VALUTAZIONE IMDb
5,0/10
11.286
LA TUA VALUTAZIONE
Mary (Taraji P. Henson) è una sicaria che lavora per una famiglia del crimine organizzato di Boston. La sua vita viene completamente stravolta quando incrocia la strada di un ragazzo, dopo a... Leggi tuttoMary (Taraji P. Henson) è una sicaria che lavora per una famiglia del crimine organizzato di Boston. La sua vita viene completamente stravolta quando incrocia la strada di un ragazzo, dopo aver fallito un colpo.Mary (Taraji P. Henson) è una sicaria che lavora per una famiglia del crimine organizzato di Boston. La sua vita viene completamente stravolta quando incrocia la strada di un ragazzo, dopo aver fallito un colpo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Jose Guns Alves
- Maurice
- (as Jose Gonsalves)
Recensioni in evidenza
Action adventure.
Taraji P. Henson is an assassin (Mary) for one of two rival gangs, she completes a hit but feels regret for the youngster she makes into an orphan and takes him under her wing. The start is positive, looks like a retro 70's film, but almost immediately abandons that idea and quickly goes downhill.
The action scenes are dull, the plot is formulaic, and the acting is wooden. For instance, the hit-woman's gunshot wounds magically seem to vanish, there are several gunfights where thousands of bullets are flying around but all miss, basically seen it all before.
What starts well enough loses all potential. Looks like an amateur project. Go and see 'you were never really here' instead.
Taraji P. Henson is an assassin (Mary) for one of two rival gangs, she completes a hit but feels regret for the youngster she makes into an orphan and takes him under her wing. The start is positive, looks like a retro 70's film, but almost immediately abandons that idea and quickly goes downhill.
The action scenes are dull, the plot is formulaic, and the acting is wooden. For instance, the hit-woman's gunshot wounds magically seem to vanish, there are several gunfights where thousands of bullets are flying around but all miss, basically seen it all before.
What starts well enough loses all potential. Looks like an amateur project. Go and see 'you were never really here' instead.
I mean, it's not the best thing ever, but have you seen the state of action movies today? This is above average in many ways.
A little abbreviated, like the studio messed with it, cut out something and there was nothing left to pad it out. I mean, was Neal McDonough really in it for 30 seconds? Seems like he wouldn't show up but for real work so there's a whole extra movie in there we didn't get to see.
Some weird editing. Two conversations were filmed as over the shoulder from each POV and flipped for each character, sometimes every few seconds!
But overall above average for the action, verging on Very Good for the main dramatic tension. Not least because they do NOT over explain. Who is the main character, really? Who cares! It works.
So, 1 and 2 and 3 star ratings, with minimal reviews? This seems like it was a campaign of hate instead. It's not remotely deserving of such a low rating, at all.
I saw no other political issues, so... racist? Not sure, but it's not that bad at all.
A little abbreviated, like the studio messed with it, cut out something and there was nothing left to pad it out. I mean, was Neal McDonough really in it for 30 seconds? Seems like he wouldn't show up but for real work so there's a whole extra movie in there we didn't get to see.
Some weird editing. Two conversations were filmed as over the shoulder from each POV and flipped for each character, sometimes every few seconds!
But overall above average for the action, verging on Very Good for the main dramatic tension. Not least because they do NOT over explain. Who is the main character, really? Who cares! It works.
So, 1 and 2 and 3 star ratings, with minimal reviews? This seems like it was a campaign of hate instead. It's not remotely deserving of such a low rating, at all.
I saw no other political issues, so... racist? Not sure, but it's not that bad at all.
Here's what's good about this movie:
The writing and the directing are just so passionless. Everything is bland and empty. I sincerely think its creators should be screened and treated for depression, because they clearly have nothing in their lives that brings them joy. It feels like they have been trying to leave the industry but were contractually obligated to make five more films before they did, and this was the fourth.
Watching this film, you will get the distinct impression that they never smiled a single time during its making. And neither will you during its watching.
- Taraji Henson
- the marketing
- the premise
- unfortunately, that's it
The writing and the directing are just so passionless. Everything is bland and empty. I sincerely think its creators should be screened and treated for depression, because they clearly have nothing in their lives that brings them joy. It feels like they have been trying to leave the industry but were contractually obligated to make five more films before they did, and this was the fourth.
Watching this film, you will get the distinct impression that they never smiled a single time during its making. And neither will you during its watching.
"Proud Mary" (R, 1:29) is an action thriller with a mainly African-American cast. Golden Globe winner and Oscar nominee Taraji P. Henson stars in the title role as a hit-woman with a hardened heart of gold.
When she carries out orders to take out a man who was heavily indebted to her small but powerful Boston crime family, she learns that he had a tween son who is now an orphan. She spends the next year secretly following Danny (Jahi Di'Allo Winston) around town as he lives on the streets and works for an abusive local drug dealer (Xander Berkeley). At an especially vulnerable moment for Danny, Mary steps in and struggles to break through his defenses to help him and become his protector. But she also inadvertently drags him into a brewing gang war between her family (headed by Danny Glover and Billy Brown) and a group of eastern European criminals (headed by Rade Serbedzija, perhaps best known as the villain in "Taken 2").
This genre movie is fairly formulaic, with little to distinguish it from similar films, but it's also fairly well-done and fans of the genre (and/or the very accomplished cast) will probably find it entertaining. "B-"
When she carries out orders to take out a man who was heavily indebted to her small but powerful Boston crime family, she learns that he had a tween son who is now an orphan. She spends the next year secretly following Danny (Jahi Di'Allo Winston) around town as he lives on the streets and works for an abusive local drug dealer (Xander Berkeley). At an especially vulnerable moment for Danny, Mary steps in and struggles to break through his defenses to help him and become his protector. But she also inadvertently drags him into a brewing gang war between her family (headed by Danny Glover and Billy Brown) and a group of eastern European criminals (headed by Rade Serbedzija, perhaps best known as the villain in "Taken 2").
This genre movie is fairly formulaic, with little to distinguish it from similar films, but it's also fairly well-done and fans of the genre (and/or the very accomplished cast) will probably find it entertaining. "B-"
Pretty lame movie. An assassin with a heart of gold? Meh. The only good scene in this is the assault set to Tina Turner's "Proud Mary". They must have pulled most of that scene for the trailer that peeked my interest in his film in the first place. And the music is another bright spot! Other than that, yeesh.
Lo sapevi?
- QuizLoosely based on the movie Gloria - Una notte d'estate (1980).
- BlooperAfter Danny makes the guy drop his bag in the alley after he shoots his gun in the air, Danny then collapses away from the bag. But when Mary pulls into the alley and walks up to Danny he is found near his bag.
- Curiosità sui creditiThe film opens with a recreation of the 1965-1974 Screen Gems "S from Hell" logo.
- Versioni alternativeA scene in the trailer where Tom kills a cohort is not featured in the actual movie.
- Colonne sonorePapa Was a Rollin' Stone
Written by Norman Whitfield and Barrett Strong
Performed by The Temptations
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.877.013 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.959.053 USD
- 14 gen 2018
- Lordo in tutto il mondo
- 21.753.365 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 2.35 : 1
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