Stray

My Rating : 7/10

"Relating a person to the whole world: that is the meaning of cinema."

The reason cinema exists is to comfort the jolted and jolt the comforted. 'Stray'- the title is very deliberately both noun and verb - is an understated fable of loss, alienation, banishment and - maybe - hope. (From Stuff NZ)

The film uses glimpses one after the other to reveal itself. It's a buzz best enjoyed alone in darkness. I watched it at the Dorothy Browns Cinema in Arrowtown, a place near Queenstown in New Zealand.

Lots and lots of beautifully striking static framing.

It says a lot without elaboration of everything, why is it necessary to spoon-feed everything to the viewers?

It reminded me of a lot of movies and yet nothing at all. Maybe Bresson's Mouchette or the recent Manchester By The Sea or maybe a more Tarkovsky-esque chilly poetic touch albeit more straight forward and uncompromising?

The film ends itself unapologetically in an abrupt manner which flys in the face of conventional filmmaking where everything needs some degree of resolution. It doesn't leave anything open to interpretation either which I found superbly brilliant. It's effective. It isn't exploitative of its main characters which is quietly powerful too. A movie experience akin to something impossible to answer: What makes us human? When do many grains of sand become a pile of sand?

It leaves you perhaps with the same emotions the characters feel like with some semblance of a solution. A textbook slow-burn movie. Not for the average movie-goer.

This is a beautiful, art film. Really interesting long takes that slowly reveal the story to us.

Would be a huge understatement. The direction is subtle beyond probably everything. Also the writing. This work is nuanced, easy and informative even as it withholds what we thought we needed to know and came to realize we knew something else instead. It's very good and you won't really know that til after you've seen it.

In much the same way that this review nuanced, easy and informative even as it withholds what you thought you needed to know and came to realize you knew something else instead. It's very good and you won't really know that til after you've seen the film and then read the review.

The 5 stars I've given this film are very much about everything EXCEPT the plot which is sketchy to say the least. Might be a good future movie there once the full story is completed.

I expected nothing when I turned on this movie, except a decent story. And it didn't even have that. Man, this was a chore to sit through. I couldn't even get in to the character of Jack (the male protagonist) to empathise with his pain. If I'm not feeling what a character is feeling, then the story has failed its duty. Even though the actor was solid in expressing inner turmoil, I just couldn't get in to Jack's shoes to understand where he is coming from, and what's he regretting or is traumatised about. It pretty much felt superficial to me. Only, if there was more of a reason to care for Jack, other than him being an aimless mumbo-dumbo with much depth to his character, I'd have rated the film much higher.

The female protagonist, Grace, is also a blank slate of a character who, coupled with Jack, has nothing much to do until way into an hour or so. The sexual tension between Grace and Jack, when they first meet, is released so quick, random and abrupt, that I started laughing my butt off. The only redeeming things from this would be the excellent camerawork, solid sound design, and a bravura central performance by Keiran Charnock. Other than that, this film only adds to the countless forgotten films of our world that only tell pretentious and surface level stories, with long and extended shots where nothing happens visually, narratively or thematically.