Burn Out

Although the film doesn't really offer anything new to the drug crime genre, you're bound to enjoy this if your a bike enthusiast. The biking element was probably the highlight of the film. Just a pity the music wasn't thumping to propel the film forward. The score did not complement the fast-paced biking scenes as it should have.

François Civil makes a likable hero, Tony. Tony's only crime was to protect the ones he loves. This is a very uncomplicated plot, and easy to follow. Every single character in this film has a distinct purpose; there are no unnecessary characters, which I enjoyed.

The film has the potential to become tedious with more than one viewing, I think, but for a first time viewing it was rather exciting.

This is my first movie review so bear with me.

As an avid motorcycle enthusiast, I felt compelled to watch Burn Out when I came across it on NetFlix.

I give this movie a 7/10, because for its genre, it is good. The motorcycle scenes are what make this movie shine, as they are both thrilling and immersive, with all the camera work on the motorcycles really bringing you close to the action.

It does feel like every motorcycle is just product placement for Ducati, as there are numerous Panigales, Monsters, a Diavel and what I believe was a Hypermotard/Hyperstrada that make appearances in the film, but for a European film, I expected as much.

The story and its characters, while not entirely original, are easily to follow and somewhat predictable, but never boring.

The action is quite intense as well, but enjoyable.

My only gripes with this film is the sound design where the motorcycles are concerned. Anyone who knows Ducati would know that their bikes have the distinctive engine note of a V-Twin. However there are numerous fly-by shots of the Panigale and Diavel where the sounds of an Inline-4 engine are used, which would surely grind the gears of most motorcycle fans.

Another unforgivable sound design sin is in the scene near the end of the film where the supercharged Kawasaki Ninja H2 is given the engine note of a parallel-twin... That infuriated me to no end.

Overall, I enjoyed the film for what it was, and would recommend it to anyone who likes motorcycles and crime-thrillers.

Will start with the fact that the movie is European, so this itself makes it pleasant and different to watch, as well as scenes and acting. A nice story of a guy, his dream, the event in his life and how it all mixes up. It just looks too real, something we see less in the US movies to a point where a good, but more realistic way of showing something might seems not well done, while it's the contrary.

Probably one of the best motorcycle movies I've seen..as a motor cyclist I give it 1 more star than it maybe deserves

Go figure - the narco kingpin of Paris quietly trundles his wares across Europe in sensible unmarked transit vans until it gets within a couple of hours from Paris .... but then for the last few miles he hands it over to a wired motorcycle courier who is ordered to ride at lunatic speeds, to crash the same toll booth each night and to refuel in the same layby. It's hard to think up a plan more likely to lose both drugs and rider. This French film puts more effort into the exciting dash-cam scenes than the plot , which is a shame because it has a gritty feel and a cool lead. If you want to see the obvious inspiration for the movie, take a look at GhostRider's video's (see YouTube) of him riding around the Paris Peripherique at night at over 250kmph. Yup, Burn Out captures the same images of blurred scenery and terrifying tunnels For an even bigger thrill, check out the b&w movie that inspired GhostRider - a DIY video of a Frenchman nicknamed Le Prince Noir (The Black Prince) doing the same ride in broad daylight and heavy traffic. Your teeth will be on edge. Now that's movie making, and no plot was needed at all.