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Aggiungi una trama nella tua linguaIndu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.Indu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.Indu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.
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10bgautham
In Wikipedia they say it is 70% Fiction!
I don't believe it, it is more than 100% Facts, in a democratic country that too at a time nonviolence is practiced and respected, why there was emergency in the first place, there were and there will be many unanswered questions.
With power comes great responsibility, and they got this power from Gandhi and from the name they use at the end of their name.
This movie is one of the perfect example about how "power makes people to forget Humanity and Self-Respect".
10 Stars!
I don't believe it, it is more than 100% Facts, in a democratic country that too at a time nonviolence is practiced and respected, why there was emergency in the first place, there were and there will be many unanswered questions.
With power comes great responsibility, and they got this power from Gandhi and from the name they use at the end of their name.
This movie is one of the perfect example about how "power makes people to forget Humanity and Self-Respect".
10 Stars!
I was very excited after watching the promos of Indu Sarkar. Subsequently watching the movie, I felt frustrated. This movie does not explore the fanaticism and the profundity of Emergency, the darkest period in India post-Independence. Madhur Bhandarkar falls in a cliché, showing the protagonist Kirti Kulhari as Indu Sarkar who is a casualty of the Emergency. The movie straight away goes in the mode of a female victim against the government as shown in lots of women oriented potboilers in the past.
Indu Sarkar do start by pouring the annoyances that were the highlights during the emergency like "Nasbandi" . Thereafter, goes to show the democratic suppression by the formerly govt.(No points for guessing that right). But do not explore anything substantial during that period.
OK, we do have Turkman Gate instance, a funny guy who resembles Jagdish Tytler. Chief is exactly a replica of Sanjay Gandhi played by Neil Nitin Mukesh. Nothing more to add to it. Such movies should serve as an information for the generation born after the most darkest era post-Independence. Flick is merely reduced to a below average Hindi movie that has an army of bad guys and people opposing him.
Indu Sarkar created much hype prior release. The then in power Congress opposed the movie mentioning this a propaganda movie and shows Gandhi family in bad light. Even with Hysteria surrounding this flick it still tumbles flat. The resemblance of a few characters in the film is reduced just to narrative which is also a disclaimer towards the start.
Direction, Editing and Cinematography are below average. The biggest let down is the screenplay which do not help Indu Sarkar and the most important the punch and the characters of Emergency are not developed.
I will urge the audience to watch " Hazar Khwaeshein Aisi" which displays the poignancy and the destruction during the competently that Indu Sarkar bombs at.
Indu Sarkar do start by pouring the annoyances that were the highlights during the emergency like "Nasbandi" . Thereafter, goes to show the democratic suppression by the formerly govt.(No points for guessing that right). But do not explore anything substantial during that period.
OK, we do have Turkman Gate instance, a funny guy who resembles Jagdish Tytler. Chief is exactly a replica of Sanjay Gandhi played by Neil Nitin Mukesh. Nothing more to add to it. Such movies should serve as an information for the generation born after the most darkest era post-Independence. Flick is merely reduced to a below average Hindi movie that has an army of bad guys and people opposing him.
Indu Sarkar created much hype prior release. The then in power Congress opposed the movie mentioning this a propaganda movie and shows Gandhi family in bad light. Even with Hysteria surrounding this flick it still tumbles flat. The resemblance of a few characters in the film is reduced just to narrative which is also a disclaimer towards the start.
Direction, Editing and Cinematography are below average. The biggest let down is the screenplay which do not help Indu Sarkar and the most important the punch and the characters of Emergency are not developed.
I will urge the audience to watch " Hazar Khwaeshein Aisi" which displays the poignancy and the destruction during the competently that Indu Sarkar bombs at.
This political film about the emergency in 1975-76 starts with a long disclaimer, about it being a work of fiction, in two languages. Welcome to the biggest democracy in the world.
In a political film if you can't name names and show the whole story, what's the point.
