Premi

Massimo Cantini Parrini's costumes use the style of Italian neo-realism in a very effective and creative manner, applying it to contemporary times, succeeding to create credible characters in this aesthetic convention. The costumes serve the film very well by skilfully merging with photography and production design, creating, altogether, this particular aesthetics. The colour palette was carefully chosen and well balanced, adding a sense of rough poetry to the film.

Rather than putting the art on display, the hair & make-up always remains realistic and connected to the story. There are a lot of violent scenes, a lot of fights, and the make-up always is spot on, never overdone and never too much, it is credible right through the movie.

Tied with Walter Fasano for Call Me by Your Name (2017).