I guardiani dei mondi

...as intention. Because , it has beautiful premises, an interesting story and a lot of CGI effects. And a nice cast. But, scene by scene, it becomes a montagne russe. From the high level to the down. Once. And again. The best part- the resurrection of the memories about fairy tales. Including Russian . The worlds, the order keeper, the fundamental change of life - a fear of each from us- are good points . But the problem becomes with the wrong use of obsessive love story. Sure, Dante and Beatrice or, maybe,"What Dreams may Come". But the entire architecture of film is brocked. Sure, a seductive idea with high potential. But not enough for be credible. And real seductive.

Sergey Lukyanenko's books are a treasure trove of ideas, and should lend themselves well to adaptations. Night Watch was a good one. Chernovik, however, is a mess. Too much has been crammed into a single movie. The visuals are spectacularly, but the numbers of characters, worlds, the weird transitions, the lack of character development or even fleshing, makes it nearly impossible to follow. Paradoxaly, the rhythm lulls several times in the movie, and keeping attention is difficult. Too bad.

The main character starts off doing well but things start to go a bit wrong as the plot develops. From the start, a Sci-Fi film is revealed.

There's an annoying blonde in the film who is integral to the story, acting like a nemesis to the main character. She's fairly wooden in acting ability but also needed to counter the 'hero'.

The first half of the film is damn good. Has some decent action, visual effects and a good sense of direction. If the film had stayed on this course, it could've quite easily scored 8 or more as it really entertains.

However, the second part of the film is just odd, muddled, and let's the film down. The point of the plot, characters, etc, are just thrown away. Yes there are more action scenes but they seem to be sprinkled into the film at random.

Overall, this isn't a stinker as many other reviews seem to point out, but it does suffer from a weak second half.

As a big fan of Lukjanenko, the author of the book and the book itself, I so wished the movie would be any good. But unfortunately it isn't. And I am very sad to give this review

First of all I would like to thank the author for a great story. For some reasons this book puts me in a special mental state, so I have listened to an audio version of it more than enough to know the story by heart.

Now about the movie. My major complain goes to the screenwriter. Almost all story lines and characters, including the main ones were changed so heavily, that the whole thing stopped to make any sense after the first 30 minutes of the movie. I probably said "whaat the hell??" 100 times watching the movie. Somehow, to my regret, bad screenwriting became an epidemic in the russian movie industry. It's like they think that if they add some visual effects to the movie, they are justified to make a sloppy work on the story, which is what a good movie is actually always about. Common guys, that is just a lazy thinking!

Ok, you might say that I am biased by the book and it's always difficult to convert a book to a movie. So what if you haven't read the book? To that I would say - it will be even worse to watch, because you will just fail to understand what the hell is going on. Characters suddenly start talking about things and calling names you've never heard before. In my opinion you will not understand motivations and the logic, so you will be left to sit and wonder who is doing what and why.

My advise - skip the movie, read or listen the book.

Kirill (Nikita Volkov) has a great life as a very successful video game designer; he has lots of friends, loving parents and a beautiful girlfriend, not to mention a loyal dog. But one evening when he returns to his apartment, he finds a stranger there - a woman named Renata (Severija Janusauskaite) who insists that the apartment (and the dog) belongs to her. In trying to straighten the situation out, Kirill soon discovers that all of his documentation has somehow disappeared from official records, his boss doesn't know him and worse, neither do his friends or even his parents. He is now at the mercy of Renata, who instructs him to go to a tower, where he will serve as the customs officer, opening doors to other worlds. And he's very good at what he does.... This sketchy description barely scratches the surface of this film, which is full of gorgeous imagery (steampunk vehicles, graceful dirigibles and terrifying flying matryoshka dolls) and out-of-this-world fight scenes. Really fun stuff, if bewildering at times.