Still such films are important, so we don't forget.
In a political film if you can't name names and show the whole story, what's the point.
Still such films are important, so we don't forget.
Indu Sarkar review :
Most of us have not witnessed the emergency rule imposed in the mid 70s by then prime minister Indira Gandhi. As a kid born in that infamous era, I had once asked my dad if he faced any hardships during that 21 month period when freedom of speech and basic human rights were curbed. His answer was in the negative...Instead he said the Government machinery was actually efficient during that time and sarkari babus would report to office on time plus trains ran as per schedule. I was amused to hear this fact reiterated as a dialogue in Madhur Bhandarkar's latest film 'Indu Sarkar'.
The title, by the way, doesn't refer to Indira Gandhi and her autocratic Sarkar. It is actually the screen name of Bhandarkar's main lead Kirti Kulhari, a diffident orphan with a stammer, who settles for a cosy marital life with a Government stooge (Tota Roy Chowdhury). Witnessing the horrors of the Turkman gate demolition, Indu takes custody of two kids orphaned in that destruction and it changes her perspective towards life making her rebel against the tyrannical system.
Madhur Bhandarkar has recreated most of the atrocities committed in name of the fascist five point programme spearheaded by Sanjay Gandhi (Neil Nitin Mukesh) referred in the movie only as the 'Chief' by his cronies - obvious caricatures of Jagdish Tytler, Kamal Nath and Rukhsana Sultana (named Farzana here). Right from the forced sterlization of men from 13 to 70 years of age to the banning of Kishore Kumar songs on Doordarshan and All India Radio (the only medium of entertainment in those times) - it's all neatly chronicled here.
What's not - and I was tad disappointed with that - is depiction of the opposition role during those turbulent times. Our protagonist Indu goes and joins a five member fictitious organisation called Himmat India Sanghatan headed by a leader (Anupam Kher in a cameo) with an ideology of non violence ignoring the real life contribution of the RSS and Jayaprakash Narayan's Janata Party which is merely accorded a passing reference.
On the acting front, Madhur has extracted a superlative performance from Kirti Kulhari. No surprises there as the director could make even Bipasha Basu ''act'' in his 'Corporate' (2006). Kirti also gets a court room confrontation scene a la 'Pink' (2016) and nails it to perfection. Tota Roy Chowdhury is impressive as her hubby who owes allegiance to the Gandhi Sarkar only to further his career. He pays the price for it. Neil Nitin Mukesh registers himself strongly with a striking resemblance to Sanjay Gandhi. Satyajeet Sharma and Sheeba Chaddha leave an impression even in their small roles.
Regards, Sumeet Nadkarni.
Most of us have not witnessed the emergency rule imposed in the mid 70s by then prime minister Indira Gandhi. As a kid born in that infamous era, I had once asked my dad if he faced any hardships during that 21 month period when freedom of speech and basic human rights were curbed. His answer was in the negative...Instead he said the Government machinery was actually efficient during that time and sarkari babus would report to office on time plus trains ran as per schedule. I was amused to hear this fact reiterated as a dialogue in Madhur Bhandarkar's latest film 'Indu Sarkar'.
The title, by the way, doesn't refer to Indira Gandhi and her autocratic Sarkar. It is actually the screen name of Bhandarkar's main lead Kirti Kulhari, a diffident orphan with a stammer, who settles for a cosy marital life with a Government stooge (Tota Roy Chowdhury). Witnessing the horrors of the Turkman gate demolition, Indu takes custody of two kids orphaned in that destruction and it changes her perspective towards life making her rebel against the tyrannical system.
Madhur Bhandarkar has recreated most of the atrocities committed in name of the fascist five point programme spearheaded by Sanjay Gandhi (Neil Nitin Mukesh) referred in the movie only as the 'Chief' by his cronies - obvious caricatures of Jagdish Tytler, Kamal Nath and Rukhsana Sultana (named Farzana here). Right from the forced sterlization of men from 13 to 70 years of age to the banning of Kishore Kumar songs on Doordarshan and All India Radio (the only medium of entertainment in those times) - it's all neatly chronicled here.
