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IMDbPro

HyperNormalisation

  • 2016
  • 2h 46min
VALUTAZIONE IMDb
8,2/10
7972
LA TUA VALUTAZIONE
HyperNormalisation (2016)
Adam Curtis explains how, at a time of confusing and inexplicable world events, politicians and the people they represent have retreated in to a damaging over-simplified version of what is happening.
Riproduci trailer2:56
1 video
12 foto
Un documentario

Aggiungi una trama nella tua linguaAdam Curtis explains how, at a time of confusing and inexplicable world events, politicians and the people they represent have retreated in to a damaging over-simplified version of what is h... Leggi tuttoAdam Curtis explains how, at a time of confusing and inexplicable world events, politicians and the people they represent have retreated in to a damaging over-simplified version of what is happening.Adam Curtis explains how, at a time of confusing and inexplicable world events, politicians and the people they represent have retreated in to a damaging over-simplified version of what is happening.

  • Regia
    • Adam Curtis
  • Sceneggiatura
    • Adam Curtis
  • Star
    • Adam Curtis
    • Donald Trump
    • Vladimir Putin
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    7972
    LA TUA VALUTAZIONE
    • Regia
      • Adam Curtis
    • Sceneggiatura
      • Adam Curtis
    • Star
      • Adam Curtis
      • Donald Trump
      • Vladimir Putin
    • 39Recensioni degli utenti
    • 7Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 2 candidature totali

    Video1

    Trailer
    Trailer 2:56
    Trailer

    Foto12

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    Interpreti principali53

    Modifica
    Adam Curtis
    Adam Curtis
    • Narrator
    • (voce)
    Donald Trump
    Donald Trump
    • Self - Businessman
    • (filmato d'archivio)
    Vladimir Putin
    Vladimir Putin
    • Self - Russia Leader
    • (filmato d'archivio)
    Victor Gotbaum
    • Self - NYC Workers League
    • (filmato d'archivio)
    Patti Smith
    Patti Smith
    • Self - Singer
    • (filmato d'archivio)
    Henry Kissinger
    Henry Kissinger
    • Self - US Secretary of State
    • (filmato d'archivio)
    Hafez al-Assad
    Hafez al-Assad
    • Self - President of Syria
    • (filmato d'archivio)
    Thomas Schelling
    Thomas Schelling
    • Self - Economist
    • (filmato d'archivio)
    Soraya El-Hayan
    • Self - Syria Social Affairs Minister
    • (filmato d'archivio)
    Leslie Gelb
    • Self - US Department of Defense
    • (filmato d'archivio)
    Ronald Reagan
    Ronald Reagan
    • Self - President of the United States
    • (filmato d'archivio)
    Nancy Reagan
    Nancy Reagan
    • Self - Ronald Reagan's Wife
    • (filmato d'archivio)
    Ayatollah Khomeini
    Ayatollah Khomeini
    • Self - Ayatollah of Iran
    • (filmato d'archivio)
    • (as Ruhollah Khomeyni)
    George Pucciarelli
    • Self - US Navy Commander, Chaplain
    • (filmato d'archivio)
    Timothy Leary
    Timothy Leary
    • Self - Psychologist
    • (filmato d'archivio)
    John Perry Barlow
    John Perry Barlow
    • Self - Electronic Frontier Foundation
    • (filmato d'archivio)
    Phiber Optik
    • Self - Computer Hacker
    • (filmato d'archivio)
    Muammar Gaddafi
    Muammar Gaddafi
    • Self - Ruler of Lybia
    • (filmato d'archivio)
    • (as Muammar Gadaffi)
    • Regia
      • Adam Curtis
    • Sceneggiatura
      • Adam Curtis
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti39

    8,27.9K
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    Recensioni in evidenza

    thomasjay-2201

    Eye Opening

    A fascinating dive into the current world of politics and the vast significant changes worldwide over the past 30-40 years which have seen a change in systems and beliefs. This documentary provides the facts behind political conflict and gives reason for particular events which have triggered truly shocking outcomes. The run time might be off putting but this is an important watch
    UNOhwen

    I've been saying this for a long time now...

    Chillingly accurate.

    My Curtis is probably the most accurate - devastating documentarist I've ever seen.

    I think Mr Curtis' ouvre is a visual record on part with the witness of Malcolm Gladwell, and though they're interests differ,, these 2 are supporters of the tent poles which hold us up - personally and as a race.

    Watching, I find it difficult to not watch, but, for every brake in his narrative, I'm almost fearful to continue watching.

    I've always said there's nothing more chilling than realty.

    If you're sometime who wants to begin to understand, 'wtf is going on with this works and how had it happened?' here it is.

    I don't want to say to much, aside from this is truly the real 'Shock of the New (to borrow, from my favourite art historian essayist, and general bad boy, Robert Hughes).
    ersbel

    I don't know what Curtis plays in between films

    I don't know what Curtis plays for fun in between film productions, but surely he is losing his marbles. And it takes a particular type of person to like what Curtis does.

    So Stage 1. New York City. The city is run by incompetents. Erase that. The incompetents are in serious debt. Keep that. The incompetents want to raise the bar and bring in some more debt, when they are unable to pay even the first part. Flash a light over this fact. Nobody wants to make business with the incompetents. Film that. So the incompetents are fired and brought to court to recoup some of the incurred debt. No way, that would be common sense! So the incompetents beg the creditors to forward some more money. The creditors, surprisingly, want to have some of the money back, unlike the taxpayer. So the creditors ask for an overview of the spending. Boom-boom! Conspiracy alert! And can you imagine? For the first time the financial committee has 8 bankers out of 9 people. Who has ever heard of anything like that done by the state? Accountancy should be done by pharmacists and highway construction should be left to the midwives like any good state syndicate would do. Now, if you replace banker with Jew Curtis' discourse is precisely the centuries old Christian propaganda.

