Loro 1

...but it's too long, too dull, and not really engaging in any way. even by euro standards, this is just inedible. perhaps a shortened version, that was supposed to be released, could sort of uncover the potential this movie has

SEEN THIS TWO-PARTER AS ONE MOVIE (AS WAS INTENDED FOR INTERNATIONAL RELEASE, I THINK)

This movie establishes a great, great premise. It's about a guy who wants to be recognized by the great Silvio Berlusconi so bad that he would probably be willing to suck some if he had to. He is not the most sympathetic person in the world and has questionable morals, but in the end he is probably only at fault because his mind and principles are set on the wrong goal. But it's not easy, because Berlusconi is an enigma, a man that is hard to reach. This larger than life character of Berlusconi is then slowly established from little word of mouth stories here and there that different characters share in conversations.

Well, after the first 45 minutes the protagonist (?) of the story completely disappears from the movie never to be seen again. And the rest of the film then follows Silvio Berlusconi who just sits at home and bickers with his wife. He's just some old guy. Then the movie ends.

There is also some sort of symbolism with a Jesus on the cross statue at the very end? So does this mean there is some religious meaning behind all this? Who knows.

Besides being mostly boring, the movie also doesn't provide much knowledge or character about the real life Silvio Berlusconi. So really, for me the movie fails both on the entertainment level as far as a good story goes, and then also on educational level.

On the bright side - the talent involved in the making shows.

I'd say give it a pass.

The number of hot topless partying women snorting coke skewed to the first reel. When I squirm in my seat since I have to figure out how my fiancee is enjoying the movie, I prefer even distribution of such erotic images. Defenders would say that all of the debaucheries was meant to set the tone for the life of Silvio Berlusconi, the media tycoon who after serving as Italy's prime minister is the longest-serving post-war head of government. I am no expert of Italian politics but this movie did not leave me feeling like I understand the Roman modern-day political world any more than I did last week.

Politics is entertainment now. Just one long performance. Witness Silvio Berlusconi who foreshadows the rise of Trump (the two are remarkably similar). Loro satirizes Berlusconi as he starts to lose his grip on power about ten years ago. Under Berlusconi the route to influence and authority is not through enlightenment or better ways of doing business, but trafficking young women, reality shows, lavish parties, yachts and cocaine.

Loro doesn't just take a dim view of Berlusconi, it provides a realistic portrayal of the man. We see the charming salesman who understands human nature and capitalizes on this knowledge. Truth is in tone of voice. "I don't know," says Berlusconi "I understand." Toni Servillo's brilliant performance as Berlusconi heightens this effect. The average Italian, Berlusconi maintains, has the intelligence of second grader. Altruism is the best way to be selfish, for in this way he appears to be good. The ultimate judgement is left to Berlusconi's wife Veronica. "You had the opportunity to help Italy and its people," she says "but you helped yourself instead."

Besides Veronica, there are intriguing portraits of other characters in Berlusconi's orbit. One of them is a very successful, intelligent and beguiling escort. "Girls like me," she says "are stupid when we dream."

Loro provides a fascinating, raw, imaginative and frightening look into the realities of modern politics from the uniquely in-your-face Italian vantage point. It is as wacky as it is cerebral. The film is fast paced and jarring in a good way. Seat shaking base music, rapid dialogue, incredible island villas, stylish clothes, impressive machinery and eye-popping nudity kept me on the edge of my seat. Loro is disjointed at times because there is so much going on, but the general effect is pleasing. The ending of the film is totally unique and perfect for the subject matter; what is important hopefully survives the disaster of modern politics. Knowledge and interest in Italian politics is recommended. Seen at the 2018 Toronto International Film Festival.

The film lasts 2 hours 30 minutes. Please fix the mistake.