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L'evoluzione di Elvis Presley come musicista e come uomo.L'evoluzione di Elvis Presley come musicista e come uomo.L'evoluzione di Elvis Presley come musicista e come uomo.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
Elvis Presley
- Self - Musician
- (filmato d'archivio)
- …
Steve Allen
- Self
- (filmato d'archivio)
Ann-Margret
- Self
- (filmato d'archivio)
Chet Atkins
- Self
- (filmato d'archivio)
Chuck Berry
- Self
- (filmato d'archivio)
Bill Black
- Self
- (filmato d'archivio)
Mae Boren Axton
- Self
- (filmato d'archivio)
James Cotton
- Self
- (filmato d'archivio)
Floyd Cramer
- Self
- (filmato d'archivio)
Arthur Crudup
- Self
- (filmato d'archivio)
Michael Curtiz
- Self
- (filmato d'archivio)
Bud Deckelman
- Self
- (filmato d'archivio)
Recensioni in evidenza
Sometimes it's hard for anyone born after Elvis' death to understand what was so special about him, what the mania was about, especially when we only see his later image repeated all the time. This two-part documentary lovingly follows Elvis' spirit, the essence that made him special, throughout all the stages of his life.
It starts with his roots as a boy who lived in poverty but also immersed in music, into his first success as a raw traveling talent, to his shooting success, his plateau into commercial mediocrity, then his reemergence as a larger than life superstar before his decline. It gives a more critical perspective into the musical elements and the artistic agency that really made his music stand out and influence the industry.
The Searcher is a refreshing change from the sensationalist biographies that just want to focus on his explosive success and zoom in on his weaknesses. At the same time, it does gloss over some of those darker elements - making it a slightly incomplete biography.
I personally didn't enjoy the artistic effect occasionally used of showing Elvis clips in an empty room, dressed as a household of the 50s, 60s or 70s. I suppose they were supposed to have a pensive or nostalgic effect, but to me they would momentarily drain the energy out of what is mostly a lively documentary.
Part one is the better part, especially because it's where Elvis' deep roots and passion in music are explored, whereas part two is a bit of an awkward dance between acknowledging his decline while also trying to remain full of praise. The whole thing could have likely been cut into a single 2-hour film instead of two 1.5-hour pieces.
All told, this is a great film to connect younger audiences with the historic and magical legacy of Elvis Presley, looking past the surface and the gossip to see a special man.
It starts with his roots as a boy who lived in poverty but also immersed in music, into his first success as a raw traveling talent, to his shooting success, his plateau into commercial mediocrity, then his reemergence as a larger than life superstar before his decline. It gives a more critical perspective into the musical elements and the artistic agency that really made his music stand out and influence the industry.
The Searcher is a refreshing change from the sensationalist biographies that just want to focus on his explosive success and zoom in on his weaknesses. At the same time, it does gloss over some of those darker elements - making it a slightly incomplete biography.
I personally didn't enjoy the artistic effect occasionally used of showing Elvis clips in an empty room, dressed as a household of the 50s, 60s or 70s. I suppose they were supposed to have a pensive or nostalgic effect, but to me they would momentarily drain the energy out of what is mostly a lively documentary.
Part one is the better part, especially because it's where Elvis' deep roots and passion in music are explored, whereas part two is a bit of an awkward dance between acknowledging his decline while also trying to remain full of praise. The whole thing could have likely been cut into a single 2-hour film instead of two 1.5-hour pieces.
All told, this is a great film to connect younger audiences with the historic and magical legacy of Elvis Presley, looking past the surface and the gossip to see a special man.
It's amazing how many people now think of Elvis only as a caricature, with a few hit songs and girls screaming in front of him. This documentary goes a long way in helping those who don't know why Elvis was a pioneering artist, why he was so much more than just an early rock and roller, how he re-imagined the blues, country and even bluegrass into a form uniquely his own. Much like his life, the pre-Army years are the most interesting. I wish they had interviewed more contemporaries - surely there are people still alive who were actually at some of these concerts, tapings, etc.? I so appreciate the film-makers making it clear that Steve Allen was attempting to humiliate Elvis and kill rock and roll - he definite deserves "credit" for that attempt. The doc also gives a good view of Colonel Parker - why Elvis picked him to manage him, why that absolutely was a great idea early on but how it turned disastrous at the end and how, for all the great things he did for Elvis early on, he ruined his career, and perhaps his life, at the end. What a shame that, at the time of this doc's release, the 1968 Comeback Special isn't available on DVD (unless you are willing to pay someone almost $100 for it) - this doc made me so hungry to watch it again (haven't seen it since a NYE broadcast in Germany back in 2007 or so).
