Birdshot

Birdshot is a story of small-town politics, policing and a girl coming of age.

Most people wouldn't know that the film was set around late 80s to early 90s because of the evident lack of technology. However, one can also not notice it because of the countryside (provincial) setting. The film undecidedly wants to identify as a pseudo political and social commentary flick to a youth's struggle. Despite that every scene fills a part of a whole and eventually ends predictably.

It was long ago that I started watching this and got halfway through. Now viewing it again from the start, I do see it merits and how I should watch more Filipino films. It could have ended with a more subtle and stronger final scene but predictably found itself just uncovering most who have guessed early in the film.

Birdshot, a coming of age story centered on a young farm girl named Maya (Mary Joy Apostol) who inadvertently shoots an endangered Eagle (Haribon) setting off a police investigation. On one hand, it's a coming of age tale and on the other hand, there's a good detective drama on offer here with Domingo (Arnold Reyes), a earnest rookie cop investigating missing farmers. While the two may be different genders and ages, they mirror each other in many ways. The story that has depth and beauty, juxtaposed by self effacing, unapologetic, honesty. A reflection, in many ways, of the stark Filipina outback, in which it is set.

Birdshot has a a slow yet steady heartbeat throughout that builds tension over each carefully, well-shot scene. It is a wonderfully slow paced movie that gives you time to chew on the underlying fat of what is so screwed up with the police force and the political scene in the region.

The plus side was the technical aspect, with the cinematography being the added bonus, perfectly capturing the mood in the isolated remote locations and the editing handled by the director himself.

If you're a sucker for fast paced mystery thrillers keep away from this movie. But if you desire thought provoking scenes loaded with powerful imagery without having topics shoved down your throat, seek this film out, and enjoy what it has to offer.

This film, was difficult to watch after recently seeing "Despair". Both portrayed the insane brutality, of which we humans are capable. While "Despair" was obviously a contrived work of fiction, "Birdshot" showed a very real situation in the world, where groups feel threatened enough by those in power above them, to abandon their ethical or "moral" principles to survive. It makes me ask,"Who started this chain of submission and why did no one try to stop it, before it got out of control ?". I think of Soviet Russia and how "Party" members murdered so many of their own citizens under Stalin's orders. How far down the hierarchy did this have to go , until it was too late to reverse it ? Are we so needy for social standing and recognition, that we will go along with hideous acts to satisfy this ? Do we value our brief and inconsequential lives so much, that we will not risk them to save so many others, from "immorality" ?. This film, within a very small milieu brings up these difficult questions very powerfully.

The corruption and arbitrarieness besides the lack of care for ethic and moral values shown in this film about the procedures carried out by the Filipino police must be a wake up call for the Government of this country to make amendments because of the image this movie projects to the World. The script is good, original, well structured and with a nice imagery as well as its unexpected ending to close paralell stories

Third time seeing Birdshot and I find deeper appreciation for this stellar piece of cinema after each viewing. Written & directed by up and coming (& seriously well versed) Mikhail Red, Birdshot boasts of filmmaking craft that exemplifies Philippine cinema & storytelling.

The main draw of this 2016 sleeper are the intertwined storylines of Maya, whose coming of age comes abrupt after shooting down an endangered Haribon; and Domingo, a bright-eyed policeman, hell bent on uncovering a missing persons case against his superiors' wishes. With this premise, Red takes a no holds barred approach, showcasing relevant social commentaries, corrupted justice procedures, and morality's place within these. The result is then nothing short of gripping, as real world controversies are tackled, & its impact on Red's survivalist characters, comes grounded & bleak.

Amazingly, Birdshot's engrossing plot is further elevated by the film's look and feel. For instance, Teresa Borroza's soundscapes account's for the film's eerie atmosphere & intensifies its quiet yet tension filled moments. On the other hand, with Red at the helm & the cinematography of Mycko David, the crisp & superb visual quality of Birdshot rivals that of Western films. There is as well focus on nature's beauty that offers respite from the dreariness of it all. Also, Red's screenplay is on point, with its slow & brooding tone that captures the rural setting & the film's looming themes, to perfection.

As for the acting piece, the usual inconvenience in Filipino movies, where supporting characters are far too cinematic, are once more apparent. Happily, the revelations that were Mary Joy Apostol & Arnold Reyes more than picks up the slack, conveying the drastic regression of their characters to a state of desperation. John Arcilla also puts forth another notable performance, as the seasoned vet who takes Domingo under his wing.

Overall, Birdshot marks a prominent entry among the greats of 21st century Philippine cinema. From the opening sequence to that jaw dropping ending, the thrills and suspense rarely ceases, testament to Mikhail Red's masterful direction & writing. I for one am intrigued, to see what else he has up his sleeve.