La Douleur

"Memoir Of War" is a woman's picture in the true sense of the term. Women can understand the agony of waiting for their husband or other male relative to return from war, or in this case, from a concentration camp. Waiting and waiting and waiting - for some word, some hope, some encouragement. Daily trips to the train station provide no help as day after day goes by. Melanie Thierry is outstanding as Marguerite, who waits patiently for her husband to return. The war is over and she scans the returnees at the train station each day.

It is not a war picture in the strict sense of the term and there are no battle scenes, or even a fight worth mentioning. It is a character study ... but c'mon. Enough is enough. The film could have used a heavier hand in the cutting room, as it is about 30 minutes too long. I was beginning to hope he would show up dead or alive and end the interminable wait. I base my rating on the caliber of the acting performances, especially Ms. Thierry and Shulamit Adar, who plays a neighbor who comes to stay with her. But for these outstanding performances I would have opted for a six rating.

7/10 - Website no longer prints my star rating.

War causes pain in many ways. La douleur focuses on one that usually goes unnoticed. It is a character study of Marguerite, a woman waiting for her husband who has been arrested by the Germans and nobody knows what happened to him. Is he alive? Is he dead? The only thing she can do is torturously wait without having any clue. She desperately tries to get a French agent's help, but deep inside she knows it's a vain attempt.

The movie succeeds in creating the surreal feeling of "freezing time". Days are endlessly passing by and she isn't living, she is just a detached observer. This effect is done through the extremely slow narrative, Melanie Thierry's performance, the camera work (e.g. Many closeups, or the scene where she looks herself in the mirror, an outsider in her own life).

The book isn't an easy read, it feels like being trapped into the author's head: this can be a problem because entering another person's subjectivity is always tricky and a source of misunderstanding.

The movie suffers from the same problem and this is why I didn't really like it. The voice over is extremely pervasive (we're bordering audiobook territory here) while nothing, or almost nothing, happens on screen.

In short, watching this movie without having read the book would be a pointless experience imho.

I've watched some rubbish/flawed films and have found something to help me work around whatever was wrong with them. This film had nothing. It was slow, and boring. The characters weren't interesting me and I didn't like the cinematography. The overall look of the film was drab and grey.

On paper, this film is condemned and doomed to failure. A story about a writer (Marguerite Duras) and her internal dialogs about the waiting of her husband's return (member of the French resistance) could only be seen as something rather repellent. However, the fact that Emmanuel Finkiel delivers a heartbreaking film about this waiting is in itself astonishing and makes this film valuable, rare and beautiful for sure among the must see films' list of 2017. So how come did Emmanuel Finkiel end up with such a good movie ? Well there are several ingridients of course , but one of the secrets leans on the fantastic actors the film features and the way the characters were written: Melanie Thierry as Marguerite Duras of course, way above all the rest, so unsettling and seductive, torned apart and brave, but also, quite surprinsgly Benoit Magimel (recently so deep and good actor in recent years) with a deep twisted role of a cop you never end up to decipher completely. All this is accompanied by a beautiful and genuine reconstruction of the ocuppied Paris back in the early forties and the creative camera inventions the director resorted to during the film actually allow to maintain the supense you would not have expected from such a movie by revealing little by little the diferent feelings Marguerite Duras (the writer) came through (specially her twisted feeling towards her lover and the husband she must wait). Thanks to all this we can comprehend the unexpected turns of the historical events through the eyes of a "resistante" (Marguerite Duras), we live the waiting, the environment, the mood o the people in the ocuppied Paris, the suffering of the people, the watershed of history when the fear suddenly changed sides, the political commitment that some people decided to have and the one that others decided to avoid at all cost, all this is perfectly pictured, illustrated, narrated described and depicted with a true authenticity that never bore us despite the theme of the film. Melanie Thierry once again is just amazing (quite unfair not to give her the Cesar award for that utterringly good performance), we suffer with her, and never abandon her pain (the real title in French means pain). A great adaptation on screen and a very emotional moment . I recommend !