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IMDbPro

Everything Everywhere All at Once

  • 2022
  • 6+
  • 2h 19min
VALUTAZIONE IMDb
7,8/10
588.468
LA TUA VALUTAZIONE
POPOLARITÀ
297
85
Jamie Lee Curtis, Michelle Yeoh, James Hong, Ke Huy Quan, and Stephanie Hsu in Everything Everywhere All at Once (2022)
A Chinese immigrant is swept up in an insane adventure, where she alone can save the world by exploring other universes connecting with the lives she could have led.
Riproduci trailer2:42
19 video
99+ foto
Arti marzialiAvventuraAvventura epicaAzioneCommediaCommedia darkDrammaFantascienzaFantascienza epicaFantasia

Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condu... Leggi tuttoUna immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.

  • Regia
    • Daniel Kwan
    • Daniel Scheinert
  • Sceneggiatura
    • Daniel Kwan
    • Daniel Scheinert
  • Star
    • Michelle Yeoh
    • Stephanie Hsu
    • Jamie Lee Curtis
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    588.468
    LA TUA VALUTAZIONE
    POPOLARITÀ
    297
    85
    • Regia
      • Daniel Kwan
      • Daniel Scheinert
    • Sceneggiatura
      • Daniel Kwan
      • Daniel Scheinert
    • Star
      • Michelle Yeoh
      • Stephanie Hsu
      • Jamie Lee Curtis
    • 3.9KRecensioni degli utenti
    • 421Recensioni della critica
    • 81Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 7 Oscar
      • 397 vittorie e 379 candidature totali

    Video19

    Official Trailer
    Trailer 2:42
    Official Trailer
    In Theatres This April
    Trailer 0:46
    In Theatres This April
    In Theatres This April
    Trailer 0:46
    In Theatres This April
    Official Trailer
    Trailer 2:42
    Official Trailer
    Everything Everywhere All at Once
    Trailer 2:42
    Everything Everywhere All at Once
    Oscars 2023 Best Picture Nominees
    Clip 1:31
    Oscars 2023 Best Picture Nominees
    The Return of Ke Huy Quan
    Clip 2:05
    The Return of Ke Huy Quan

    Foto389

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 383
    Visualizza poster

    Interpreti principali44

    Modifica
    Michelle Yeoh
    Michelle Yeoh
    • Evelyn Wang
    Stephanie Hsu
    Stephanie Hsu
    • Joy Wang…
    Jamie Lee Curtis
    Jamie Lee Curtis
    • Deirdre Beaubeirdre
    Ke Huy Quan
    Ke Huy Quan
    • Waymond Wang
    James Hong
    James Hong
    • Gong Gong
    Tallie Medel
    Tallie Medel
    • Becky Sregor
    Jenny Slate
    Jenny Slate
    • Debbie the Dog Mom
    Harry Shum Jr.
    Harry Shum Jr.
    • Chad
    Biff Wiff
    • Rick
    Sunita Mani
    Sunita Mani
    • TV Musical - Queen
    Aaron Lazar
    Aaron Lazar
    • TV Musical - Soldier
    Brian Le
    Brian Le
    • Alpha Jumper - Trophy
    Andy Le
    Andy Le
    • Alpha Jumper - Bigger Trophy
    Narayana Cabral
    Narayana Cabral
    • Security Guard
    • (as a different name)
    Chelsey Goldsmith
    Chelsey Goldsmith
    • Security Guard
    Craig Henningsen
    Craig Henningsen
    • Security Guard
    Anthony Molinari
    Anthony Molinari
    • Police - Confetti
    Dan Brown
    Dan Brown
    • Police - Salsa
    • Regia
      • Daniel Kwan
      • Daniel Scheinert
    • Sceneggiatura
      • Daniel Kwan
      • Daniel Scheinert
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti3.9K

    7,8588.4K
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    Riepilogo

    Reviewers say 'Everything Everywhere All at Once' is a divisive film, lauded for its imaginative storytelling and strong performances, especially from Michelle Yeoh and Jamie Lee Curtis. Many appreciate its deep themes and exploration of family and identity. However, some find it overly complex, confusing, and reliant on absurd humor. Pacing, length, and narrative coherence are frequent criticisms, though its bold creativity is widely acknowledged.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    6Abdulxoxo

    Way overhyped

    This film almost unanimously received praise from both critics and audience alike. People even exaggeratedly rank it as one of the greatest films ever or the best they've ever seen. Going into this movie, my expectations were really high And I really wanted to be part of the majority who loves this movie. But unfortunately the opposite happened and I didnt like it. While I appreciate that this movie was made on a relatively small budget and managed to get some things right as it had so much potential with its strong female lead, philosophical component and some good action to move it along. But it fell really short. It is long and meandering. Visually confusing, thematically unoriginal. The first half was repetitive, boring and also quite silly. Half of the time I don't know what are they fighting for or what the heck is going on. And what was supposed to be the multiverse just felt like the characters were wearing silly different costumes. It is not until the last act that things of relevance happened. The performance from the cast was great though.
    6JBLOSS

    Bit incredulous at the amount of Oscars....

