Les goûts et les couleurs

If you want to come out - you better be sure. On the other hand, I always wonder why it has to be a binary choice. For those who are "different" that is. Maybe there is love for more than just one gender there - bisexual is not something to be ashamed of or that should be kept under the covers (no pun intended).

That all being said, there is more than just human drama here. Relationships and everything in between is up for grabs (again no pun intended). It's never easy to admit or come out. At least for the time being - stigma and all that.

Nice story and well acted too.

I think this is a nice little movie to watch without too many expectations: personally I found it a lot better than the average American comedy. I found interesting that, apart from the plot that is a bit surreal, they depicted the life of average European people in an European environment. A French Jewish family, a French-senegalese chef that is divided between an emancipated life and career and his family that wants to marry him to a Senegalese girl. I think that not everything has to be black or white, religion and sexuality for example can have a lot of shades. It's easier to see them in black or white but not everything can be described with a color or with a shade that already exists. Anyway, the plot is still a bit surreal, but it's a movie! A comedy! Come on! I think it's really enjoyable and Jean-Christophe Folly is superb

I can't even begin describing how bad this movie is. I feel like I should watch it again to pinpoint every terrible aspect of it on a review, but that would be torture. I'll contain myself about several aspects of the plot itself so that this review is spoiler-free and hopefully some people who'd watch it save their time.

The personality of the main character, whom we follow throughout the movie, will annoy you beyond limits. They try to put humor on a bunch of scenes in which she's about to say important things that the movie builds itself around - but because of that, she always gets interrupted on a childish way. People just keep talking her over with random shenanigans and she stands there with an "oh my God" face that was supposed to make you laugh - I think - but just feels feigned and far-fetched. She also goes round and round not really doing anything the whole movie. It feels like she's all the time reacting to things and situations that she's driven to - which is confusing, since she's the main character and therefore is always going places, reaching out to people, having conversations, but on a passive let's-see-what-happens-here kind of voice. All the other characters also have their own flaws, the common ground being how superficial they are. We have a lot of characters in this movie. They all have very shallow backgrounds that serve the purpose of being active towards the life of our laid-back protagonist, who's too stranded to say for once what it is that she wants/feels/thinks. And the worst part is that it's all so confusing that WE never really know what she wants or who is she, which causes most situations on the movie to be completely out of logic.

Also, ALL relationships are completely devoid of chemistry. They talk a lot about feelings, love, marriage, commitment, but it seems like the movie is trying to sell us all that by showing some tears in certain scenes. I couldn't root for anyone, there was no room - all depictions of romantic interest are as shallow as the characters itself. I just felt all the time like I wanted to see where the movie was going to end up, since it seemed to go nowhere. Actually I can say that I did get surprised at the ending, because I woundn't think that they could make it even more senseless. But oh man... They. Did.

Extras: This movie brings LGBTQ relationships in the plot, and they are depicted the worst way possible. The sinopsis of the movie tell you already that there's two women on a relationship and one of them falls in love with some guy, right? Well, try to imagine the worst scenario of a plot like that. That's the way. Her brother is gay as well and they could have just placed his relationship on a corner as everyone else's, but they decided to show a scene in which the couple seem weird kinky guys who are into weird-laughable stuff (but it never gets explained - let's just leave it there, someone will find these weird gay fellows hilarious). Almost all the perfomances are just OK. No big moments of acting, nothing remarkable. Except for the mother's character. That's terrible.

Contrary to the negative reviews, I found this terrific, sweet and moving, full of twists and confusions fit for Shakespeare. I could not stop laughing. Yes there are some improbable moments, but the charge of stereotypes seems unfair, I would rather say realistic. There were two less than ideal points - I thought Claire's initial reaction was a bit overwrought, and the ending was not very plausible. Agreed I am only LBTGQ sympathetic, but the dynamics seemed real enough and the ups and downs poignant.

Simone (sarah stern) wants to come out to her family, but its not easy. The english dubbing is pretty bad... it's not only way over the top, but it's not close to what they are actually saying en francais. At one point, the boss says' You're late... it's 9:15... but the captions said 9:20." they couldn't even get that right. And they do that twice! Simone's brother has already come out to the family, so what's the big @@##%% deal? Simone seems to be extra close to the chef at their favorite restaurant, so what's up with that? Will it interfere with her relationship ? Need some explanation. Will she ever come out to her family? Pretty silly, but entertaining. Directed by Myriam Aziza. According to imdb, filming took place in 2016, but it wasn't released anywhere until 2018. Must be a story there. This whole premise is kind of silly now... most of europe has no problem with the gays and gay marriage at this point.