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IMDbPro

La donna dello scrittore

Titolo originale: Transit
  • 2018
  • T
  • 1h 41min
VALUTAZIONE IMDb
6,9/10
12.422
LA TUA VALUTAZIONE
Paula Beer and Franz Rogowski in La donna dello scrittore (2018)
As fascism spreads, German refugee Georg (Franz Rogowski) flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying. Living among refugees from around the world, Georg falls for Marie (Paula Beer), a mysterious woman searching for her husband the man whose identity he has stolen. Adapted from Anna Seghers 1942 novel, TRANSIT shifts the original story to the present, blurring periods to create a timeless exploration of the plight of displaced people.
Riproduci trailer2: 20
1 video
41 foto
DramaSci-Fi

Quando un uomo fugge dalla Francia dopo l'invasione nazista, assume l'identità di un autore morto di cui possiede i documenti. Bloccato a Marsiglia, incontra una giovane donna alla disperata... Leggi tuttoQuando un uomo fugge dalla Francia dopo l'invasione nazista, assume l'identità di un autore morto di cui possiede i documenti. Bloccato a Marsiglia, incontra una giovane donna alla disperata ricerca del marito scomparso - proprio l'uomo che lui sta impersonando.Quando un uomo fugge dalla Francia dopo l'invasione nazista, assume l'identità di un autore morto di cui possiede i documenti. Bloccato a Marsiglia, incontra una giovane donna alla disperata ricerca del marito scomparso - proprio l'uomo che lui sta impersonando.

  • Regia
    • Christian Petzold
  • Sceneggiatura
    • Christian Petzold
    • Anna Seghers
  • Star
    • Franz Rogowski
    • Paula Beer
    • Godehard Giese
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    12.422
    LA TUA VALUTAZIONE
    • Regia
      • Christian Petzold
    • Sceneggiatura
      • Christian Petzold
      • Anna Seghers
    • Star
      • Franz Rogowski
      • Paula Beer
      • Godehard Giese
    • 65Recensioni degli utenti
    • 140Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 27 candidature totali

    Video1

    Transit - Official Trailer
    Trailer 2:20
    Transit - Official Trailer

    Foto41

    Visualizza poster
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    + 33
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    Interpreti principali23

    Modifica
    Franz Rogowski
    Franz Rogowski
    • Georg
    Paula Beer
    Paula Beer
    • Marie
    Godehard Giese
    Godehard Giese
    • Richard
    Lilien Batman
    • Driss
    Maryam Zaree
    Maryam Zaree
    • Melissa
    Barbara Auer
    Barbara Auer
    • Architect…
    Matthias Brandt
    Matthias Brandt
    • Barmann…
    Sebastian Hülk
    Sebastian Hülk
    • Paul
    Emilie de Preissac
    Emilie de Preissac
    • Chambermaid in Paris Hotel
    Antoine Oppenheim
    • Binnet
    Ronald Kukulies
    Justus von Dohnányi
    Justus von Dohnányi
    • Conductor
    Alex Brendemühl
    Alex Brendemühl
    • Mexican Consul
    Trystan Pütter
    Trystan Pütter
    • American Consul
    Agnès Regolo
    Thierry Otin
    Grégoire Monsaingeon
    Elisa Voisin
    • Regia
      • Christian Petzold
    • Sceneggiatura
      • Christian Petzold
      • Anna Seghers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti65

    6,912.4K
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    Recensioni in evidenza

    7MadamWarden

    TRANSITORY DYSTOPIAN RETRO DRAMA

    This is an excellent, if somewhat heavy drama. Excellent acting. The plot obviously romanticised and, given the dystopian premise, unbelievable yet eminently relatable. A reverse WWII refugee story of love and self realisation.

    I enjoyed it and certainly felt a note of anguish at refugee plights the world over.

