Unskin

UNSKIN, as a short movie, feels more like a prologue to a much bigger movie, even a trailer. It masterfully unfolds its' plot in a way that I really enjoy as these kind of mystery movies are some of my favorite to watch. It almost felt like a Panos Cosmatos movie, utilizing the "Show, don't tell" technique, which is always a sign of a good storytelling. All the lightning, effects and camera work are superb and psychedelic and shot in a way most directors would cream for. The effort is undeniable, as all the actors are very believable and the story hits home quickly when you think of the "alien visitor" and his role in all this. I really wanted to see the story go on even further, but it didn't have to go anywhere else, as UNSKIN has developed its' message towards the end, forming a beautiful short movie, shot in the most professional manner I have seen for a short film! Congratulations, Crimson Black Productions, you guys have the skills for way more than short films and cannot wait to see more!

This short is 360 degrees of refreshment in story and design. It is what good contemporary art should be; unafraid of twisting and turning conventions, literally upside down in the case of a few memorable scenes that really do stick in the mind. I saw the film on Vimeo and I don't want to include any spoilers, but there are 3-4 acts in this film, and each one fits with one another like a puzzle to the mystery around the central protagonist (or antagonist depending on your perspective). There is even a subtle irony of a whodunit in this short, as we try and grapple with the mysterious origin of the hooded figure, as told from the perspective of Roger, a seemingly hapless interviewee played brilliantly by the actor Roger Carvalho. The direction is visionary, the production design is beautiful and the music is atmospheric. I see great things ahead for the team behind this brilliant work. A very distinctive cinematic achievement for a short film, bravo.

Elcid Asaei has created an accomplished short film. A deeply mystic, beautiful, trippy short film that bends the rules and is pleasantly non-linear, surprising you just when you think it's going in a certain direction. This non-linearity is one of the film's strengths, but may not be everyone's cup of tea, especially those expecting something more linear in a film. But I believe this is not the sort of film you can be impartial to. It will at times challenge and provoke the viewer, and demands your attention if nothing else, leaving an open-ended question at the conclusion partially answered, allowing room for some interpretation and a potential feature film(?) perhaps.

Atmospherically, the cinematography, editing, soundtrack and production design are incredible and thrust me into the film's world immediately. I wanted to see and hear more, but even so in a short film of 15 minutes long there is a lot to see and hear already.

To me there is a beginning of something very powerful here. I look forward to following this promising Director's next works.

I saw this recently at the Apulia WebFest and rarely do I write reviews of shorts but this one grabbed me. The unique narrative style is refreshing and the visuals are cold, dark and punchy. It was in the top 5 best films at the festival, but was also the one that left its imprint on mind.

I came across this short at the Oaxaca Film Festival in 2019. I felt upon seeing it that it is a really nicely crafted science fiction fantasy story, with an interesting fusion of mythology and social and political themes, hints of German expressionism and the type of surrealism associated with Buñuel and Dalí. There is plenty of mood and style here, unconventional narrative, good cinematography, editing and music. There is definitely a unique feeling of revolution about this film that is particularly admirable in a sea of identikit and play-it-safe filmmaking. I am intrigued to see what the director creates next.