A Ciambra

Don't expect lovely shots of the Calabrian countryside in Jonas Carpignano's A Cambria, because this Italian entry for the Oscars is as gritty as gritty gets. The story of Pio's (Pio Amato) coming of age in an impoverished Romani enclave is told with unremitting neo-realism and a point of view almost exclusively young 14 year-old Pio's. It's a companion piece to the director's Mediterranea and a sequel.

Realism is what made Italian cinema its reputation as far back as Rossellini in the first half of the 20th century. This iteration dares to place the camera almost on Pio's shoulder to give the sense of everything Pio is seeing and if his decisions are good ones. It doesn't get more than this.

That's the rub of this powerful, seemingly documentary capture of small-life in Calabria, modern with cells and cars and anything the gypsies can steal and sell. Because his father and brother are imprisoned, Pio becomes responsible for his family, and he pursues the gangster life with natural instincts, and, well, relish.

Moreover, his 15 family members are actor Pio's real family, providing an unparalleled feel of the real. His mother, Iolanda, is a piece of Italian motherhood work that by now could be "central casting."

The writer/director's treatment is consistent and relentless: an unwavering close up of impoverished gypsy life, at odds with the "Italians" who surround them and at odds with a society that considers them outsiders, thieves, and liers. The streets are uniformly strewn with garbage, and when a building experiences arson, you are almost ready to say "good riddance."

Although so many close-ups of Pio become tiresome, no doubt can exist that you will forget this camera-ready actor whose eyes tell you the combat within his soul.

Are you surprised Martin Scorsese is a producer? I'm not. These are the streets he loves to narrate, and they are mean.

Absorbing, Gripping, dark. Over 70 years since Italian Neo-Realism began, here is as fine an example of the genre as you could find. Nonprofessional actors creating a believable reality. This is the world of the poverty struck Italian Roma seen through the eyes of chain smoking, 14 year old Pio as he tries to establish himself in the world of Roma men.

This film drags you into the world of Pio, the main character, from the very first shot to the last, making you descend very slowly and blissful back onto your seat, long after the lights have gone on. Unblended cinema magic! You could feel the passion and heart that was put into this throughout; the filming took more than 90 days (wich is abnormally long) but this care and eagerness to bring Pio's world to life in a pure and enthralling way is reflected upon every scene. An important reason for this was probably the characters who felt delightfully authentic, not infected by hollywoodian handsome faces but (apparently the director also used real people from the area) real human faces of wich you simply couldn't doubt there truth and were going straight into your heart. Another decisive factor in the film's relish was beyond a doubt the dynamic and beautiful camera work, capturing the streets of South-Italy and it's powerful faces in warm colours and shifting it's close focus across the action. At the same time A Ciambra shifts your own focus upon Pio's social reality, offering you an absorbing and enriching window upon this poor region in Italy in the spirit of Italian neorealism.

Dark, boring, confusing dialogs, no logical sequence of events, I felt no connection to the characters whatsoever. If you're a fan of art films and foreign movies you might like it. I could have saved the 2 hours spent watching this.

"A Ciambra" focuses on a Romani boy and his grim existence in southern Italy. He and the African immigrants have no option except to participate in the underworld. The movie stars a cast of unknown (and unglamorous) people. The handheld camerawork gives the movie a feeling of gritty realism. The events portrayed are probably a daily reality for millions worldwide, whether immigrants or just people forgotten by society at large. Indeed, the Roma - mistakenly called gypsies - have been one of the most discriminated groups in Europe for ages; the Nazis murdered at least 220,000 Roma, possibly as many as 1.5 million, labeling the Roma as criminals.

Anyway, this is a movie that everyone should see.