What's not - and I was tad disappointed with that - is depiction of the opposition role during those turbulent times. Our protagonist Indu goes and joins a five member fictitious organisation called Himmat India Sanghatan headed by a leader (Anupam Kher in a cameo) with an ideology of non violence ignoring the real life contribution of the RSS and Jayaprakash Narayan's Janata Party which is merely accorded a passing reference.
On the acting front, Madhur has extracted a superlative performance from Kirti Kulhari. No surprises there as the director could make even Bipasha Basu ''act'' in his 'Corporate' (2006). Kirti also gets a court room confrontation scene a la 'Pink' (2016) and nails it to perfection. Tota Roy Chowdhury is impressive as her hubby who owes allegiance to the Gandhi Sarkar only to further his career. He pays the price for it. Neil Nitin Mukesh registers himself strongly with a striking resemblance to Sanjay Gandhi. Satyajeet Sharma and Sheeba Chaddha leave an impression even in their small roles.
Regards, Sumeet Nadkarni.
One of the darkest periods of the country - the 1975 emergency - is the milieu for this political flick from Madhur Bhandarkar. Though the film falls short of expectations and hype garnered pre-release, there are some very good performances (in spite of a wasted presence of Anupam Kher) and of course the political observations on the infamous human rights violations and censorship carried out by the power-hungry Gandhi dynasty. That said, Neil Nithin Mukesh stands out exceptionally compared to the titular Indu Sarkar in his brilliantly etched out persona of Former MP Sanjay Gandhi, the ruthless executioner of ridiculous emergency decrees by his mummy in the 19 months of emergency! Incidents like the forced sterilization campaign of '76, Turkman gate demolition and rioting in Delhi, Former PM IK Gujral's fallout with Sanjay Gandhi over the formers bid to control All India Radio and the ban on Kishore Kumar songs in radio (over his refusal to perform on one of congress rallies in Mumbai) find their way into the major unfolding of events, but still the film loses its plot halfway ending up into an average screenplay of sorts - rather focusing on the lead Indu Sarkar's transformation from a meek stammering housewife to an activist during emergency period against the government, fuelled by her first hand experience during the Turkman gate incident. The relevance of such movies might be the screen time worth it imparts to the new age audience on the ugly face of dynasty politics, shrewdly criticized all over the flick with its take on Indira Gandhi's 20 point program or the mass arrest without trial of journalists, RSS members and communist activists in a massive crackdown on civil liberties and political opposition in the name of internal security. It is paradoxical to the say the least that the same party is trying to put up a pseudo-democratic front and playing the caste and religion trump card at the slightest pretext even today, projecting the same family member decade after decade as their leader (this in spite of the numerous other eligible personalities to take up the same role, but alas not from the same family) It is no wonder that there was a stiff opposition from Congress circles in some places ahead of the movies screening , given the kind of incidents it reminds the people of. All said and done, Indu Sarkar is definitely an interesting watch for those interested in politics , partly because of the timeline of events it traces to the ultimate fall of Gandhi dynasty in 1977 and the rise of Janata party which ultimately paved the way for non congress parties to come in power !
Lo sapevi?
- QuizSeveral other human rights violations were reported from the time, including a forced mass-sterilization campaign spearheaded by Sanjay Gandhi, the Prime Minister's son. The Emergency is one of the most controversial periods of independent India's history.
- BlooperNumber Plates on the vehicles does not correspond to the mid-seventies era. Plates shown in the movie had white background with black texts instead of Black background with white texts. It wasn't until year 2000, Black text over white background became the norm.
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- Tempo di esecuzione2 ore 19 minuti
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By what name was Indu Sarkar (2017) officially released in Canada in English?
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