Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condu... Leggi tuttoUna immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.
- Regia
- Sceneggiatura
- Star
- Vincitore di 7 Oscar
- 397 vittorie e 379 candidature totali
- Security Guard
- (as a different name)
Riepilogo
Recensioni in evidenza
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.
Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
1. The setting of this movie was indeed a more accurate representation of an Asian American household. The family dynamics sounds about right. I like that Asians are getting more spotlight.
2. The concept/theme of this movie is rather novel and therefore interesting. Although I think it could have been played out much more sophisticatedly.
3. The parent-child relationship is well portrayed. The perceived lack of validation from parents felt by the child, the poorly communicated love of the parent, the process of gaining awareness and emotional growth for both the parent and child is inspiring.
Things I didn't like 1. It is a very bizarre movie, you could even say chaotic. It's as if they tried to combine every single meaningless detail together and gave up filtering out what's actually worth or necessary to the main plot. Tried too hard to make it funny/original/emotional/relatable that it ends up being neither of those things very well.
2. The movie is also unnecessarily long.
Those two points combined makes this movie just a long, confusing, and sometimes boring mess. The novelty makes it watchable/bearable, but to me, it's nothing more than that.
There's no denying the technical ambition. The editing is frenetic, the cinematography playful, the performances fully committed. Michelle Yeoh is brilliant, and Ke Huy Quan's sincerity provides the emotional backbone. The sheer number of visual gags, rapid-cut fight sequences, and surreal concepts is impressive on paper. But the question is, does it all add up to something meaningful?
The film touches existential themes- nihilism, generational trauma, the overwhelming weight of infinite possibilities. But it never truly settles, because settling is not in its nature. Instead, it constantly shifts gears, throwing another absurd joke, another action sequence, another universe into the mix. The emotional beats are there, but they fight for space in a film that refuses to slow down.
And that's where it stumbles. There's a point where maximalism becomes a distraction rather than a tool. The over-reliance on absurdity starts to feel less like a creative choice and more like an avoidance tactic, style suffocating substance. The visual effects, while inventive, often look cheap. The action, initially exhilarating, overstays its welcome. The sentimentality, while heartfelt, struggles to resonate when surrounded by hot dog fingers and googly eyes.
Then there's the Oscars. Seven wins, including Best Picture, Best Director, and three acting awards. A historic sweep for a film that, for all its originality, still feels like an unconventional choice for such conventional recognition. Will it be remembered as a defining film of the decade, or as a momentary fascination? Hard to say. I can respect its meaning, I just found it difficult to get through without getting bored. Also not as emotional as it was painted out to be! 5.8/10.
Burning Qs With 'Everything Everywhere ...' Stars
Burning Qs With 'Everything Everywhere ...' Stars
Lo sapevi?
- QuizAll the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
- BlooperAt around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
- Citazioni
Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.
- Curiosità sui creditiWhispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
- Versioni alternativeJenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
- ConnessioniFeatured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
- Colonne sonoreLife Can Be So Delicious
Written by Daniel Kwan, Ryan Lott and Daniel Scheinert
Performed by Sunita Mani and Aaron Lazar
I più visti
- How long is Everything Everywhere All at Once?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Todo En Todas Partes Al Mismo Tiempo
- Luoghi delle riprese
- 400 National Way, Simi Valley, California, Stati Uniti(IRS Building)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.191.785 USD
- Fine settimana di apertura Stati Uniti e Canada
- 501.305 USD
- 27 mar 2022
- Lordo in tutto il mondo
- 142.804.136 USD
- Tempo di esecuzione
- 2h 19min(139 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1