Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condu... Leggi tuttoUna immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.Una immigrata cinese di mezza età viene coinvolta in un'avventura folle, in cui lei sola può salvare il mondo esplorando altri universi che si connettono con le vite che avrebbe potuto condurre.
- Regia
- Sceneggiatura
- Star
- Vincitore di 7 Oscar
- 409 vittorie e 396 candidature totali
- Security Guard
- (as a different name)
Riepilogo
Recensioni in evidenza
Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.
Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
If only we could recognize that those who combat us in life do so out of hidden pain, and fight them with kindness. If only we could accept our kids for who they are, and say supportive things from the heart instead of trying to mold them. If only we could be content with the life we have, and set aside the idea of the countless other lives we might have led, had we made different decisions along the way. If only we could see that the flipside to life being meaningless and everything ultimately being sucked into the abyss is the freedom that comes from that, that we can do anything with the time we've got.
Like the first word in its title, this film feels like everything. While watching it I thought Stephanie Hsu was everything too, but then again, so was Michelle Yeoh and Jamie Lee Curtis. The homage to Wong Kar-Wai with Ke Huy Quan making his enlightened speech is extraordinary, and the fact that James Hong was still getting it done at age 93 was wonderful. I also loved how both mother and daughter, troubled as they were with their upbringing, each found comfort in a kind and patient partner, and Tallie Medel's character was a nice touch.
The film threatens to go off the rails with its madcap multiverse hopping in the first part, but it's all a setup for the second part, which is incredibly powerful. It was impressive that it managed to be so entertaining along the way, with its fast-paced action and the wild ride it takes us on. It's one that rewards a rewatch to, as its full of little details and references. Just a great film, lots of fun, and from the heart.
But, last night I decided to sit down and finish watching it to see if it lived up to all of the hype and Oscar accolades...to me, it didn't.
Don't get me wrong, I do feel Mechelle Yeoh did a great job with this very complicated role, so perhaps she deserved it...but the rest of them, ehhhhhh maybe, maybe not so much.
This movie TOTALLY lost my husband, he just couldn't keep up with the different story-lines in different dimensions, and the fast-pace of jumping around from dimension to dimension often game me the "what in the world is going on" feeling. I get it....everything all at once, but sometimes way too much.
This movie, for me, didn't make sense at all until the last 20 minutes or so when, at that point finally, the writers basically spoon-fed the viewer the meaning of the movie, because (in my own personal opinion) even they knew people wouldn't get it on their own.
As for Jamie Lee Curtis, I also think she deserved her Oscar for this one. Hers was also a pretty complicated character in oh so many ways and a huge departure from many roles she has played.
So was this an Oscar worthy movie....eeeehhhh, not so much. Were there good performances? Yes. Was this an original movie? Yes, I can appreciate that too.
Was it over-hyped? Most definitely.
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
Burning Qs With 'Everything Everywhere ...' Stars
Burning Qs With 'Everything Everywhere ...' Stars
Lo sapevi?
- QuizAll the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
- BlooperAt around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
- Citazioni
Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.
- Curiosità sui creditiWhispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
- Versioni alternativeJenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
- ConnessioniFeatured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
- Colonne sonoreLife Can Be So Delicious
Written by Daniel Kwan, Ryan Lott and Daniel Scheinert
Performed by Sunita Mani and Aaron Lazar
I più visti
- How long is Everything Everywhere All at Once?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Todo En Todas Partes Al Mismo Tiempo
- Luoghi delle riprese
- 400 National Way, Simi Valley, California, Stati Uniti(IRS Building)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.191.785 USD
- Fine settimana di apertura Stati Uniti e Canada
- 501.305 USD
- 27 mar 2022
- Lordo in tutto il mondo
- 143.412.671 USD
- Tempo di esecuzione2 ore 19 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1