Glitch: Una ragazza vede un vecchio show per bambini degli anni '70 prendere vita. Mukbang: Influencer in una villa vedono trasformarsi due di loro in mostri. Rage: Un virus si diffonde dura... Leggi tuttoGlitch: Una ragazza vede un vecchio show per bambini degli anni '70 prendere vita. Mukbang: Influencer in una villa vedono trasformarsi due di loro in mostri. Rage: Un virus si diffonde durante una pioggia di meteore.Glitch: Una ragazza vede un vecchio show per bambini degli anni '70 prendere vita. Mukbang: Influencer in una villa vedono trasformarsi due di loro in mostri. Rage: Un virus si diffonde durante una pioggia di meteore.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
Jewel Milag
- Lyka Salvador (segment "Glitch")
- (as Jewel Phiona Milag)
Recensioni in evidenza
The movie is a great bad movie if you know what i mean, there are many serious moments where you can't help but laugh at the decisions and directing there are abit of cringe in the movie, it seems like a marvel movie at some point where the mother is protecting her children. It is a very fun movie to watch with your family because you can just laugh at the jumpscares at the movie. The movie is also very goffy and funny. The masks here also reminds me of corey taylor from slipknot. The cgi can be horrendous but i guess it's fine and not that much of a big deal. The gore isn't that scary not as scaty as other shows.
I don't understand why a big production would bother making stuff that's been done before and isn't even realistic. The gory bits don't look gory enough - the blood and cuts just seem fake, and sometimes there's blood but no cuts, which doesn't make sense. The props look so very fake too, despite the effort put into creating visually stunning scenes. The acting is bad, and the things the actors do don't make sense either. I used to love watching "Shake, Rattle, and Roll," but now it seems like they're just trying too hard to be trendy and cool for the Gen Z crowd, sacrificing quality along the way. The actors aren't believable enough for everyone to connect with, and the stories feel like they've been recycled and lack originality. Even in the old "Shake, Rattle, and Roll," despite the absence of modern technology, the movies and script writing were excellent. However, this new film of "Shake, Rattle, and Roll Extreme" falls far short of today's standards, with bad script writing, acting, musical scoring, and lighting. And it's also disappointing that the title suggests it's extreme, but it falls short of that expectation, making it feel misleading. There's a notable lack of standout performances, while the rest could use more training, their performances marred by overacting.
The legendary Filipino horror anthology is back, and this time Shake, Rattle & Roll Extreme aims to terrify a new generation with upgraded visuals, bolder themes, and a pinch of social commentary. The film presents three chilling tales-Glitch, Rage, and Mukbang-each tackling modern fears in very different ways.
GLITCH A tech-horror entry following a vlogger whose online persona begins to unravel when supernatural glitches haunt her content. It's visually arresting and relevant in today's digital age, but the story feels undercooked. It raises compelling questions about identity and the internet, but never quite sticks the landing.
RAGE Set during a mysterious comet sighting, this segment shows how a tranquil town turns violent as its residents are gripped by sudden, uncontrollable anger. It's fast-paced, brutal, and emotionally charged. However, Rage feels heavily inspired-almost like a localized version of The Twilight Zone (2019) Season 1, Episode 7: "Not All Men", where a similar cosmic event causes heightened aggression, especially among men.
Both stories explore how deep-rooted rage and toxic behavior can erupt when social filters are removed. While Rage delivers in intensity, it lacks the deeper commentary and nuance that The Twilight Zone episode offered. Instead, it leans into bloodshed and chaos without much reflection, making it feel more like a horror-thriller than a thought-provoking piece.
Still, Rage is one of the more polished and intense entries in recent Shake, Rattle & Roll history.
MUKBANG A disturbing tale about a content creator who gains popularity from extreme eating videos-until her hunger turns into something grotesque. It's creepy, weird, and almost comedic in its absurdity. Definitely the most unique and "Pinoy" of the three, and it leaves a lasting impression even if it's not conventionally scary.
Shake, Rattle & Roll Extreme is a stylish upgrade to the classic horror formula. It's a fun ride with higher production value, but not all stories deliver equally. Rage stands out for its chaos and energy, though it treads familiar ground if you've seen The Twilight Zone's "Not All Men." Overall, it's a solid entry for fans of horror anthologies who want a Filipino take on modern-day fears.
GLITCH A tech-horror entry following a vlogger whose online persona begins to unravel when supernatural glitches haunt her content. It's visually arresting and relevant in today's digital age, but the story feels undercooked. It raises compelling questions about identity and the internet, but never quite sticks the landing.
RAGE Set during a mysterious comet sighting, this segment shows how a tranquil town turns violent as its residents are gripped by sudden, uncontrollable anger. It's fast-paced, brutal, and emotionally charged. However, Rage feels heavily inspired-almost like a localized version of The Twilight Zone (2019) Season 1, Episode 7: "Not All Men", where a similar cosmic event causes heightened aggression, especially among men.