    Stage 2. Patty Smith. She somehow decides to fit in the tableau instead of "changing the system." What? Right! Like the 16th century theater owners who were fighting the system by brown nosing to the king and aristocrats, like the poets who were writing poems for a bowl of soup, like painters satirizing their patron's religious beliefs. Oh! What days of decadence Mr. Curtis has lived.

    And so on, for almost three hours. Nice story. So the voters should give more power to the... power?

    Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch
    8philw-12

    A summary of where we are and how we got here.

    I don't often write reviews on IMDb. In fact, this is only the second one I can remember doing. So why am I writing one now? Because this documentary is brilliant? No. It's very good, but brilliant would be a stretch.

    I am writing it, because this documentary is important.

    This film is long, at 2 hours 45 mins. For a documentary, you would think you'd fall asleep long before the end. Trust me, you won't. It is never boring, and at times, it's frankly mesmerising.

    In a nutshell the film tells how we have arrived in the post-truth political world, from it's origins in the 1975. It explains the complex interplay between politics, the rise of the internet, the media and social media. Using archive footage and the power of hindsight, it show's how our governments are now just controllers and managers of risk, rather than visionaries, and why you can no longer believe much of anything they tell you.

    Sounds like a conspiracy theory right? It isn't. I pride myself on being a rational thinker. I studied science at uni. I'm not religious and I take pleasure in debunking the ridiculous conspiracy theories you see on the internet. This is different. Not because he backs everything up with sources and evidence, but because if you are old enough, you will remember the events, and you will know it makes sense.

    I gave this 8/10. Would have been 7, but I think the importance of the subject matter warrants a bonus point. It could have scored a ten, but as I said, I'm a trained scientist, and I value evidence. The film is let down by the absence of enough hard proof. It left me with the feeling that it's absolutely spot on, and that I already knew what it is telling me, but just hadn't admitted it to myself. However, I feel that it will leave many, especially those of the more conservative persuasion, saying "where's the evidence?"

    Some more hard facts; documents, interviews with insiders, anything, would have helped to convincingly drive the point home. That said, if you're looking for something that will make you think, you'll certainly get that.
    bob the moo

    Flawed but fascinating in its polemic presentation

    At the core of this film is a message which I think we can all appreciate; that the world is complex and filled with diversity but at the same time we are encouraged by our media, hobbies, and politicians, to believe it is much more black/white, and not to expose ourselves to views that contrast with our own. This is not new unfortunately – the politics of the right/wrong is everywhere, and the echo chambers of Twitter, CNN, Fox, and many other "people who liked this also liked these" type tools – it is pretty clear where we are. How we got here is more interesting, and there are worse ways to explore it than to allow Adam Curtis to have a run at explaining it.

    The way he does it here is as compelling and confusing and frustrating and flawed as one would imagine; it really succeeds in making some of his other work look like the tightest factual presentation ever. In almost three hours we explore the story by touching on Gaddafi, Ayatollah Khomeini, the internet, politics, Donald Trump, 1970's Russian sci-fi; the Arab spring; perception management, drugs, Brexit, UFO conspiracies, Twitter, and so on. Often the links are tenuous, but Curtis structures it really cleverly – we are given chunks of facts in a presentation that makes sense, and as a result we accept the links even as they jump countries and decades.

    The downside is that many will be turned off because this is polemic incorrectly presented as a documentary. It is not the latter but as the former it works very well. Although it runs to almost 3 hours, I did not find it boring, but rather found it quite compelling in its message and the manner in which it is presented. The strength of the film to me was not that it convinces in every word, or that I agreed with it wholly but rather that it gave me plenty to think about. It helps that I am old enough to remember many of these events – to have seen the shifting political allegiances, to experience the moments, and to feel like they were not organic in all cases.

    HyperNormalization is a niche film – it did not even make it not a BBC channel but rather was put on the streaming service directly. It is not as smart as it wants to, but it is engaging and interesting whether you agree with all of its assertions or not.

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    • Quiz
      The term "hypernormalisation" is taken from Alexei Yurchak's 2006 book Everything was Forever, Until it was No More: The Last Soviet Generation, about the paradoxes of life in the Soviet Union during the 20 years before it collapsed.
    • Citazioni

      Narrator: This was a new world that the old systems of power found it very difficult to deal with. In the wake of the 9/11 attacks, the security agencies secretly collected data from millions of people online. One program was called optic nerve. It took stills from the webcam conversations of millions of people across the world, trying to spot terrorist planning another attack. The program did not discover a single terrorist, but it did discover something else.

    • Connessioni
      Featured in Russell Brand the Trews: HyperNormalisation: Trews Special Edition (2016)
    • Colonne sonore
      The Vanishing American family
      Written by Scuba Z

      Interpreted by Scuba Z

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    Domande frequenti13

    • How long is HyperNormalisation?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 16 ottobre 2016 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Siti ufficiali
      • bbc
      • Official Blog
    • Lingue
      • Inglese
      • Russo
    • Celebre anche come
      • Гипернормализация
    • Luoghi delle riprese
      • New York, New York, Stati Uniti(Establishing shots, aerial views, Underground scenes, Citicorp headquarters building and inside offices, WTC North and South Towers in night aerial view, Trans World Bank headquarters building in day aerial view, Manhattan and the Statue of Liberty in aerial view.)
    • Azienda produttrice
      • British Broadcasting Corporation (BBC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 46min(166 min)
    • Colore
      • Color

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