Hitsville: The Making of Motown

This love letter of a doc celebrates the astonishing success of the Detroit-based record label during the '60s, when its artists included The Supremes, The Jackson 5, Stevie Wonder and Marvin Gaye. British co-directors Benjamin and Gabe Turner conduct interviews with founder Berry Gordy Jr and Smokey Robinson, who explain the assembly-line principles behind the hit factory. If Hitsville feels like a sanitised account, the Motown records featured - which crossed social and racial divides in America - remain gloriously life-affirming.

There have been a number of music documentaries that have covered the era in focus but I give this documentary high praise not just for presentation but on the focus of what actually drove Barry Gordy to start the Motown enterprise and to grow it.

Let me explain upfront I don't have the musical background or training required for making a truly honest assessment of the documentary but being that much of the focus is on the human element behind the music I can point out some key things.

On the entrepreneurial side, learning from failures, perseverance, belief in oneself, and having a vision is embedded in the story. Having everyone in the enterprise share that vision and understand it even more so.

I appreciate how he gives his parents credit for raising him with the values needed to be a success. Civil rights is discussed but ultimately having a vision that is color blind is shown to be more important. The diversity he brought to his enterprise and the use of everyone's talents shines through as well.

The music is great too and making wish there was a Motown collection that I can purchase or a soundtrack to the documentary with all the full songs on it.

It is a helpful watch for anyone considering starting a business regardless of field. Barry Gordy shares credit with Smoky Robinson and others but for me it was clear he was the one driving the train..

P.S. Looking forward to comments from professional in the industry as well.

As a native Detroiter, I thought I knew everything about this iconic, trail- blazing, star-making machine. I couldn't have been more wrong! This documentary was brilliantly produced and directed. It provides access to the genius behind the machine - Berry Gordy and many, many of the artists who were there from the beginning -through personal interviews and a rare archive of actual recordings of staff meetings and jam sessions. We get the opportunity to see Berry Gordy's vision come to life as he models his company after a Ford assembly line, starting with identifying, and developing a multitude of talent, then bringing all the key components together, such as writers, musicians, sales people, choreographers, etiquette trainers, under one roof, called Hitsville, that goes unrivaled even today. Mr. Gordy candidly shares his risk taking ventures, successes, and failures, as well as times he was dead wrong about identifying what later became legendary hits. He shares his vulnerabilities when some stars left Motown and other times he had to relinquish the reins or risk losing major stars, such as Marvin Gaye and Stevie Wonder. Smokey Robinson, his life-long best friend, is there to support as well as tease his mentor and old friend. Berry Gordy and company have always made me proud to be a Detroiter, and I was never more proud than after viewing this documentary. Motown's legacy will never die.

If you like music you will like this. If you don't like Motown you won't like this. If you don't like music don't bother to watch it.

It was a brilliant documentary that gave me a greater insight to one of the greatest record labels in the world. Berry Gordy and Smokey Robinson were and are a great double act.

I mean...seriously... I thought I was fairly familiar with most of thees songs....but the mark of a great documentary is hearing something familiar in a new and different way....

I mean....the way they break down the arrangement of The Temptation's " My Girl" is a revelation....hearing those classical music arrangements...they were there the whole time and I never noticed it.....that's what this film does.....as Bill Hader's Stephane character would say..." It Has Everything"

My only beef...and it's a small one...is that the story ends mid-70's....so they don't even touch disco....or losing the Jacksons....no mention of the second wave of Motown in the mid-80's ....but then this would have to have been a mini-series...

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