Rakshadhikari Baiju Oppu
- 2017
- 2h 42min
VALUTAZIONE IMDb
7,3/10
1113
LA TUA VALUTAZIONE
Rakshadikari Baiju Oppu esplora la storia di Baiju, un uomo divertente e di buon cuore, che è un dipendente del governo e anche patrono del Brothers Club di Kumbalam.Rakshadikari Baiju Oppu esplora la storia di Baiju, un uomo divertente e di buon cuore, che è un dipendente del governo e anche patrono del Brothers Club di Kumbalam.Rakshadikari Baiju Oppu esplora la storia di Baiju, un uomo divertente e di buon cuore, che è un dipendente del governo e anche patrono del Brothers Club di Kumbalam.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Hannah Reji Koshy
- Ajitha
- (as Hanna Reji)
Anagha L.K.
- Rose
- (as Anagha)
Manikandan
- Sebastian Sir
- (as Manikandan Pattambi)
Recensioni in evidenza
I have to say this movie has got good performances from Biju Menon and the supporting cast. The realism you see in front of the camera in every scene is something which you can very well relate to the ongoings of a small town/village in Kerala.
With all that being said, there is no story in the movie. The movie was going nowhere and that's why it disappointed big time. Apart from a few comical incidents, there was nothing much entertaining in the movie.
Even if the movie ended an hour or so back with the same ending, it wouldn't have really mattered. A 7.3 rating on imdb for this movie - not really, it's more of a 3.
With all that being said, there is no story in the movie. The movie was going nowhere and that's why it disappointed big time. Apart from a few comical incidents, there was nothing much entertaining in the movie.
Even if the movie ended an hour or so back with the same ending, it wouldn't have really mattered. A 7.3 rating on imdb for this movie - not really, it's more of a 3.
Rakshadhikari Baiju never feels like a film, that may be the best and the worst part of the film. It feels like the lives of a small village of Kerala is portrayed without adding anything to it. That is other than focusing on a character in his mid 40's who carries the film as he lives as a mentor for the youngsters of the village without losing the naughtiness of a kid in his mind. But probably for anyone who has not seen that kind of life, this may look like a bunch of events with an aimless direction. But for those who have lived this life, it is a poignant story of a village succumbing to the urbanisation that is creeping up everywhere. One of the best things about this film is that whichever scene it is you have a feeling that there is a different story right around there if the camera just turns from one side to the other; each frame is so detailed, not for foreshadowing a plot point or filling with Easter eggs, but for making the audience believe in that village. The only real problem for me was the editing; if the editing was a bit tighter; if the overlong runtime was cut down through just simple editing this could have been a great film, still a very good film.
Plus:
Performances, realistic presentation and climax which gives the intention of the makers
Minus: The driver (director) refuses to change the gear of the vehicle I.e. no story. If it was a commercial film then having no story was ok, but a realistic film with no story? Ok that also u can bear because of action hero Biju. But a story less realistic film with sync sound? How would it be when you have to widen your ears to hear the dialogue? A very boring film.
Verdict: RBO is a two and a half hour journey running only on first gear without any conflict point.
Minus: The driver (director) refuses to change the gear of the vehicle I.e. no story. If it was a commercial film then having no story was ok, but a realistic film with no story? Ok that also u can bear because of action hero Biju. But a story less realistic film with sync sound? How would it be when you have to widen your ears to hear the dialogue? A very boring film.
Verdict: RBO is a two and a half hour journey running only on first gear without any conflict point.
Baiju's (Biju Menon) patronizing hijinks are best enjoyed by those who spent a good part of their childhood outdoors, engaging in various sporting activities and keeping the body / mind constantly in high-energy zone, unlike the millennial who prefers an air- conditioned zumba room for their physical unwinding. Baiju is a government employee who still spends more time at their village playground than at his office, along with his bunch of (mid/late 20s) cronies who call themselves Kumbalam Brothers.