    A good movie!
    gortx

    The Past & The Present meld in Petzold's latest

    German Director Christian Petzold's latest, TRANSIT, follows in the line of his excellent movies PHOENIX and BARBARA as another exploration of individual identity during periods of high political tensions. Based on a WWII novel, Petzold made the conscious decision to not be another period piece by setting in the present. Or, did he? The world we find in TRANSIT is like a parallel alternate reality. All shot in present day France. No visual effects. But, there is something off. Most of the clothes and props the main characters wear and use seem to come from the 1940s. Europe has been plunged into some unspecified war. Refugees are being expelled. Others desperate to emigrate legally to the Americas. Transit visas are like gold. Georg (Franz Rogowski) is a German stuck in Marseilles. By chance he acquires a Transit visa from another man, but, this requires him to take on the other man's identity. A mysterious woman, Marie (Paula Beer, recently seen in the exceptional NEVER LOOK AWAY) seems to keep appearing before him. Always elusive. Eventually, they meet, only to make things more complicated. Petzold is after something very tricky here. Without ever fully explaining the world he is building, we are plunged into it often leaving the viewer as baffled as the characters. The parallels to the refugee crisis in present day Europe are obvious (Georg interacts with an African woman and her child, and later, with a Muslim family), but never hammered home. Stylistically, Petzold has created an odd blend between a Noirish CASABLANCA and a totalitarian Orwellian 1984 present, all by way of Antonioni's THE PASSENGER. The past and present fold in and out, like something out of Vonnegut's Slaughterhouse-Five. TRANSIT is a heady mix that won't be for all tastes, and Petzold doesn't fully command this world as well as he has in his past features. Still, it's a movie that's hard to shake. The acting is quite strong including the two leads, and a particularly strong supporting bit by Barbara Auer. TRANSIT may not be to the level of Petzold's previous few pictures, but, it's a worthy entry that lingers in the mind.
    7JackCerf

    Time Shift Is The Key

    Transit is based on a 1944 novel by Anna Seghers, in turn based on her experiences as a German Jewish Communist political refugee in Marseilles trying to get out of Vichy France to Mexico. The protagonist is a German illegally in France, who travels from Paris to Marseilles, through chance assumes the identity of a dead German leftist writer who has an exit visa to Mexico, and finds himself involved with both the writer's estranged wife and the wife and son of a fellow German illegal.

    What made the movie work for me is that it is not a routine World War II vintage costume drama. Director-Writer Christian Petzold has chosen to set the entire story in present day France. There are no Nazis, no swastikas, and no political explanations. There are only the omnipresent French police checking papers in the street, raiding hotels and apartments, and rounding up illegal aliens for deportation to an unnamed destination, assisted by good French citizens either venal or patriotic, and the desperate struggle of the refugees to procure legitimate identity and travel documents in the face of bureaucratic indifference or hostility. It all feels like it could be happening six months from now, there or, for that matter, here. The contemporary setting greatly increases the tension by taking away historical cues -- you have no idea how it is going to come out or whether the hero will make his getaway to Mexico.
    8mjjusa-1

    Life and Death in Marseilles

    Highly recommended. Imaginative setting, letters of transit, Occupied France, unrequited love, maybe a bit slow, making it seem a bit long at times, and an enigmatic ending, of course. The German actor a doppelgänger of Joaquin Phoenix. A sometimes intense, always intelligent, certainly worthwhile 'art' film set in Paris, Marseilles and your imagination. We all have waited in a bar, a glass of wine in front of us, waiting for a woman we love.
    7dascalu_mihai

    Intricate, unexpected story

    What I liked: the intertwined and unexpected developments of this love triangle (or square?) of WW2 refugees in Marseille... ingeniously "teleported" in the current days. What I didn't like: the somehow uncertain adaptation to a story of seemingly current events...

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to Christian Petzold, this movie is the last chapter of his trilogy called "Love in Times of Oppressive Systems". The trilogy also includes La scelta di Barbara (2012) and Il segreto del suo volto (2014).
    • Citazioni

      Georg: A man had died. He was to register in hell. He waited in front of a large door. He waited a day, two. He waited weeks. Months. Then years. Finally a man walked past him. The man waiting addressed him: Perhaps you can help me, I'm supposed to register in hell. The other man looks him up and down, says: But sir, this here is hell.

    • Connessioni
      Features Talking Heads: Road to Nowhere (1985)
    • Colonne sonore
      Karneval der Tiere - Der Kuckuck
      Composed by Camille Saint-Saëns

      Performed by Franz Rogowski (uncredited)

      (c) copyright control

      Recorded by Stefan Will

    I più visti

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    Domande frequenti18

    • How long is Transit?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 25 ottobre 2018 (Italia)
    • Paesi di origine
      • Germania
      • Francia
    • Siti ufficiali
      • Neon Productions (France)
      • Official Facebook
    • Lingue
      • Tedesco
      • Francese
      • Lingua dei segni francese
    • Celebre anche come
      • Transit
    • Luoghi delle riprese
      • Marsiglia, Bouches-du-Rhône, Francia
    • Aziende produttrici
      • Schramm Film
      • Neon Productions
      • Arte France Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 815.290 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 31.931 USD
      • 3 mar 2019
    • Lordo in tutto il mondo
      • 1.012.747 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 41 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.39 : 1

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