Both stories explore how deep-rooted rage and toxic behavior can erupt when social filters are removed. While Rage delivers in intensity, it lacks the deeper commentary and nuance that The Twilight Zone episode offered. Instead, it leans into bloodshed and chaos without much reflection, making it feel more like a horror-thriller than a thought-provoking piece.
Still, Rage is one of the more polished and intense entries in recent Shake, Rattle & Roll history.
MUKBANG A disturbing tale about a content creator who gains popularity from extreme eating videos-until her hunger turns into something grotesque. It's creepy, weird, and almost comedic in its absurdity. Definitely the most unique and "Pinoy" of the three, and it leaves a lasting impression even if it's not conventionally scary.
Shake, Rattle & Roll Extreme is a stylish upgrade to the classic horror formula. It's a fun ride with higher production value, but not all stories deliver equally. Rage stands out for its chaos and energy, though it treads familiar ground if you've seen The Twilight Zone's "Not All Men." Overall, it's a solid entry for fans of horror anthologies who want a Filipino take on modern-day fears.
The Philippines' longest-running horror anthology series that is always shown in cinemas during the Christmas season. However, this one felt a little flat.
For the Glitch segment, while Iza Calzado and Donna Cariaga both delivered, something about it seems off. It was dragging and messy with sub-plots that were totally ignored in hopes some of us wouldn't even notice (I did). What was the point of the beginning aka the California setting when the people aren't even related to the main characters? Good thing I noticed the Gary stuffed toy which is the only thing connecting what goes down in the story that was pure chaos. There was no character development here whatsoever and no offense, but the performances of the kids were a bit too forced that still needs a tad bit of work. This segment was the worst. Also, the title does not even fit with the plot- I think Gary or "Friend" would've been more suitable. [1/5]
Mukbang was more comedic rather than a horror storyline because of the actors' performances. Still, it has a darker side of its story with a cannibalism setting however, I think the plot twist could've been revealed at the end rather letting the audience already know in the beginning-even when some could pick it up themselves. Esnyr Ranollo was the best one here, in my opinion. If this segment had something more to deliver especially with its characters that I don't even care for, this could've been way better. Great concept, but effort was wasted a bit. [3/5]
Rage was the best. I think in every Shake, Rattle, and Roll film, they always save the best for last and this one did prove that theory. Great performances with a successful story and characters that were really developed towards the end. The characters seem tolerable, more believable, and actually someone you could care about. Love that a final girl is once again represented in a Filipino film, too. [4/5]
For the Glitch segment, while Iza Calzado and Donna Cariaga both delivered, something about it seems off. It was dragging and messy with sub-plots that were totally ignored in hopes some of us wouldn't even notice (I did). What was the point of the beginning aka the California setting when the people aren't even related to the main characters? Good thing I noticed the Gary stuffed toy which is the only thing connecting what goes down in the story that was pure chaos. There was no character development here whatsoever and no offense, but the performances of the kids were a bit too forced that still needs a tad bit of work. This segment was the worst. Also, the title does not even fit with the plot- I think Gary or "Friend" would've been more suitable. [1/5]
Mukbang was more comedic rather than a horror storyline because of the actors' performances. Still, it has a darker side of its story with a cannibalism setting however, I think the plot twist could've been revealed at the end rather letting the audience already know in the beginning-even when some could pick it up themselves. Esnyr Ranollo was the best one here, in my opinion. If this segment had something more to deliver especially with its characters that I don't even care for, this could've been way better. Great concept, but effort was wasted a bit. [3/5]
Rage was the best. I think in every Shake, Rattle, and Roll film, they always save the best for last and this one did prove that theory. Great performances with a successful story and characters that were really developed towards the end. The characters seem tolerable, more believable, and actually someone you could care about. Love that a final girl is once again represented in a Filipino film, too. [4/5]
I am a fan of shake rattle and roll since I was in elementary in the 1980s. Even though technology is not yet developed around that time, the series movies and script writing was excellent. But this new film of shake rattle and roll extreme is far way to be good in today's time with new technologies and new innovation in movie industry. Script writing is bad, actors are bad, musical scoring is not on point, lightings in some parts are bad. The only thing that good acting here is ms. Iza calzado, the rest can have more training. Lame actors, OVER ACTING that makes it bad and cringey. Bring back the old shake, rattle and roll.
Lo sapevi?
- QuizThis is the first SRR film since 9-years after its predecessor.
- ConnessioniFollows Shake, Rattle & Roll (1984)
- Colonne sonoreIsang angel
Performed by Zild Benitez (as Zild)
Words and music by Zild Benitez (as Zild), Sam Marquez and Tim Marquez
Produced by Zild Benitez (as Zild)
Mixed and mastered by Emil Dela Rosa
2022 Island Records Philippines,
A division of UMG Philippines, Inc.
A Universal Group Company
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Dettagli
- Tempo di esecuzione2 ore 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Spanish language plot outline for Shake, Rattle & Roll Extreme (2023)?
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