Attraverso incontri con i suoi amici e lo zio, segue lo sviluppo psicologico di un adolescente. Entra in un mondo magico con un airone cenerino parlante dopo aver trovato una torre abbandona... Leggi tuttoAttraverso incontri con i suoi amici e lo zio, segue lo sviluppo psicologico di un adolescente. Entra in un mondo magico con un airone cenerino parlante dopo aver trovato una torre abbandonata nella sua nuova città.Attraverso incontri con i suoi amici e lo zio, segue lo sviluppo psicologico di un adolescente. Entra in un mondo magico con un airone cenerino parlante dopo aver trovato una torre abbandonata nella sua nuova città.
- Vincitore di 1 Oscar
- 34 vittorie e 86 candidature totali
Soma Santoki
- Mahito Maki
- (voce)
Kô Shibasaki
- Kiriko
- (voce)
- (as Kou Shibasaki)
Yoshino Kimura
- Natsuko
- (voce)
Keiko Takeshita
- Maid #1
- (voce)
Jun Fubuki
- Maid #2
- (voce)
Sawako Agawa
- Maid #3
- (voce)
Karen Takizawa
- Wara Wara
- (voce)
Shinobu Ôtake
- Maid #4
- (voce)
Shôhei Hino
- Great-Uncle
- (voce)
Recensioni in evidenza
Mahito's life is dramatically changed, he's lost his mother, and his father has started a new life in the country, escaping a war. One day Mahito follows a heron, and enters a whole new fantasy world.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
From Studio Ghibli, The Boy and the Heron is an animated movie about a boy that dramatically lose his mother due the war in Japan, and he and his father have to move to a safer place. When they arrive, they live in a nice and quiet home. In a place, were strange things did happen, and will happen, too. First of all, I have to list up what was good about the film. It was absolutely beautiful animation with great paint, drawing techniques, and amazing colors. They had that mix with painting-like animation, but at the same time, classic Japanese anime. And I really liked that, I think it is a very nice thing, and I can see that this is a technique that Studio Ghibli is using a lot, and they are really doing it well. Very nice music. It was soft, easy and quiet, but at the same time it built up a hidden suspense that was holding. The music was some sort of anxiety mixed with calmness. Very strange. Last thing that was good was the overall atmosphere and the feeling of the movie, at least in the first act. Because then things started to get a little weird. Everything became unknown and messy, the story changed the course multiple times, and I wasn't sure which way the plot was going to go. At the end everything became a little more clear, but still a little weird. When you don't know what is really going on, the action becomes a little nonsense, too. And that was exactly what happened. The action sequences were sometimes fun and entertaining, but I was still questioning: Why are they doing it? Why are they running? What are they running from? What's the point of the story? Good enough that they had a good moral at the end. Very great with a good message about the balance of the world, and that the soul value is very important. After all, this was a movie on the middle. Great music and animation. Fine atmosphere in the first act. But it got a little messy, and the story changed course to many times. They rushed a lot and I didn't get time to think. Studio Ghibli could have definitely done better.
I'm a huge fan of Ghibli (I even have a Princess Mononoke tattoo to show).
I have to say, this movie left me wanting more.
The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.
By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.
Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
I have to say, this movie left me wanting more.
The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.
By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.
Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
Lo sapevi?
- QuizIn December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
- BlooperWhen a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
- Citazioni
The Grey Heron: I'll be your guide.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El niño y la garza
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 46.832.867 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.011.722 USD
- 10 dic 2023
- Lordo in tutto il mondo
- 282.422.186 USD
- Tempo di esecuzione
- 2h 4min(124 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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