Un mistero di omicidio scuote la città di Shadyside, Ohio.Un mistero di omicidio scuote la città di Shadyside, Ohio.Un mistero di omicidio scuote la città di Shadyside, Ohio.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 9 candidature totali
Noah Bain Garret
- Skull Mask
- (as Noah Garrett)
Recensioni in evidenza
This film was ok in parts but with a few jump scenes overall it was boring and predictable. It wasn't scary at all even though there is some slasher scenes during the film. It didn't didn't seem like the 90s to me apart from when you see the old internet chat rooms! I know horror films do have a young cast but the kids in this look really young and we're not the best actors. It's not the worst horror I have watched but have seen a lot better. A lot of horrors especially new ones all seem the same. Unless your really bored I wouldn't bother with this one. There's not many good horror films on Netflix at the moment.
This movie was entertaining. Nothing exceptional, but a good bit of fun. Don't go into it expecting a masterpiece and you will probably have a good time.
I wanted to like this so much, but it has so many errors and weird issues with it. It's the type of movie people will point out stuff nonstop that makes no sense.
I don't want to say anything ruining the story, but it's also weird this is a trilogy yet this movie kinda says everything that happens and who survives the other movies. Maybe there will still be some surprises in them though. Like it's weird to show the ending then say everything that happens before instead of letting those stories play out and leave surprises for them.
The whole movie also had a blue and dark filter over it which I didn't like. Even when they were in lightly lit rooms or looked like they were by a nightlight.
Just putting a dark filter over the whole movie doesn't make it scary.
Other than various 90s songs at the beginning almost none of it felt like a 90s movie or setting. Even literally copying a scene from Scream never gave that impression.
I was just really disappointed in this and it had so much potential that just feels completely wasted.
I don't want to say anything ruining the story, but it's also weird this is a trilogy yet this movie kinda says everything that happens and who survives the other movies. Maybe there will still be some surprises in them though. Like it's weird to show the ending then say everything that happens before instead of letting those stories play out and leave surprises for them.
The whole movie also had a blue and dark filter over it which I didn't like. Even when they were in lightly lit rooms or looked like they were by a nightlight.
Just putting a dark filter over the whole movie doesn't make it scary.
Other than various 90s songs at the beginning almost none of it felt like a 90s movie or setting. Even literally copying a scene from Scream never gave that impression.
I was just really disappointed in this and it had so much potential that just feels completely wasted.
I didn't read the Fear Street books growing up, although I did read Goosebumps. Considering this was an R rated adaptation, I was cautiously optimistic.
I loved the opening scene. It felt like a nice call back to Scream. It wasn't nearly as iconic, but it did enough right to set my expectations high. Then the plot starts developing, and it goes downhill fast.
The characters are mostly annoying. I could argue I mildly liked two of them, but that's it. The protagonist is incredibly self absorbed, and treats her ex horribly. We've got the nerdy kid who knows literally everything. The comic relief who has maybe two lines in the movie that aren't jokes. Etc.
Then there's the tone. The best way I could describe it is the kid friendly feel of the Goosebumps movie mixed with a slasher film. Anytime someone isn't being murdered, it's really light in tone and kinda jarring. The profanity and innuendos are present during these scenes, but they still feel very kiddish, for lack of a better word. The closest example I could think of for a movie like this is "Summer of '84", but that wasn't nearly as light, and it was far more consistent.
The 90's music, while good, is heavily overused. The early parts of the film feel like someone turned on a malfunctioning jukebox that switches songs every ten seconds. Sometimes less is more.
The horror scenes are actually really good. The opening scene and climax are my favorites, but I enjoyed the rest as well. If the entire film was as good as the horror, I'd honestly consider giving this a 9/10, but I kept getting taken out of the film when there was downtime. There was very little tension or decent drama, just an overly quick pace with humor and exposition to bridge the scares.
It's on Netflix, so if you're interested I guess it's worth a shot. I'm disappointed, as it could've been an absolute classic, but if it sounds like your kinda thing you might like it.
I loved the opening scene. It felt like a nice call back to Scream. It wasn't nearly as iconic, but it did enough right to set my expectations high. Then the plot starts developing, and it goes downhill fast.
The characters are mostly annoying. I could argue I mildly liked two of them, but that's it. The protagonist is incredibly self absorbed, and treats her ex horribly. We've got the nerdy kid who knows literally everything. The comic relief who has maybe two lines in the movie that aren't jokes. Etc.
Then there's the tone. The best way I could describe it is the kid friendly feel of the Goosebumps movie mixed with a slasher film. Anytime someone isn't being murdered, it's really light in tone and kinda jarring. The profanity and innuendos are present during these scenes, but they still feel very kiddish, for lack of a better word. The closest example I could think of for a movie like this is "Summer of '84", but that wasn't nearly as light, and it was far more consistent.
The 90's music, while good, is heavily overused. The early parts of the film feel like someone turned on a malfunctioning jukebox that switches songs every ten seconds. Sometimes less is more.
The horror scenes are actually really good. The opening scene and climax are my favorites, but I enjoyed the rest as well. If the entire film was as good as the horror, I'd honestly consider giving this a 9/10, but I kept getting taken out of the film when there was downtime. There was very little tension or decent drama, just an overly quick pace with humor and exposition to bridge the scares.
It's on Netflix, so if you're interested I guess it's worth a shot. I'm disappointed, as it could've been an absolute classic, but if it sounds like your kinda thing you might like it.
If "1994" is in the title of your movie, don't open with a song from 1995. (They also play Firestarter by Prodigy a spin which was released in '96.) But musical anachronisms aside, this is the laziest soundtrack in movie history. It's like they grabbed a "90s Hits" playlist off Spotify and cranked it up every five minutes just to let us know that it was the 90s. Because it sure didn't LOOK like the 90s, except for an AOL chat room and the 4,000 posters on the main character's bedroom walls.
Speaking of the main character... she should be LIKEABLE if she's fighting evil. Nobody wants to cheer for a jerk. Her brother is basically the only likeable character in the whole movie.
And speaking of characters... did they run out of budget before they could hire extras? The towns were nearly empty.
And speaking of empty... the plot holes (and the plot itself) make for a very bumpy ride. **SLIGHT SPOILER follows** That thing with the X's at the end didn't make sense to me. Why not just put them on a rag you can toss away in case you find yourself cornered?
All in all, it's not terrible if you want something you don't need to pay much attention to while eating some pizza on movie night.
Speaking of the main character... she should be LIKEABLE if she's fighting evil. Nobody wants to cheer for a jerk. Her brother is basically the only likeable character in the whole movie.
And speaking of characters... did they run out of budget before they could hire extras? The towns were nearly empty.
And speaking of empty... the plot holes (and the plot itself) make for a very bumpy ride. **SLIGHT SPOILER follows** That thing with the X's at the end didn't make sense to me. Why not just put them on a rag you can toss away in case you find yourself cornered?
All in all, it's not terrible if you want something you don't need to pay much attention to while eating some pizza on movie night.
Lo sapevi?
- QuizIn the opening scene, the book store shelves are filled with Fear Street books with the author listed as "Robert Lawrence". The letters "R.L." in R.L. Stine's name stand for Robert Lawrence.
- BlooperThe application Benjamin Flores Jr's character is chatting on uses the Calibri font. The plot takes place in 1994, yet this font was not introduced until 2007.
- ConnessioniFeatured in The Kill Count: Fear Street Part 1: 1994 (2021) Kill Count (2021)
- Colonne sonoreCloser
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La calle del terror (Parte 1): 1994
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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