VALUTAZIONE IMDb
8,2/10
17.685
LA TUA VALUTAZIONE
In seguito all’incidente in cui perde la gamba destra, Deepak va in pensione. Dopo cinque anni, però, è costretto a rivivere gli eventi di quella fatidica giornata.In seguito all’incidente in cui perde la gamba destra, Deepak va in pensione. Dopo cinque anni, però, è costretto a rivivere gli eventi di quella fatidica giornata.In seguito all’incidente in cui perde la gamba destra, Deepak va in pensione. Dopo cinque anni, però, è costretto a rivivere gli eventi di quella fatidica giornata.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Prakash Raghavan
- Gautham
- (as Prakash Vijayaraghavan)
Sivaram Ramanathan
- Killer
- (non citato nei titoli originali)
Recensioni in evidenza
The summary tells the whole story, the movie is very gripping, you have to be very attentive to catch every minute detail right from start the movie is well made, following points have caught my attention
1. Masked killer (Makes you want to know who is inside), great introduction
2. Rahman rubbing the eyes, which is shown as graphic in introduction. 3. Character of gautham is well made. 4. Up to the climax the killer is given great importance, but the real motive behind the story is ordinary and that intricate details are also well woven in between the plot to minute detail. 5. Ultimately our protagonist falls victim to a fate which he knows far later, but cant much help.
I cant believe a debutant director has made this movie. Tamil cinema has gone to a new level, i would rate this movie above Thani Oruvan and 24.
Surprising twist till last frame.
One of the excellent role portrayed by Rahman
Director karthick Naren is one to be taken very seriously
1. Masked killer (Makes you want to know who is inside), great introduction
2. Rahman rubbing the eyes, which is shown as graphic in introduction. 3. Character of gautham is well made. 4. Up to the climax the killer is given great importance, but the real motive behind the story is ordinary and that intricate details are also well woven in between the plot to minute detail. 5. Ultimately our protagonist falls victim to a fate which he knows far later, but cant much help.
I cant believe a debutant director has made this movie. Tamil cinema has gone to a new level, i would rate this movie above Thani Oruvan and 24.
Surprising twist till last frame.
One of the excellent role portrayed by Rahman
Director karthick Naren is one to be taken very seriously
D-16, one of the best thrillers in the recent times. Directed by the debutant Karthick Naren. Debutant? Yes, one would wonder how this is possible by a debutant. Karthick directing his first movie has done an exceptional job.
The first crime scene might seem average, but there on it's entirely a different movie. Each and every scene is planned to perfection and keeps the audience engaged till the end. Suspense is what Karthick masters, he keeps everyone guessing till it is unraveled.
Rahman as Deepak has justified his role. His Malayalam dipped slang might seem a bit unfit but it doesn't over shadow his acting. The story was narrated from Rahman's point of view. Almost all the other faces are new. Everyone has done an exceptional job.
Characterization was another plus no unwanted or annoying characters. Every character has contributed something to the plot. The background score by Jakes Bejoy has travelled along the movie that plants each and every scene in mind. Cinematography is another technical aspect that lifts the movie. Sujith Sarang with the camera has to be lauded for his efforts.
It's a nail biter one might find travelling along the story till the very end. Karthick is another find for Kollywood. When we leave the movie halls we might still feel suspense circling our heads (Few twists have been left to be judged by the audience).
The first crime scene might seem average, but there on it's entirely a different movie. Each and every scene is planned to perfection and keeps the audience engaged till the end. Suspense is what Karthick masters, he keeps everyone guessing till it is unraveled.
Rahman as Deepak has justified his role. His Malayalam dipped slang might seem a bit unfit but it doesn't over shadow his acting. The story was narrated from Rahman's point of view. Almost all the other faces are new. Everyone has done an exceptional job.
Characterization was another plus no unwanted or annoying characters. Every character has contributed something to the plot. The background score by Jakes Bejoy has travelled along the movie that plants each and every scene in mind. Cinematography is another technical aspect that lifts the movie. Sujith Sarang with the camera has to be lauded for his efforts.
It's a nail biter one might find travelling along the story till the very end. Karthick is another find for Kollywood. When we leave the movie halls we might still feel suspense circling our heads (Few twists have been left to be judged by the audience).
