Cutterhead

When I first started watching this the photography quality and overall impression was one of "oh no this looks like a BBC docudrama" but my fears were soon quashed as it turns out this is a rather unique and really quite interesting adventure into the realms of human frailty and if you suffer from fear of small spaces I would issue a warning on this film as it presents quite a realistic claustrophobic atmosphere especially in the closing 30 minutes.

It is not a crash, bang, wallop movie with oodles of CGI and action and 5 star actors but it is more of a study of human frailty when confronted by disaster and it does it in quite a more honest way than most movies have in the past and is down and dirty with no frills or spills. I fear most people will find it tedious but give it a chance and watch it to the end and you might just be surprised.

You cant help to dislike the female lead character right away. Even before the disaster. Hollow, hysteric, superficial, unintelligent, unprofessional, selfish. Disaster movies work the best if you actually hope the characters survive.

Before I started watching this movie I had no clue what I was going to watch. At one point, in the beginning, I just thought it was going to be a documentary about drilling. That says enough about the acting, in a good way, it all looked natural and unforced. So to me the acting was good, a positive point in this movie. As for the story it is captivating as are most of the movies with claustrophobic scenes. There aren't much people that would feel anxiety when locked up in that tiny space when danger outside is imminent. Some scenes were just a bit too long though, even though I get it that they wanted to create that desperation feeling. Nevertheless those scenes were sometimes a bit dragged out. For the rest it's entertaining, and you will comment out loud some scenes, like we all do when we imagine ourselves in some distressing situations.

In the opening scene of Cutterhead, as protagonist Rie rides a construction site elevator deep into the Danish underground, we glimpse the elevator's control panel and its "up" and "down" buttons that some joker has labeled "Heaven" and "Hell" in felt pen, setting the stage for the claustrophobic horror that's to come.

As a copywriter for the Copenhagen metro, she's there to write the kind of breezy PR texts that might excitedly describe the metro as "the largest construction project in the Danish capital in 400 years", and frame having workers of 24 different nationalities as a "great European coming together" (rather than the result of working conditions and pay that no Danish construction worker would accept). Her interviewees aren't playing along, though. "What's the best part of your job?" she asks every worker she approaches, but most give polite non-answers (clearly trying to avoid trouble), if they even speak English. Only Ivo, who's from Croatia and maintains the cutterhead, doesn't hesitate. "The money," he answers, dispelling any romantic notions of a labor of love.

These workers are all here, working a bad job with bad pay and bad working conditions, because they need the money. But why is Rie here? The question lingers throughout the movie. When one character questions if she's even allowed, Ivo explains "She's from the office". In other words, she's Danish. "I have permission to go anywhere", Rie helpfully adds.

Ivo and his colleague Bharan work the cutterhead because it's more dangerous, and hence pays more. Even then, Rie undoubtedly earns more than either of them. The disaster that soon engulfs these three people should erase these differences, but the sense of disparity persists, and it's in these clashes between worlds that Cutterhead becomes more than a disaster movie with a novel setting, and shows real bite with its social critique.

Cutterhead (2018)

An industrial accident occurs underground and people are trapped. The fear of death and the fight for survival are realistically based and not portrayed in an over the top fashion, like in many disaster movies. This is probably what would happen in real life. If you are looking for spectacle, seek out any recent catastrophe movie by Dwayne Johnson. This is more low key and in some ways uneventful, yet will still manage to hold your attention throughout. The filming in real locals gives the film a sense of realism and later, dread. 8 out of 10 stars.