En frygtelig kvinde

If you don't look after your self, and who you are as a person, you are in risk of loosing your self. This movie shows all the warnings before you are inside the event horizon, where it is almost impossible to get back.

First, you have to thank the creators of the film for their courage in times when it is a politically correct opinion that women are the "better" people to make such a movie. There are very few countries in the world where freedom of thought and speech is as normal as in Denmark.

This film is a very deep analysis of female subtle exercise of power. A film to which you can attach two more parts. I hope that this film is not only in Denmark in the cinema.

It is not understandable when the critic simply asks himself if the director hates women. Even if it were so, what should be inferred from it? Is this supposed woman-hater put on the politically correct wall? There are currently hundreds of correct films about strong women fighting bad guys. Are these all male haters? It does not matter if anyone hates women or not. It's about a perfect analysis of female behavior, presented here in a comedy with much bitter truth. Not more!

At the post-screening of the film in Lübeck (nordic film week), the women who spoke out praised the film very much. A psychiatric doctor (a woman...) has even confirmed that control delusion and subtle exercise of power is a typical diagnosis among women. The director's brother was very surprised ...

What should love be? Is love respect or domination? A great cinematic analysis with bitter humor from a male perspective was created here.

I wish all people to open their eyes and creatively allow a new sovereign and free discussion on the gender war. This film is a milestone on this meaning.

I've been there and done that. I'm just very VERY happy we never moved together and sold my apartment or had a baby. Phew!

People are calling Rasmus weak or "wet" but in reality it is not that simple to be rational I'm afraid. You're in a kind of bubble. And I'm NOT weak or stupid etc.

People told me to leave her many times. Friends and family both. But I loved her and we did have some nice moments. Though short lives.

One day she drove me totally nuts and I screamed so much I couldn't speak for days after. It almost became violent. In that moment I realized it was over for me. Some people don't realize it until it's too late.

So guys, beware of the signs. If she makes you become a worse version of yourself. If you are more often unhappy than happy with her. If you argue more than laughing. Leave!

This move made me feel even better about my decision to leave my ex.

A question many viewers may have on leaving A Horrible Woman (2017)is whether the film's title is meant to be ironic or judgemental. Today's gender politics make such questions inescapably loaded but this film can also be read as a portrait of perfect complementarity between the sexes.

A simple plotline keeps the focus on its two principal characters. Likeable bachelor Rasmus (Anders Juul) envies his friends' long-term relationships yet values his freedom until he meets the beautiful, vivacious, and interested Marie (Amanda Collin). They are well matched: she is forward and assertive, he is quiet and compliant. Each time she advances into his emotional space, he yields ground. She moves into his apartment and changes everything, while he squirms but is powerless to act.

We observe the story through two frames: one is through the eyes of friends who envy Rasmus his good fortune; the other is through his own diminishing sense of self. The more she deploys femininity to manipulate him the more he meekly acquiesces. In two different scenes, asMarie reaches new thresholds of control, she makes eye contact with us, the viewer, in a "look at what I can do" moment. Chillingly, this conscious duplicity may also be a signal of mental illness and it leaves no doubt that Marie is conscious of her power. Rather than sympathise with her victim, his weakness tempts us to think he deserves what she dishes out. The story takes a few twists and turns through his attempts to stand up to her, but his efforts are not enough to alter the narrative arc of his emasculation.

What are we to make of this unusual film? The director has been attacked as a misogynist, but the recognisability of Rasmus and Marie and their complementary characteristics makes this a broader study of relationships, rather than just another gender battle. They could have swapped gender and the story would play out with as much veracity, but perhaps less entertainment. If this is a valid litmus test, then the film rises above gender discourse.

The performances of the two stars are exemplary. Amanda Collins excels across her repertoire of feminine wiles while Anders Juul is her perfect guileless pawn. The filming style is claustrophobic Nordic domestic drama, with enough black humour to lighten its load. This entertaining study of gender roles makes you wonder how the planet has survived so long.

"A Horrible Woman" directed by Christian Tafdrup is an utterly realistic depiction of abusive relationship tendencies, seen through the perspective of protagonist Rasmus.

Both leads deliver convincing performances of these aspects of human behavior, and the abuser's gender is not solely important in my view. Much more so are the psychologically regressive and detrimental forms of behavior that are presented, and which both the film's characters and we as viewers are forced to reflect upon.

I think this is an intelligent drama shedding light on some of the unhealthy habits and patterns that many of us have come across in life, and without relying on cliches, the film concludes open-endedly.