It has all the ingredients of a perfect murder mysteries. Right from the keeping the viewers engaged through multiple perspectives of how the murder could have happened to increasing the pace and twists till the climax, it is screen play at its best.
To choose new faces and to go without songs, i think the director deserves a special mention. This movie is an experience you will love. You will feel that you are a part of the investigation and that is where the director scores.
You know a movie is brilliant if the entire audience applauds when the credits starts rolling. Kudos to the entire team to have scripted such a price of work. 10/10
To choose new faces and to go without songs, i think the director deserves a special mention. This movie is an experience you will love. You will feel that you are a part of the investigation and that is where the director scores.
You know a movie is brilliant if the entire audience applauds when the credits starts rolling. Kudos to the entire team to have scripted such a price of work. 10/10
Lovely murder mystery. Nice to see a movie with suspense being the theme with perfect pacing, enough eye for details, solidly enacted, no distractions of songs etc. Pretty much whatever makes a good solid yarn of a suspense from the good old school is in here.
Two deaths, missing woman, disappearing witness and a Cop led by his assorted bag of assistants, including a new recruit in the hunt.
I loved the way the story dealt in small details, especially at the police station, the new cops, the stress around their work etc. Rehman plays his part well.
Definitely worth a watch.
Two deaths, missing woman, disappearing witness and a Cop led by his assorted bag of assistants, including a new recruit in the hunt.
I loved the way the story dealt in small details, especially at the police station, the new cops, the stress around their work etc. Rehman plays his part well.
Definitely worth a watch.
Written and Directed by debut Karthick Narain. With his 2 short films experience, stepped into feature film by taking a crime thriller as plot.
A crime case investigation by a police officer and the way he get into the target along with multiple views from different persons involved is D16.
A complete investigative mystery thriller generation where it start the ride from the very beginning without spending much on any ordinary stuffs. Success of a engaging investigation lies on the clue which come across for the next chain of scenes, even a dialogue from the movie says this as few clues of what we intend to know will come to us on its own. When we think of from where to start next, there comes a scene to give the route.
Rahman, who do only limited unique character back in for the role where he perfectly fit in and his subtle acting apt for the investigation. Other cast, though they travel throughout, they neatly perform what they expected from them.
As there is no songs in this movie, BGM plays the high scope for music director and it truly justified in the movie with right tone. Camera and lighting are well managed as most of the scenes happens at night where the subject shine in dark.
Length of the movie is another plus where cuts are rightly placed and the engagement didn't take any downside till end.
For a debutant director, the efforts and smartness spent on writing is truly evident while watching this mystery. Experimental in terms of multiple views of the crime scene and intelligent enough when the knot unfolds which gives a different view.
A crime case investigation by a police officer and the way he get into the target along with multiple views from different persons involved is D16.
A complete investigative mystery thriller generation where it start the ride from the very beginning without spending much on any ordinary stuffs. Success of a engaging investigation lies on the clue which come across for the next chain of scenes, even a dialogue from the movie says this as few clues of what we intend to know will come to us on its own. When we think of from where to start next, there comes a scene to give the route.
Rahman, who do only limited unique character back in for the role where he perfectly fit in and his subtle acting apt for the investigation. Other cast, though they travel throughout, they neatly perform what they expected from them.
As there is no songs in this movie, BGM plays the high scope for music director and it truly justified in the movie with right tone. Camera and lighting are well managed as most of the scenes happens at night where the subject shine in dark.
Length of the movie is another plus where cuts are rightly placed and the engagement didn't take any downside till end.
For a debutant director, the efforts and smartness spent on writing is truly evident while watching this mystery. Experimental in terms of multiple views of the crime scene and intelligent enough when the knot unfolds which gives a different view.
Lo sapevi?
- QuizKarthick Naren was forced to fund this film himself as the producers he narrated the script to were reluctant considering his age as he was just 21. The film went on to become a huge critical and commercial success.
- BlooperDeepak and Gautham find the Newspaperman at Fabian's house. They however do not feel the need to question the Newspaperman about what he was doing there till Mano reports the facts later that day.
- Curiosità sui creditiThere are no end credits for this film
- ConnessioniReferenced in Thallumaala (2022)
- Colonne sonoreKaatril Oru Rajaali
Written by Mani Amudhavan
Performed by Lawrence, Kavita Thomas
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