Aggiungi una trama nella tua linguaStruggling writer Wally Spivak is stuck in a rut--until he meets an engaged couple and starts to see life in a whole new way.Struggling writer Wally Spivak is stuck in a rut--until he meets an engaged couple and starts to see life in a whole new way.Struggling writer Wally Spivak is stuck in a rut--until he meets an engaged couple and starts to see life in a whole new way.
- Regia
- Sceneggiatura
- Star
Jenna Lyng Adams
- Woman at Elysian
- (as Jenna Lyng)
Recensioni in evidenza
This one could have easily fell into the same trap of so many low budget slacker comedies. Cliched gamers sitting on the couch, cocky sarcastic losers, sexual innuendos, etc. Thankfully they actually avoided those things. This movie tends to teeter on complete farce and romantic comedy. It works on that level. There are some laugh out loud moments like the empty Vegas club with the pulsating music, and some brief tender moments when the golfer tells him how much he loves the book, and he 'gets' it. And it's sort of fun watching the story play out. So there are some redeeming factors. But where this movie, and so many others, fail is that they present what is basically a depressed sad sack loser who never says anything funny, brilliant or really insightful, yet for some reason two hot babes, one is a Laker girl, are able to see through all that, see him for what he is and they fall for him. I think that's very lazy writing. Anyone can fall for anyone, but there ARE reasons. There was nothing in this dude that any women would really like, let alone an upper class babe or a hot dancing Laker girl.
Spivak is a tiny ugly man who is constantly humiliated by life. His only ambition, to be a writer, is thwarted by his biggest critic: himself, as he writes and rewrites the same novel, to the cruel delight of the mean people around him. Single on a Valentine's Day, he is suddenly approached by a gorgeous girl who asks him to spend the night with her. This changes his life, to his great chagrin and ultimately delight, transforming him from a hateful frustrated little man into a relaxed and positive success.
I liked the way it was played. I have to say most of the scenes were really painful, as the actors all did very well and you could understand the main character's confusion, fear, shame and pain. The moral of the story has to be that you're doing it to yourself, as a bunch of beautiful rich people attempt again and again to make his life better, while he just fears that he doesn't deserve it.
While Michael Bacall did great as the titular character, I would say that most of the movie was carried by Robert Kazinsky's Chuck, a guy so sickeningly positive that you can't but doubt his good honest intentions. It's a strange movie to see. If Spivak wasn't so monstrously unlovable, the movie would have been more credible and easier to swallow. As such, I can only perceive it as a writer's dream, free of all pretenses. Or maybe that's my inner frustrated little man, unable to accept the possible beauty of the world. You decide, as you watch the film. It provides more questions than answers, and that's the whole point.
I liked the way it was played. I have to say most of the scenes were really painful, as the actors all did very well and you could understand the main character's confusion, fear, shame and pain. The moral of the story has to be that you're doing it to yourself, as a bunch of beautiful rich people attempt again and again to make his life better, while he just fears that he doesn't deserve it.
While Michael Bacall did great as the titular character, I would say that most of the movie was carried by Robert Kazinsky's Chuck, a guy so sickeningly positive that you can't but doubt his good honest intentions. It's a strange movie to see. If Spivak wasn't so monstrously unlovable, the movie would have been more credible and easier to swallow. As such, I can only perceive it as a writer's dream, free of all pretenses. Or maybe that's my inner frustrated little man, unable to accept the possible beauty of the world. You decide, as you watch the film. It provides more questions than answers, and that's the whole point.
Offbeat, small budget rom-com starring Chris Kattan's vestigal twin. While cloyingly eccentric, the main plot is time-worn and used up. Insecure, blocked-up writer with a permanent "constipation-face" meets woman (who in reality would never give him the time of day) in an unlikely fashion. She's engaged to a studly, dim-bulb golf pro. Wacky hijinks ensue, rocketing to a predictable conclusion. No belly laughs, but nothing objectionable either. I thought of two endings that could've made this stand out a bit more, but a happy ending must be more bankable. Unfortunately, the ending destroys the quirky ambiance.
I found this movie endearing, uplifting and inspired. Misunderstood artist lost in his own self-doubt, insecure in his own ability, but happenstance and stepping out of his comfort zone open him up to the possibilities in front of him and renew his faith in the world. Yes, it has it's cheesy moments, but all in all, a nice change of pace.
I'm still waiting for the comedy, that resumes this movie. There's absolutely nothing funny about Spivak or maybe I just didn't get the humor, that's also a possibility but I highly doubt it. Spivak is an ugly negative person played by Michael Bacall. He's surrounded by positive people that apparently don't see how ugly and negative he is, and that was for me the thing I hated the most about this movie. You're not going to fall in love with a person like that, that just doesn't make any sense and for that alone this movie is just dumb. Spivak having pity sex with a goodlooking woman, Spivak dating a beautiful Laker girl, they apparently both fall for his charms, whilst he's the most annoying and petulant character possible, it's just too ridiculous for words. The acting isn't that bad though, the story is. Don't read the positive reviews, to me they're fake.
Lo sapevi?
- QuizRobert Kazinsky and Bradley Dodds play brothers in this movie. While Bradley Dodds had previously played a fairy on the HBO series True Blood (2008), Robert Kazinsky had previously played a vampire-fairy hybrid on that same series.
- BlooperThe camera is reflected on the hotel window, where Wally is.
- Colonne sonoreNocturne No. 2 in E-Flat Minor, Op. 9 No.2
Written by Frédéric Chopin (as Frederick Chopin)
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.85 : 1
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