Lost Transmissions

The movie throws you into characters and their dynamics without ever establishing them in a way that...I don't know...makes sense. To the story. In the movie. Which generally appears to not know what it wants. Except maybe have the protagonist be stupid as hell in their dealing with Theo.

Which...it was hard to gage whether or not that was on purpose. Because no writer/director can be that oblivious. And Juno Temple did play her very much a like an idiotic LA type.

But then again the movie also played everything pretty straight. Except maybe for Daddario's character, who the movie sort of made fun of as a representation of the current LA music scene. All the while having the protagonist and their circle be equally as pretentious.

I don't know. I wanted to catch up on what Simon Pegg had been up to, and it had a 5 point average on here, and that one is pretty accurate. Pegg and Temple weren't bad technically, their characters were just written terribly. Or just integrated into the story very badly. Unfortunately that can make really good acting look really stupid.

I really liked the stylistic vision of the movie, though. Even though the sound editing could have used some more work.

But the general style, even if not groundbreaking or amazing or anything, was the movie's saving grace.

It begins well with Juno Temple playing an introverted creative who meets Simon Pegg, an extroverted producer. An interesting friendship begins and the audience is wondering if it will result in success, betrayal or failure. Nice.

She then quickly learns of his mental health problems and Pegg's character does a lightning-fast switcheroo into jumble of weak dialogue and fairly generic 'crazy talk'. This is not to say that people with mental health issues don't often share similar problems (hearing transmissions, grand conspiracy, etc.) but those problems seem to be indulged here for no particular reason. The rest of the movie languishes on his deterioration and we're not entirely sure why Juno's character is the one we're supposed to be following. It then dissolves into various critiques of health and public services, which Juno's character is often reduced to spectating.

The acting is fairly decent throughout, though Pegg feels miscast and struggles with some of the material. He's usually good at sincerity, but feels out of place here (and not in a thematic way).

Despite its agreeable message, it is a movie that lacks a strong story and treats its handful of characters far too gently.

Hats off to Katharine for her directorial debut. She did a great job portraying someone with mental illness. The truth is heart breaking and painful to watch. It's moving and upsetting. Great film to raise awareness about mental illness, something that should become a casual topic yet there still is stigma about it. It was nice to see Simon Pegg in a modest and serious role. He was authentic and accurate. Juno Temple was captivating. Her vulnerability and internal life are beautiful to watch.

It does not show the failure to provide for people with mental illness, because that isn't discussed and we only see 2 references to it when he's in hospital. The dialogue is garbage, it doesn't even make him look as if he has a metal illness it just makes him look stupid. Simon Pegg was the wrong choice for this anyway as he simply has not got the acting range to carry a role like this off. Juno Temple was the only good thing in the film: she is always awesome in anything she does. I gave it a 4 just for Juno Temple, nothing else in the film deserves a thing.

If you know anything about depression or psychosis you'll "get" this. Yes it's not subtle, or heartwarming or a redemption story but that's what makes it feel less Hollywood and more real. Pegg gives a great performance and Juno does well with less showy material. Well worth a viewing 7/10