John Wick 3 - Parabellum

Following on from two deliriously entertaining, visually gorgeous and blissfully simplistic thrillers, John Wick: Chapter 3 - Parabellum keeps up the franchise's unique appeal in stunning fashion. Complete with electrifying action, beautiful cinematography, a pulsating score and a great sense of humour, the film is pretty much as purely joyful as action thrillers get, and proves two hours of brilliant entertainment.

Before I get into all of that, though, one of the greatest things about this franchise is just how simplistic it is. You may have seen John Wick and John Wick: Chapter 2, you may not have done. Going into this third film, however, it's all pretty irrelevant, and while the first two films are certainly worth your time, absolutely anybody can go and watch this movie without any prior knowledge, and simply sit back and watch the fireworks.

The plot is effectively laid out for you in the first ninety seconds of the movie. John Wick is excommunicated, and there's a $14m bounty on his head. That's it. Following that brief bit of exposition are two hours of beautifully simple yet endlessly entertaining action, and while the film does keep you engrossed with its sense of mystery and intrigue surrounding this world of allegiances and deception, it's the thrill of the chase that really matters.

In that, there's almost never a moment where storytelling takes precedence over action thrills, with the movie bursting into life by way of an exhilarating opening act. However, much like the first two films, not every moment is fighting and shootouts, with the mystery, the tension and the intrigue all playing a part as John Wick encounters numerous people from his past in all manner of different scenarios.

There are moments in its middle portion that do drag a little more than others, and where the story perhaps gets a little self-indulgent, however there's no denying just how slick and purely entertaining a thriller this is regardless.

Of course, the action itself is brilliant as well. The opening act is astonishing, filled to the brim with insane action that features seamless fight choreography, brilliant camerawork and a fantastic sense of self-awareness that allows you to laugh at the most ridiculous moments. From then on, the film continues to burst into life with mad, energetic and dazzling action sequences again and again, only furthering the sheer entertainment appeal of the whole affair.

Also, there's no getting away from just how good-looking a movie this is. The camerawork in the fight sequences is certainly excellent, but it's the film's kaleidoscopic colour pallette and slick cinematography that makes it a feast for the eyes, pulling off the style of a pure pulp thriller in brilliant fashion once again, and with a pulsating, intense score playing throughout to boot, you'll definitely be on the edge of your seat from beginning to end.

All in all, John Wick: Chapter 3 - Parabellum isn't much different from the previous two movies. It isn't the world's most intricate or intelligent thriller. However, with brilliant energy, dazzling visuals, stunning action and an invaluable sense of fun, absolutely none of that matters, and it instead proves a solidly entertaining, manic and dizzyingly joyful thriller throughout.

It is 5 years since the first John Wick film - one that took me by surprise by how silly it was as a narrative, but yet how well it delivered action sequences. The second film was only 2 years ago, and it raised the stakes and went from a man seeking revenge on another group of people, into one where the world was filled with assassins, popping up from everywhere all the time. I remember ending that film feeling like it had gone too far but that the third would probably do more of that. True enough, Parabellum ("prepare for war") sees the whole world filled with assassins, and a huge administrative system around them - but yet the whole lot of them can't seem to cause John Wick too much trouble. As with the first film, this expands the world more than it can bear, and although it looks cool at times, the world makes no sense whatsoever and it hurts the film the more it relies on it (which it does as it expands it).

The simplicity of the first film is therefore gone, and the slick fun is hurt because it feels bloated in scale, and has to work to sell this unsellable world to the viewer. At its best though, the film doesn't concern itself with this and instead has nicely flowing sequences of well-choreographed violence that is well directed and performed. It is brutally violent but it is almost like a ballet to watch it. Having two cast members from The Raid films had the positive impact of having them, but there was a negative too because those films manage to deliver stakes and tension in the violence - something John Wick just doesn't manage to ever do. I enjoyed the flow and pace, but never got caught up in a fight in a way where it had me on the edge of the seat; contrast the fight with Yayan Ruhian and Cecep Arif Rahman, and the fights that the two are involved with in The Raid 1 and 2 respectively - their John Wick fight is enjoyable but their fights in The Raid movies had weight, danger, and risk.

The endless lack of consequence does make it hard to stay engaged with, and it needs it to be cool and slick so that we never connect it to the real world - but seeing people stabbed in a busy train station with people just walking by without reaction does make that hard, for example. It is still slick, quite enjoyable tosh, and very well put together in terms of fight sequences, but it does feel bloated and overlong, and could have done with a tighter world - although I guess they cannot put that back in the box after the second movie took it out. Enjoyable for what it is, but it has a lot of weaknesses that detract while watching.

..THE FILM-MAKERS, { VERY SIGNIFICANTLY }, HAVE FORGOTTEN TO ADD { " F A N T A S Y " }, TO THEIR LITTLE LIST OF GENRES APPLICABLE TO "JOHN WICK, CHAPTER 3 : PARABELLUM" .