    Firstly I should say I thought the actors did put in some very good performances and I can see why they were nominated although as to whether they deserved to beat some of their competitors is another matter.

    I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.

    Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.

    In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
    6thriller08

    One word: OVERRATED.

    Having seen countless raving reviews about this movie both on IMDb, and even more so on Twitter, I thought "damn, I have to go see this ASAP". I went in expecting something incredible, movie of the year standard, but wow was I disappointed.

    Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.

    Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
    6evetonemesis

    I don't get the hype, it really was just so so

    Starting with what I did enjoy about this movie.

    1. The setting of this movie was indeed a more accurate representation of an Asian American household. The family dynamics sounds about right. I like that Asians are getting more spotlight.

    2. The concept/theme of this movie is rather novel and therefore interesting. Although I think it could have been played out much more sophisticatedly.

    3. The parent-child relationship is well portrayed. The perceived lack of validation from parents felt by the child, the poorly communicated love of the parent, the process of gaining awareness and emotional growth for both the parent and child is inspiring.

    Things I didn't like 1. It is a very bizarre movie, you could even say chaotic. It's as if they tried to combine every single meaningless detail together and gave up filtering out what's actually worth or necessary to the main plot. Tried too hard to make it funny/original/emotional/relatable that it ends up being neither of those things very well.

    2. The movie is also unnecessarily long.

    Those two points combined makes this movie just a long, confusing, and sometimes boring mess. The novelty makes it watchable/bearable, but to me, it's nothing more than that.
    5mattdamonlover69

    5.8/10

    At some point in the last decade, cinema collectively decided that more is more. More movement, more colour, more genres crammed into one film. This movie epitomises that philosophy: pure, unfiltered chaos masquerading as profundity. It's action, comedy, sci-fi, family drama, absurdist theatre, and a philosophy lecture, all happening at once. And yet, somehow, it still manages to feel empty.

    There's no denying the technical ambition. The editing is frenetic, the cinematography playful, the performances fully committed. Michelle Yeoh is brilliant, and Ke Huy Quan's sincerity provides the emotional backbone. The sheer number of visual gags, rapid-cut fight sequences, and surreal concepts is impressive on paper. But the question is, does it all add up to something meaningful?

    The film touches existential themes- nihilism, generational trauma, the overwhelming weight of infinite possibilities. But it never truly settles, because settling is not in its nature. Instead, it constantly shifts gears, throwing another absurd joke, another action sequence, another universe into the mix. The emotional beats are there, but they fight for space in a film that refuses to slow down.

    And that's where it stumbles. There's a point where maximalism becomes a distraction rather than a tool. The over-reliance on absurdity starts to feel less like a creative choice and more like an avoidance tactic, style suffocating substance. The visual effects, while inventive, often look cheap. The action, initially exhilarating, overstays its welcome. The sentimentality, while heartfelt, struggles to resonate when surrounded by hot dog fingers and googly eyes.

    Then there's the Oscars. Seven wins, including Best Picture, Best Director, and three acting awards. A historic sweep for a film that, for all its originality, still feels like an unconventional choice for such conventional recognition. Will it be remembered as a defining film of the decade, or as a momentary fascination? Hard to say. I can respect its meaning, I just found it difficult to get through without getting bored. Also not as emotional as it was painted out to be! 5.8/10.

    Burning Qs With 'Everything Everywhere ...' Stars

    Burning Qs With 'Everything Everywhere ...' Stars

    Michelle Yeoh joins co-stars Jamie Lee Curtis, Stephanie Hsu, and Ke Huy Quan, and directors Dan Kwan and Daniel Scheinert to reveal which actor had everyone laughing the most on set, and more.
    Learn more
    Editorial Image
    3:24

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      All the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
    • Blooper
      At around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
    • Citazioni

      Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.

    • Curiosità sui crediti
      Whispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
    • Versioni alternative
      Jenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
    • Connessioni
      Featured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
    • Colonne sonore
      Life Can Be So Delicious
      Written by Daniel Kwan, Ryan Lott and Daniel Scheinert

      Performed by Sunita Mani and Aaron Lazar

    I più visti

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    Dettagli

    Modifica
    • Data di uscita
      • 6 ottobre 2022 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • A24
      • Official Instagram
    • Lingue
      • Inglese
      • Mandarino
      • Catonese
    • Celebre anche come
      • Todo En Todas Partes Al Mismo Tiempo
    • Luoghi delle riprese
      • 400 National Way, Simi Valley, California, Stati Uniti(IRS Building)
    • Aziende produttrici
      • A24
      • IAC Films
      • AGBO
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 14.300.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 77.191.785 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 501.305 USD
      • 27 mar 2022
    • Lordo in tutto il mondo
      • 142.804.136 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 19min(139 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • Dolby Atmos
      • Stereo
    • Proporzioni
      • 1.85 : 1

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