What I liked genuinely about the Ranjan Pramod flick is its honest take on sports and physical activity as a whole. The playground harbors all kinds of sports, not just cricket. While Kumbalam Brothers are cricket enthusiasts, they still make room for young footballers and women badminton players too. The camaraderie between the youngsters and Baiju is a treat to watch. The humor is clean, situational and mostly chuckle-worthy. In the absence of a solid plot, the writer/director relies on the cast and the holistic positivity to sustain viewer attention. And for a film that runs close to 2h 45m they manage to pull off a successful feat, for most part.
Deepak Parambol, Aju Varghese, Harish Perumana and a long list of supporting artists keep the movie afloat. Hannah Reji who plays Baiju's wife Ajitha, is perfect foil. The husband-wife conversations are humorously relatable; the soapy vibe that usually comes with poor handling of such characters thankfully doesn't take charge here. Some of the younger romances too are subtly dealt. Menon plays Baiju in his usual relaxed self, cracking one-liners with a deadpan expression that the viewers have cherished since a long while now. A few emotional moments are present in the latter half, although there is the severe lack of a 'major event' that hints at a turning point/twist. Perhaps, it is this uneventful-ness that makes 'Rakshadhikari Baiju' a jaunty, feel-good affair.
Baiju tells the nerds sitting at a bus-shelter to stop staring at their books, and take a peek around once in a while, because they never know what they might be missing out on. There is absolutely no preachy tone adopted while trying to convey the message(s) which makes 'RD' an uplifting experience overall. There are numerous sub- plots (like Manoj's and Unni's love-lives, Hari's cricketing quest which eventually leads him to the IPL, Baiju's sibling rivalry, his relationship with the kids of the block, there's plenty to write about!) and songs that take up a sizable amount of screen-time, yet 'RD' never bores you.
Verdict: Refreshing!
What I liked genuinely about the Ranjan Pramod flick is its honest take on sports and physical activity as a whole. The playground harbors all kinds of sports, not just cricket. While Kumbalam Brothers are cricket enthusiasts, they still make room for young footballers and women badminton players too. The camaraderie between the youngsters and Baiju is a treat to watch. The humor is clean, situational and mostly chuckle-worthy. In the absence of a solid plot, the writer/director relies on the cast and the holistic positivity to sustain viewer attention. And for a film that runs close to 2h 45m they manage to pull off a successful feat, for most part.
Deepak Parambol, Aju Varghese, Harish Perumana and a long list of supporting artists keep the movie afloat. Hannah Reji who plays Baiju's wife Ajitha, is perfect foil. The husband-wife conversations are humorously relatable; the soapy vibe that usually comes with poor handling of such characters thankfully doesn't take charge here. Some of the younger romances too are subtly dealt. Menon plays Baiju in his usual relaxed self, cracking one-liners with a deadpan expression that the viewers have cherished since a long while now. A few emotional moments are present in the latter half, although there is the severe lack of a 'major event' that hints at a turning point/twist. Perhaps, it is this uneventful-ness that makes 'Rakshadhikari Baiju' a jaunty, feel-good affair.
Baiju tells the nerds sitting at a bus-shelter to stop staring at their books, and take a peek around once in a while, because they never know what they might be missing out on. There is absolutely no preachy tone adopted while trying to convey the message(s) which makes 'RD' an uplifting experience overall. There are numerous sub- plots (like Manoj's and Unni's love-lives, Hari's cricketing quest which eventually leads him to the IPL, Baiju's sibling rivalry, his relationship with the kids of the block, there's plenty to write about!) and songs that take up a sizable amount of screen-time, yet 'RD' never bores you.
Verdict: Refreshing!
I expected a simple comedy movie with nice little story but i felt this movie was moving very slowly and at times very silly. For me this was a boring documentary kind of a film.On a positive note Bijumenon performed well and there were some good comedy scenes too. Overall an underwhelming experience it was.
Lo sapevi?
- ConnessioniReferences Pareeksha (1967)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Patron Baiju Signature-
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 313.486 USD
- Tempo di esecuzione
- 2h 42min(162 min)
- Colore
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