Lu e la città delle sirene

My first exposure to feature-length anime, Lu Over the Wall made me gasp at the level of imagination that has gone into its creation where a lonely, taciturn boy finds a companion in a mermaid who has special powers and who changes her appearance a little when exposed to human music. The animation is top-notch and so is the storytelling which tries to relate with social issues such as xenophobia (?) and others that we as a whole are currently grappling with. Lu Over the Wall is funny, uplifting, and delightful. TN.

(Watched and reviewed at its India premiere at the 3rd Japanese Film Festival of India in Mumbai.)

A mixture of delightfully refreshing and painfully stale, Lu Over the Wall is a film that shows flashes of greatness but never really comes together as a definitively above-average film. Just like its lead character, Kai, Lu Over the Wall spends a lot of its time going through the motions. While much of this movie is uniquely displayed from a visual standpoint, most of what's being conveyed is an obvious plot-line told through point-blank dialogue & characterizations. Simplicity is sometimes to be expected from cartoons but Lu Over the Wall plays its narrative hand so plainly that it may have its viewers bored before the halfway point.

The playful direction and cinematic choices of this movie may help hold the attention of its viewers but, due to Lu Over The Wall's meandering pace, I would not be surprised if some will be eager for the ending. There is beautiful, frightening and humorous imagery in this movie and enough overall quality that I would say the film was an enjoyable experience. But there is also enough fat along the way that I won't be eager to experience it again. In the end, Lu Over the Wall's combination of ancient folklore, modern music and striking images gives it a special feel that is, unfortunately, overshadowed by its limited script.

Writing: 5/10 Direction: 7/10 Cinematography: 8/10 Acting: 7/10 Editing: 6/10 Sound: 7/10 Score/Soundtrack: 7/10 Production Design: 7/10 Casting: 7/10 Effects: 8/10

Overall Score: 6.9/10

This was a fun movie, with infectious music. It taps in to what seems to be a running theme of modern industrailzied Japan making war on its traditional spirits, kind of like in Summer Days with Coo. It also features mermaids, who have an exuberance like Ponyo, but less child-like, and more adolescent-angsty.

Lou and the Siren Island piqued my interest as soon as i saw the trailer. I'm far from being an anime or animation expert but I can say that I've watched a fair amount of Japanese anime, films or series. The overall style of the anime is certainly quite different from what I'm used to and that felt refreshing.

What I liked - The music worked really well with the anime and different scenes. I'm actually a tiny bit disappointed that they didn't exploit that aspect a bit more. The character design was simple, a bit hazy at times but it worked very well with the animation style that I enjoyed very much. The film also dares to do interesting things with animation, colours, visuals in general and that is very welcome. There are good vibrations in this film and overall it made me feel good. They also manage to make Lou, the siren, a very likable character, at least that's how I experienced it. Finally the whole mystery/mythology/mystic aspect of the Siren felt captivating to me at times and certainly entertaining.

What I liked less - I once again have a problem with character development as I didn't relate enough to the main character. He still had his moments but I needed a bit more from him for this film to have a significant emotional impact on me. The second thing that kinda disturbed me is how random some parts of this movies felt to me. Like it lacked some kind adhesive substance to make it all stick together in a more coherent form. Finally, the way the the main stakes of the movie are handled and ultimately resolved didn't really feel satisfactory to me. That last issue may come from the fact that the audience targeted could be a very young one (I'm 30) but it felt a bit "easy" and oversimplified to me. The way people react to the Sirens was also not realistic at all given that it's taking place in a similar world than ours. Then again, if the movie was intended for a very young audience that could explain that problem.

In the end it was a good experience and I'd recommend it for young kids or if you want to watch a rather simple story with interesting elements and good vibrations!

Verdict : 7.4/10. This rating isn't an attempt to evaluate the actual objective value of the film but merely reflects my own enjoyment of the work.

For a movie that begs a comparison to Ponyo, it barely squeaks past it in terms of it's creative presentation, but stumbles at style consistancy and plot coherency.

While nothing in the movie *doesn't* make sense, a lot of it is hard to follow due to weird pacing decisions during important events, and visual decisuons that hamper communication in favor of leaning into Yuasa's presentation style.

The music is just OK for a movie about music, and the few scenes of high energy have a peculiar disconnect from the rest of the film.

Ultimately this movie feels like it started with good intentions, but ran out of creative steam somewhere in development. If you're a big Masaki Yuasa fan, there are things here for you, but it's otherwise OK to miss.

Go watch Mind Game instead if you wanna know what this director is about.