    • Celebre anche come
      • 베네딕션
    • Luoghi delle riprese
      • Chillington Hall, Port Lane, Brewood, Wolverhampton WV8 1RE, Regno Unito(Interiors and outdoor scenes)
    • Aziende produttrici
      • British Film Institute (BFI)
      • The National Lottery
      • BBC Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 201.093 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 50.970 USD
      • 5 giu 2022
    • Lordo in tutto il mondo
      • 847.418 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 17min(137 min)
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 2.39 : 1

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