La vita straordinaria di David Copperfield

Eccentric in every sense of the word, director Armando Iannucci offers up a delightful oddity in the form of his offbeat adaptation of Charles Dickens' classic novel. It's funny, charming and heartfelt all the way through, and while it may lack the biting satire and charisma of Iannucci's best works, there's no denying how enjoyably strange this film is.

First things first, this film isn't a straight adaptation of The Personal History Of David Copperfield, but nor does it intend to be. It follows the original story as closely as it can, providing an engrossing coming-of-age tale of rags to riches that soars with the inspiring drama of Dickens' story, but the film stands on its own two legs with its delightfully offbeat persona.

Because, rather than simply recounting the classic tale as a costume drama for the umpteenth time, this film tries to do something a little different, still paying homage to the original story but having some fun with tongue-in-cheek humour and modern sensibilities all the way through.

In that, the movie is wonderfully fast-paced, zipping and zapping with zany energy to and fro as it flies through David Copperfield's upbringing and chaotic ups and downs between nobility and poverty. Furthered by energetic directing and performances, as well as editing that features the slightest hints of breaking the fourth wall, the film establishes itself right from the start as a feverishly eccentric watch.

And that's where the real joy of watching The Personal History Of David Copperfield comes from. It's not just another costume drama (although the costumes and sets look gorgeous), but a rapid-fire comedy of errors that will have you rolling around in your chair laughing right the way through.

Admittedly, not every joke lands perfectly, but the film is so jam-packed with laughter and energy that you'll find yourself consistently entertained, only bolstered by those tongue-in-cheek winks and nods such as the fourth wall breaks and colour-blind casting that only add to the brilliant eccentricity of it all.

But even with so much zany energy at play, the film manages to spend time to develop its drama in a heartfelt and engaging manner. Brilliantly linking up the story's more inspiring emotional themes with the charming nature of the comedy, The Personal History Of David Copperfield is an effortlessly lovable watch, both in its laughs as well as its soaring heart of gold.

From a genuinely wonderful lead performance by Dev Patel to standout supporting turns from Tilda Swinton, Hugh Laurie, Peter Capaldi, Daisy May Cooper, Benedict Wong and Ben Whishaw, the film uses its A-list cast to fantastic effect, all brought together under the roof of delightful hilarity by director Armando Iannucci, who keeps a potentially chaotic comedy of errors running smoothly all the way through.

The one caveat of the film is that it doesn't quite match up to Iannucci's best works of the past simply because it lacks a more biting satire. Of course, there's perhaps less political and social mockery to play with in a Charles Dickens adaptation compared to In The Loop and The Death Of Stalin, but it feels like this film tries to bring some in with its assessment on the class divide and the plight of poverty, albeit never quite hitting the mark.

Saying that, however, The Personal History Of David Copperfield is an utter delight. It's wonderfully strange, complete with rapid-fire and zany energy that complements an eccentric atmosphere and a charismatic cast, only furthered by an engaging and heartfelt story that's brought to life by hilarious comedy all the way through.

This is a fun and enjoyable movie. The weird comments by people who can't comprehend a non-white cast are baffling. If you can't enjoy a film because of the colour of actor's skin, that's your problem, not the film's.

A very dynamic film, David Copperfield lures you into his intriguing life stories. Unfortunately I haven't read the original but could still appreciate the flair and narrative of the film. This would have been a treat for those who are familiar with Dickens's work. This eventful and fluid manner of story telling nicely transitions into this film. Some decent performances by Dev Patel and the rest of the cast. It was also a pleasantly diverse film that modernised this classic novel. This may not appeal to a large mainstream audience as some cultural sensitivity is needed to see something in this film. I'm glad I went and enjoyed this modern spin on a classic tale.

Dev Patel carries the role of David Copperfield gracefully and naturally. He meets many characters along the way that vividly come to life on screen in ways that make you feel as though you are reading the descriptions as they unfolded on the page. They are almost caricatures in a very whimsical and delightful way. The rollercoaster that takes David from being the only son of a widow to the discarded baggage of a new marriage also makes him the guest in an overwhelmingly loving (yet constantly indebted) family. The ride continues as he becomes a young man on the run and on his fresh start as a gentleman with a past and then finally landing as a man in love with a girl who is out of place in his story.

Though we are introduced to a wonderful array of supporting characters who help David on his long and winding journey, we do not get to spend enough time getting to know them because of the fast pace of the film. We feel his connection to them based on all of the great performances, however, it is tough to stay connected to them on the other side of the lens as the pace through situations races ahead. The third act of the film is where it is felt the most. As all of the characters come together for a very satisfying ending, it would have been nice to have more time with the characters as they enjoy the spoils of ride they took together.

In the end, this is a redemption story about a very interesting character and his extraordinarily interesting life. David and his engaging journey have every element needed to go from whimsical to scary to revenge filled and eventually a satisfying conclusion. I would definitely recommend it. There are brilliant performances all around and the film is a welcome escape from the current lack of whimsy in the world.

IN BRIEF: Overrated period comedy that looks right but is all wrong.

JIM'S REVIEW: (MILDLY RECOMMENDED) Well, I did like the costumes. And the production design, a mishmash of vibrant colors and patterns, was also a delight. (Kudos to Suzie Harman and Robert Worley's unlikely period wardrobe and Cristina Casali's stylish sets) But the film, The Personal History of David Copperfield, was all useless energy and pure nonsense. The film tries to impress with its quirkiness, lavish settings, and hyperactive performances. Figures whose names might seem familiar... Uriah Heep, Mr. Micawber, Betsey Trotwood, Mr. Dick...are strange hybrids of Charles Dicken's more famous characters from his novel. Here, they are thrown together to chronicle the story of the fictional David Copperfield's life. Like a Dicken's novel, characters intersect our hero's coming-of-age journey and add to the pomp although the circumstances are dubious. Unlike a Dicken's novel, in this odd film adaptation, they are shallow, silly, and overstay their welcome.

The film is unevenly directed by Armando Iannucci, who also wrote the screenplay with Simon Blackwell. His movie takes on a surreal quality which impresses in its visual splendor. (Many times while watching this film, I was reminded of Terry Gilliam's dud, The Adventures of Baron Munchausen, and we know how that one went.) But script-wise, it's a mess. The plot is contrived, a CliffNotes summary of the book which misses Dicken's clever prose. In this re-imagined film version, everyone plays their roles like live action cartoons without any restraint or comic timing. They become wind-up dolls dressed to the Victorian nines gone amok.

A good cast belabors the comedy. And Mr. Iannucci does assemble many of England's best actors for his movie such as Peter Capaldi, Ben Whishaw, Tilda Swinton, and Hugh Laurie; only the latter two performers hit their marks most of the time with their outlandish interpretations. He waste their time and talents. As the title character, Dev Petel is completely engaging, but he and the integrated ensemble deserve better material. While the casting may be color-blind, the overall vision lacks focus too. The concept of creating Victorian England with a contemporary attitude is intriguing, but never quite gels.

Critics worldwide have raved about this film. And I waited nearly a year with high hopes, only to be disappointed by the end results. The film looks authentic and, production-wise, has many admirable traits, but it is all surface treatment and sleight-of-hand trickery. A earnest effort, I would agree, but the reality is that The Personal History of David Copperfield is epic, as in failure. It's a farce without any laughs that exhausts rather than thrills. Be careful what you wish for. (GRADE: C)