VALUTAZIONE IMDb
6,9/10
17.647
LA TUA VALUTAZIONE
Una giornalista gallese dà la notizia sui media occidentali della carestia in Unione Sovietica all'inizio degli anni '30.Una giornalista gallese dà la notizia sui media occidentali della carestia in Unione Sovietica all'inizio degli anni '30.Una giornalista gallese dà la notizia sui media occidentali della carestia in Unione Sovietica all'inizio degli anni '30.
- Premi
- 4 vittorie e 14 candidature totali
Olena Leonenko
- Hotel receptionist
- (as Olena Leonenko-Glowacka)
Recensioni in evidenza
I'm very glad I stuck this one out.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
This story is very engaging. The scenes of famine do etch onto the viewers' brains. I feel very sad for the fate of a righteous whistleblower.
It felt a bit like 'Spotlight' transported back into the 1930s USSR. It sees journalist Gareth Jones traveling to Ukraine, and discovering the horrors of Stalin's man-made famine. This is the first film I've seen depicting this particular atrocity, despite learning about it (and the Holocaust) in school.
The film certainly shifted intensity once Gareth finds a way to reach Ukraine and slowly discovers the conditions firsthand. Numerous scenes will be etched in my memory - fruit on a train, a crying baby, singing children, "Kolya" and a footchase through snow-covered forest. It was intense. Some viewers will probably start feeling some of the hunger themselves.
James Norton delivered a really strong performance as Gareth Jones. Vanessa Kirby and Peter Sarsgaard were great in supporting roles too. Peter Sarsgaard seems to be seriously typecast as the sleazeball villain in everything these days.
The film follows the story of Gareth Jones as much as it does the famine itself, interceded with appearances of George Orwell. It's the first film I've seen by director Agnieszka Holland and I'm impressed! Will keep a lookout for her future work. Disappointing "Mr Jones" has somehow slipped under the radar for many. Definitely recommend this to those after a powerful, though-provoking film depicting real-life events.
The film certainly shifted intensity once Gareth finds a way to reach Ukraine and slowly discovers the conditions firsthand. Numerous scenes will be etched in my memory - fruit on a train, a crying baby, singing children, "Kolya" and a footchase through snow-covered forest. It was intense. Some viewers will probably start feeling some of the hunger themselves.
James Norton delivered a really strong performance as Gareth Jones. Vanessa Kirby and Peter Sarsgaard were great in supporting roles too. Peter Sarsgaard seems to be seriously typecast as the sleazeball villain in everything these days.
The film follows the story of Gareth Jones as much as it does the famine itself, interceded with appearances of George Orwell. It's the first film I've seen by director Agnieszka Holland and I'm impressed! Will keep a lookout for her future work. Disappointing "Mr Jones" has somehow slipped under the radar for many. Definitely recommend this to those after a powerful, though-provoking film depicting real-life events.
I knew nothing about Gareth Jones or Duranty before this and thought it an excellent film. James Norton is as good as ever and the rest of the cast are excellent.
Superb filming of a terrible time in the development of communist USSR and the conditions that the peasant class had to endure. A must see if you're interested in history but don't expect any laughs or edge of the seat thrills.
Superb filming of a terrible time in the development of communist USSR and the conditions that the peasant class had to endure. A must see if you're interested in history but don't expect any laughs or edge of the seat thrills.
All the terror, horror and atrocities of the war and its effects on Ukraine, the Holodomor (Famine of Terror or the Great Famine), including empty villages, starving people, cannibalism and the forced harvest of grain, a beautiful but belated homage to the Lord Gareth Jones (journalist), very sad, appropriate for the current war Russia x Ukraine, a real story, Portraits of War, told simply and efficiently, as he wanted and reports at the beginning of the film...
Lo sapevi?
- QuizOn the April 1st, 2022 installment of "The Lawfare" podcast, screenwriter Andrea Chalupa reports how during the course of filming "Mr. Jones", they reached out to the New York Times for permission to quote directly from Walter Duranty's article that denied a famine had taken place in Ukraine, but the Times refused to grant permission.
- BlooperAfter the main character returns to Britain, he meets George Orwell in a restaurant. In this scene, at the very beginning, a modern cash register is visible, with a flat LCD monitor.
- Citazioni
George Orwell: [Shaking hands with Gareth Jones] Eric Blair.
Gareth Jones: Gareth Jones
Leonard Moore: But you won't find Eric Blair on the bookshelves. You'll have to look for Orwell, George Orwell, after the river.
- Curiosità sui crediti"With special thanks and in loving memory of Dr. Margaret Siriol Colley, the niece of Gareth Jones and Nigel Colley, his great-nephew for their tireless research and tending to his legacy.
Thanks to the estate of the late Sonia Brownell Orwell for the use of quotations from Animal Farm by George Orwell."
- Versioni alternativeThere are two versions available. Runtimes are: "1h 59m (119 min) (United States theatrical)" and "2h 21m (141 min) (festival)".
- ConnessioniFeatured in Sunday AM: Episodio datato 9 febbraio 2020 (2020)
- Colonne sonoreChoo-Choo
Music by Matty Malneck (as Matt Malneck) and Frank Trumbauer
Arranged by Marcin Masecki
Performed by Marcin Masecki (piano), Jerzy Rogiewicz (drums), Jan Emil Mlynarski (banjola, vocal)
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Dettagli
Botteghino
- Budget
- 10.000.000 € (previsto)
- Lordo in tutto il mondo
- 2.855.316 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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By what name was L'ombra di Stalin (2019) officially released in India in Hindi?
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