Mentre girano strane voci sulla malattia del re, il principe ereditario diventa la loro unica speranza contro una misteriosa piaga che sorpassa la terra.Mentre girano strane voci sulla malattia del re, il principe ereditario diventa la loro unica speranza contro una misteriosa piaga che sorpassa la terra.Mentre girano strane voci sulla malattia del re, il principe ereditario diventa la loro unica speranza contro una misteriosa piaga che sorpassa la terra.
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What can I say? Netflix does it again! Great directing, writing, and acting; overall cinematography is 10/10. Can't wait already for Season 2!
This show is amazing in many ways. It is estetically gorgeus, has got a great plot, good acting, and so on. But most of all, it speaks about our society more than one could believe: it is about migration, about the happy few exploiting a large mass of people in misery and in starvation, leaving them out of their lands again and again, as if they were just garbage. I think this is one of the best zombie thing of the last few years because it talks about now, truly folllowing Romero's path.
Thanku Netflix for being global and introducing us to a different filmmaking schools other than Hollywood. WE the non-American viewers are sick and tired from hollywood's films that shows Americans trying to save the planet all the time. But thanks to Netflix we can see different and more beautiful art by (Korea, Spain, Italy, etc. ).
SHOW IS CANCELLED, THERE WON'T BE A SEASON 3
So here's the deal, I just read this and I wanted to share with people since I enjoyed this show: Netflix owns the IP for Kingdom, and in SK they tend to sell different productions around IPs they own like web novel adaptation, musicals, theatre, you name it they do it, only so they can actually make money out of the IP. Netflix - and this came straight from the creators - denied their request to have the IP expand within SK market, maybe even international market considering how successful and popular this series was, so they weren't making money out of Kingdom, so why would the creators keep focusing on an IP that isn't worth the hassle since Netflix can flat out stop them from making money?
That is how the series was "cancelled" without being cancelled, Netflix has 0 interest in cancelling the show because it is popular and they make money from it, but the creators don't have interest because they can't expand their adaptations and actually make money out of it, so Netflix washes their hands, you won't see any news like "Netflix cancels popular series" because by contract they place the whole responsibility on the creators. Such a shame because it was a very unique IP.
So here's the deal, I just read this and I wanted to share with people since I enjoyed this show: Netflix owns the IP for Kingdom, and in SK they tend to sell different productions around IPs they own like web novel adaptation, musicals, theatre, you name it they do it, only so they can actually make money out of the IP. Netflix - and this came straight from the creators - denied their request to have the IP expand within SK market, maybe even international market considering how successful and popular this series was, so they weren't making money out of Kingdom, so why would the creators keep focusing on an IP that isn't worth the hassle since Netflix can flat out stop them from making money?
That is how the series was "cancelled" without being cancelled, Netflix has 0 interest in cancelling the show because it is popular and they make money from it, but the creators don't have interest because they can't expand their adaptations and actually make money out of it, so Netflix washes their hands, you won't see any news like "Netflix cancels popular series" because by contract they place the whole responsibility on the creators. Such a shame because it was a very unique IP.
It hasn't been a mystery that South-Koreans can make very good movies but now Kingdom shows that they can also make quality shows as well. Kingdom is only two short seasons long (plus an additional long episode that came out in 2021 called Ashin From The North) but it's addictive to watch. The cinematography is just on top, and the acting for Asian standards is certainly not bad. Okay you have the occasional overacting from a couple actors but overal it's all very well done. Like Sang-ho Yeon's Busanhaeng (Train To Busan) the zombies are just something different than the usual thing we're used to. South-Korean zombies don't wander around slowly looking for brains like in American movies. Here they run like they are the next Usain Bolt and that what makes it suspenseful. The make-up is all very convincing, credits to the make-up artists for that. I binge watched the two seasons in a couple days followed by the extra long episode from 2021 which explains a lot in the end. You don't necessarily have to watch the extra episode but it's of the same quality and certainly worth watching. Kindom is another example why I love South-Korean cinema. They are the best from all Asian countries and that by far.
Lo sapevi?
- QuizThe series overspent the budget, with each episode costing more than $1.78 million.
- ConnessioniFeatured in Un mondo di misteri: Zombie Apocalypse. What if it was real? (2020)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Vương Triều Xác Sống
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 45min
- Mix di suoni
- Proporzioni
- 2.00:1
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