Last Men in Aleppo

Ooff....I can't even.

How do you review a movie like "Last Men in Aleppo?" It's about as opposite from entertaining as you're likely to get, yet it should be watched by everybody. It's incredibly urgent, yet it's so lacking in hope that it seems naive to think it will inspire any kind of action or change. It's basically an obituary for a country that hasn't completely died yet, but is certainly dying. And doing so while the world stands back and watches.

Last year, the film that won the Academy Award for Best Documentary Short Subject was about a member of the White Helmets, a volunteer emergency response group in Syria. He enjoyed 15 minutes of fame when footage of him pulling a living baby from rubble circulated the Internet. That man is now the focus of "Last Men in Aleppo," a film that chronicles his life and eventual death as a member of the White Helmets. Whereas "The White Helmets," in that image of a rescued baby, offered some ounce of hope to cling to, "Last Men in Aleppo" offers nothing but despair. It's the kind of movie that makes it difficult to go about your daily life. The mundane minutiae of being a privileged American -- my biggest annoyance right now is that the motion-sensor light on my garage needs to be replaced -- make me almost embarrassed to enjoy a life of extreme luxury compared to the living conditions of these poor poor people in Syria. That the developed world stood back and watched this conflict happen with a shrug of its collective shoulders will go down in history as one of its most shameful moments.

Grade: A

10 stars for the bravery of the innocent children and men who risked there lives

Assad and putin prove there is no god . Just mass murderers who live in opulence as they slaughter children.

"There is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again. Everything is supposed to be very quiet after a massacre, and it always is, except for the birds. And what do the birds say? All there is to say about a massacre, things like 'Poo-tee-weet?'" Kurt Vonnegut, Slaughterhouse-Five

Call it what you will, Syria's President Assad's pummeling his people with the aid of Russian bombers is genocide plain and simple. You do not want to see the blunt documentary Last Men in Aleppo if you support Assad or can't stomach The White Helmets pulling dead babies from rubble.

What you will see, however, is a first-rate rendering from the streets of Helmet heroic citizens risking their lives to save the victims of the destruction. The doc concentrates on Khaled Omar, a founder of the Helmets, looking for people to save all the time staying in contact through cell with his family. On occasion he plays with the kids at an oasis of a playground.

Therein lies the supreme irony of people trying to survive holocaust and trying to retain the dignities of normal life. As one Helmet says, "Should we sit down and cry or what?" Actually only the words of the survivors can get even close to understanding genocide in our own time, 250,000 Syrians dead since the purge began in 2011.

Although Khaled and his crew save adults as well, the children are the starkest notion of cruelty on a mass basis and the loss of future for everyone, as Khaled says profoundly and prophetically, "The dilemma is the children." Despite the discursive narration and exposition that seem to randomly course among the ruins, the cumulative effect of sorrow and brief joy is to give us an unforgettable documentary experience, even if we go back to our democratic safety zones, creating a few potholes on an airstrip while the city burns.

"The horror! The horror!" Joseph Conrad's Kurtz in Heart of Darkness

If you like to watch dead children and assorted body parts being recovered from rubble, boy, do I have the movie for you! As you might imagine this is a very hard documentary to watch, especially the beginning as you get used to watching horror after horror that is the everyday life of these people living in Aleppo, during the Syrian civil war. The movie follows the lives of some of the White Helmets, an organization that was founded to help people in need during wartime and has been subject to a lot of conflicting information, some even claiming them to be terrorists, although every piece of evidence points to them just being a mostly humanitarian organization. As for the movie it is extremely well made, and the directors have a very cinematic approach both to shooting and to editing making it look just as good as any war movie blockbuster. And that helps it hit even harder when all the horrible imagery starts showing. My one complaint about the movie is that the middle part drags a little as it gets a bit tiring watching rubble after rubble, but it was necessary to show how these people lived and makes the final gut wrenching moment a bit more poignant. That ending puts the film into a new perspective and offers little to no hope about the subject. It is a wonder how they managed to make this movie and capture these unfortunate events on camera.

Full review on my blog max4movies: De sidste mænd i Aleppo (international title: Last Men in Aleppo) is a documentary about the White Helmets, a voluntary nonprofessional organization in Syria that has been helping people after bomb attacks since the civil war started in 2013. The documentary features footage that was shot between 2013 and 2017 and mostly focuses on three young men and their dilemma whether to stay or leave Aleppo. There is few information provided and no additional material was used (like interviews or external media coverage), which is why the documentary feels authentic but also raw. The conflict in Syria is a contemporary geopolitical crisis and, thus, the documentary is topical, important, and although few scenes actually contain graphic violence or gore, the catastrophe feels personal and heart-breaking. Although there are some technical drawbacks (e.g., structure and editing), the subject matter is simply too important to disregard.