Aggiungi una trama nella tua linguaA director's dream job quickly descends into a nightmare when he is forced to film a real-life murder.A director's dream job quickly descends into a nightmare when he is forced to film a real-life murder.A director's dream job quickly descends into a nightmare when he is forced to film a real-life murder.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 3 candidature totali
Nicole Alexandra Shipley
- Sarah
- (as Nicole Shipley)
Stephanie Anne Joens
- Jackson's Sister
- (as Stephanie Joens)
Kwame Head
- Makeup Guy
- (as Kwame A. Head)
Recensioni in evidenza
Maybe for an indie the expectations are always lower but if you have a good story and good actors it doesn't matter what budget you have, it's always possible to make a good movie. I would say the story was decent, not mindblowing but interesting to watch nonetheless. It has it's flaws though, needs more editing, and the acting was borderline, not awful but certainly not award winning either. All in all it was a nice attempt of Graham Denman to make a good movie, the result could have been better though.
So glad I took a chance on this one. Surprisingly good for a low budget indie flick. All of the acting was excellent, which is usually not the case in these films. My only beef is the ending which I didn't expect! I watched it twice and picked up some subtle foreshadowing and other subtle clues 2nd time through. If you are sick of superhero movies this is worth the watch.
How far would you go to make your dreams come true? Would you beg, steal, or even murder? First time filmmaker, Jack Archer (Chase Williamson) tries to figure out what his threshold is Graham Denman's impressive Greenlight.
Jack is struggling with trying to get a feature film of his greenlit in between crummy PA gigs and soul crushing dinners with his girlfriend's disapproving family who thinks he's a bum. By pure luck, Jack gets an interview with a sleazy low budget film producer (a scene stealing Chris Browning) who takes to the young filmmaker and agrees to let him produce a script of his.
It seems like everything is finally going Jack's way until, after the first day of filming, his producer tells him that he needs to ask a big favor - he wants the last death scene in the film to be real. From then on, Greenlight becomes a twist-filled thrill ride that never lets up.
One thing you'll notice about Greenlight is that it's better acted than most indie horror films of this sort. Williamson and Browning in particular are excellent and have fantastic chemistry in their scenes together. Veteran scream queen, Caroline Williams, gets one of her better roles in years as the producer's wife who's also starring in the film within the film. It's also way better shot than most indie horror films, leaving me to wonder why something like this couldn't have played in theaters.
The script is also stronger than most films of this type, focusing more on character development and suspense than buckets of gore. In fact, there are moments that are downright Hitchcockian. While the pacing is typically good, there are a few moments towards the middle that drag a tad and some of the twists can get a little silly, but Greenlight is still a very impressive low budget horror offering and worthy of your time.
Jack is struggling with trying to get a feature film of his greenlit in between crummy PA gigs and soul crushing dinners with his girlfriend's disapproving family who thinks he's a bum. By pure luck, Jack gets an interview with a sleazy low budget film producer (a scene stealing Chris Browning) who takes to the young filmmaker and agrees to let him produce a script of his.
It seems like everything is finally going Jack's way until, after the first day of filming, his producer tells him that he needs to ask a big favor - he wants the last death scene in the film to be real. From then on, Greenlight becomes a twist-filled thrill ride that never lets up.
One thing you'll notice about Greenlight is that it's better acted than most indie horror films of this sort. Williamson and Browning in particular are excellent and have fantastic chemistry in their scenes together. Veteran scream queen, Caroline Williams, gets one of her better roles in years as the producer's wife who's also starring in the film within the film. It's also way better shot than most indie horror films, leaving me to wonder why something like this couldn't have played in theaters.
The script is also stronger than most films of this type, focusing more on character development and suspense than buckets of gore. In fact, there are moments that are downright Hitchcockian. While the pacing is typically good, there are a few moments towards the middle that drag a tad and some of the twists can get a little silly, but Greenlight is still a very impressive low budget horror offering and worthy of your time.
This could have been better but could have been much worse.
acting was half decent and story line kept my interested as long as i didnt take it to seriously
6
6
Just watched this independent film and wow is all I can say . To see a movie with a couple of familiar faces including the lovely Caroline Williams mixed with some new faces that could actually act and are believable is a pleasant change . I won't give anything away but a young director gets given his chance to direct a movie and thentjings take a dramatic turn of evens . Outstanding
Lo sapevi?
- Colonne sonoreI've Been Through It Before
Music by William Malone
By arrangement with William Malone
Performed by The Plagues
Through courtesy of Luminous Processed Ltd. and Gigi Publishing
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Dettagli
Botteghino
- Budget
- 65.000 USD (previsto)
- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
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