I'm not a huge Elvis fan, but the lovingly in-depth, full scope of this 2-part documentary got me closer. I of course knew about much of it (his days at Sun Studios, the unfulfilling Hollywood years, his "larger"-than-life Vegas swan song), but it shined a light on so many things I didn't know. The rock lifestyle didn't get him addicted to pills; the army did. His extreme stage fright after getting back to music. His entire relationship with malicious Tom Parker.
Elvis Presley - bigger than life. If you are a fan, you may know certain things portrayed here. But just hearing the music and seeing him (perform) and hear others talk about him ... well I'd say it is more than worth your time. This is or at least seems as in depth as one can get. We see him, but we hear so many other people - wife, associates, people who worked with him and so many more.
While I would call myself a fan, I had no idea how the leg shaking was born. There are anecdotes here, the highs, the lows and everything in between. But most of all we get as much into his mindset as is possible, without him being here to tell us.
He combined music styles ... he was a rebel and yet he had to stay in his lane (see his movie career and other things he had to sacrifice). Producers hiring him for his music rather than his acting abilities ... the pressure that got to him ... there is so much to unpack here. It's such a shame Elvis left the building ... way too soon! Still as many will probably agree with me in saying this: Thank you ... thank you very much!
While I would call myself a fan, I had no idea how the leg shaking was born. There are anecdotes here, the highs, the lows and everything in between. But most of all we get as much into his mindset as is possible, without him being here to tell us.
He combined music styles ... he was a rebel and yet he had to stay in his lane (see his movie career and other things he had to sacrifice). Producers hiring him for his music rather than his acting abilities ... the pressure that got to him ... there is so much to unpack here. It's such a shame Elvis left the building ... way too soon! Still as many will probably agree with me in saying this: Thank you ... thank you very much!
This documentary was made by people who love music, it's origins and roots, and Elvis himself. From that startpoint, a fair thing to say would be that it accomplished almost every aspect meant for a piece of this kind: entertain, inform, deliver his music, to show unknown footage, and get you closer to the subject himself.
As it's told in chronological order (with the exception of inserts from the 1968 special very well placed as the turning point it was), you get to know some special aspects related to the music, his state of mind, and the importance of it's roots.
For me, one of the key aspects, it's that there's no images of people offering their interpretation or opinions, only voiceovers from Bruce Springsteen, Tom Petty, Red West, Ike Turner, Emmy Lou Harris, and Priscilla Presley; who clearly appreciate y loved his music.
This reinforced the value of the outtakes, films, early recordings and photograps which where choosed with and evident mastercraft and respect.
The only dissapointment was that there's little mention to the most negative aspects of the person as it as (the infidelities, the camp aspects of his period in Vegas, karate, etc); but at the end it doesn't cloud the fact at hand: he was an ARTIST, a sensitive person, and a full entertainer.
I recommend this documentary, because it made me feel i discover some aspects of him worth knowing.
As it's told in chronological order (with the exception of inserts from the 1968 special very well placed as the turning point it was), you get to know some special aspects related to the music, his state of mind, and the importance of it's roots.
For me, one of the key aspects, it's that there's no images of people offering their interpretation or opinions, only voiceovers from Bruce Springsteen, Tom Petty, Red West, Ike Turner, Emmy Lou Harris, and Priscilla Presley; who clearly appreciate y loved his music.
This reinforced the value of the outtakes, films, early recordings and photograps which where choosed with and evident mastercraft and respect.
The only dissapointment was that there's little mention to the most negative aspects of the person as it as (the infidelities, the camp aspects of his period in Vegas, karate, etc); but at the end it doesn't cloud the fact at hand: he was an ARTIST, a sensitive person, and a full entertainer.
I recommend this documentary, because it made me feel i discover some aspects of him worth knowing.
Lo sapevi?
- QuizIn 2014, Priscilla Presley, the ex-wife of Elvis, began discussing (with the singer's close friend Jerry Schilling) the prospect of an honest telling of Elvis' story through his music.
- Citazioni
Bruce Springsteen: An artist like Elvis is, rather than pretending when he goes out on the stage, he's actually pretending when he's home to be normal. And when he goes out on stage at night, that's who he actually is."
- ConnessioniFeatures Stage Show (1954)
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- Elvis Presley: Buscador incansable
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- Tempo di esecuzione
- 3h 25min(205 min)
- Colore
- Proporzioni
- 2.39 : 1
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