" Life is suffering, Art is pain " ~ the Character known simply as : ' The Director ' .

This is EASILY THE MOST BRUTAL FILM I've seen in a fair bit of time. PLEASE { D O N ' T ⭐ ⭐ ⭐ } take your { M I N O R }-children/siblings/relatives/friends/wards along with you for this film. Sure the violence is 'Highly-stylized', but I can UNEQUIVOCALLY assure you : there's a seriously GRATUITOUS amount of "HARDCORE, UNABASHED, BLOODLETTING " in the picture, at EVERY-SINGLE-TURN. I just gave "MARVEL'S AVENGERS : ENDGAME" A { " FIERCELY TRIUMPHANT 10 / 10 " }, ( for crying out loud ! )..... so there's JUST NO WAY that I can, in 'All-good-conscience', give this particular cinematic-outing anything higher than a { " Resounding, Hard-Sought " } 7.25 MARKS OUT OF 10 MARKS .

NOW ON THE { P L U S ⭐ } SIDE :

The Said-Film is absolutely KNEE-DEEP IN : 1. SERIOUSLY RIP-TICKLING { & VERY, VERY TIMELY, INDEED - ! } CONCENTRATED BOUTS OF COMIC RELIEF ( SURPRISE, SURPRISE, SURPRISE ⭐ ! ) , 2. UTTERLY "MIND-BENDING" { '& SEEMINGLY NEVERENDING' } FIGHT CHOREOGRAPHY, & . . 3. SUBLIMELY "SYNCHRONIZED-TO-THE-ACTION" 👉 { NEON, FIRE-LIGHT & GENERAL SPECIAL-EFFECTS LIGHTING; OFTEN BATHING THE VIEWER IN SUPREMELY GORGEOUS COLOUR SWIRLS AND 'COLOUR-MACHINATIONS' } 👈 .....FOR THE PASSIONATE ART-LOVERS ⭐ , AMONG YOU, AT LEAST !

And believe-it-or-not , there are ( EVEN A FEW ! ) "UNEXPECTEDLY" TOUCHING MOMENTS OF UNADULTERATED, SOUL-STIRRING POIGNANCY .

The film is at the end of the day, more a SPLENDIDLY, UNASHAMEDLY-DARK "CARICATURE", then it is a mindless gore-fest .

And given that ( LITERALLY, " EVERY THIRTEENTH PERSON ! " - As depicted in the film, i.e - ) on the streets of New York City is represented as an EVIL, MURDEROUS-ASSASSIN, you would INDEED BE WISE to remember, ( where the film-makers appear to have VERY ERRONEOUSLY forgotten ), that this is, "When-all-is-said-and-done" ....

..... a pure, unadulterated ->- " F A N T A S Y ⭐ " ->- ( & THAT IS ALL ! ) ~ in order to be able to TRULY enjoy this "Veritably DARK, DARK, RED", Cinematic-extravaganza ~ TO THE FULLEST ⭐ .

About 6 months ago I saw a picture of the set of 'John Wick: Chapter 3 - Parabellum' featuring Keanu Reeves on horseback shooting at motorcyclists. It was such a great looking shot that I have been waiting eagerly to see how it looked in the actual film ever since. It did not let me down. The style this film possesses is insane. It is one of the best looking action films I have ever seen.

The pacing of this film is also incredible. It starts the action immediately and almost never lets up. I can't wait to see what the death count was in this film because it will be truly enormous. The only problem is when the death count is that high the film can struggle to keep the originality up. After a while each death starts to look very similar to the last, and the 50 before that, and it can even become a little tedious to watch.

The only other flaw I came across with the film was that John Wick is on the defence too much. Instead of being angry and on the hunt like the first two films, for the majority of the Chapter 3 he is in survival mode. Still very fun to watch, but it isn't quite the same as seeing him take brutal revenge.

And the film is brutal. I could be wrong but I don't remember the first two entries in the series making me cringe in terms of violence as much. There were some very hard things to watch at times in this movie even for me, and I pride myself on handling those sorts of things fine most of the time. One of them early on got an audible gasp from the entire audience and I saw multiple people having to turn their heads to the side.

'John Wick: Chapter 3 - Parabellum' is two hours of your life that will pass by very quickly. This is as non-stop action as films get. I think this is the third best action series currently producing movies (after 'James Bond' and 'Mission Impossible'). Will it get a third one? The first entry on the trivia page suggests no, however the end of this movie suggests yes? I guess we will have to wait to find out. For now enjoy the hell out of this one.

The continuation of the seemingly futile premise that is the John Wick saga.

Filled with many of the usual and choreographed violent action sequences you would come to expect. In between this, there seems to be an inordinate amount of bureaucracy and supposition surrounding the ominous "High Table".

For all accounts it's well made, but it's just more of the same and rather derivative of the first two. Just don't expect anything more from this and it'll do fine.